Childe's son should not treat chrysanthemum seedlings as ordinary weeds. On the Double Ninth Festival, chrysanthemums are in the sideburns, and compete for each other.
Dew sunshine makes the chrysanthemum more Feng Run, and its fragrance fills the pool shore, so it never envies the tile pine that is parasitic not very high.
This is a poem about objects. The author praises chrysanthemums, but never leaves them. From the humble appearance of chrysanthemum, he wrote about people's love for chrysanthemum, and then wrote about the noble character of chrysanthemum, pointing out his theme of praising chrysanthemum. Obviously, this chrysanthemum-chanting poem was expressed by the poet in a symbolic way.
"Wang Sun Mo Pengyi", Peng Yi is a weed. Chrysanthemum, just from its branches and leaves, has some similarities with chrysanthemum morifolium. Those children and grandchildren who are not diligent and do not care about the whole grain can easily regard chrysanthemum as chrysanthemum. The poet warned them not to compare chrysanthemum with Artemisia scoparia. This sentence rises abruptly, directly raises questions, tends to be strategically located, and reveals contempt for the prince. As the first sentence, it has the function of mentioning the whole article. "Nine days to support the temples" is closely related to the first sentence. The ninth day of the ninth lunar month is called the Double Ninth Festival every year. On this day, the ancients had the habit of climbing to admire chrysanthemums, drinking chrysanthemum wine, wearing dogwood bags and picking chrysanthemums and putting them in temples. The poet mentioned this ancient traditional custom, but only omitted the word "chrysanthemum" and took care of the first sentence, which showed that people, unlike Wang Sun, loved and respected chrysanthemums very much. These two sentences, from people's different attitudes towards chrysanthemum, initially point out the nobility of chrysanthemum.
Three or four sentences are the focus of the whole poem, which embodies the noble temperament and noble character of chrysanthemum. "Dewdrops and autumn fragrance fill the pool shore", which only takes seven words to describe the scene of autumn morning: the sun rises, chrysanthemums are exposed in the bushes, full of dew, moist, crystal clear, bright and lovely; The fragrance wafts all over the pool shore, which makes people feel relaxed and happy. The unique charm of chrysanthemum is vividly on the paper. The word "wet" here is very particular, which makes people want to see the petals covered with dew, especially moist and bright. The image of the word "person" is just right, which shows how refreshing the fragrance is. From this, we not only saw the unique image of chrysanthemum, but also felt the charm of chrysanthemum intertwined with that specific environment and atmosphere. After describing the temperament of chrysanthemum, the poet naturally summed up the theme of chanting chrysanthemum as: "the origin does not envy tile pine." The tile pine is a plant parasitic on the eaves of high-rise buildings. Cui Rong, a bachelor of Chongwen Pavilion in the early Tang Dynasty, once wrote "Poems of Vasong", and his preface said: "Vasong in Chongwen Pavilion was born on the roof ... The custom is that it looks like a pine, and life depends on a tile, so it is called Vasong." Although Vasong can blossom and spit leaves, it is useless to be "only one foot tall and only one inch tall", so "Scouts (doctors) don't reward them, and catalpa craftsmen (carpenters) are hard to know". The author compares Chi Pan's chrysanthemums with the high-rise tile pine, which means that although chrysanthemums grow in low-lying swamps, they are noble and quiet, and they do not hesitate to give their fragrance to people. Although Vason is in a high position, he is actually "useless to people and useless to things." Here, the chrysanthemum is personified, and the author endows it with the ideological quality of not seeking high position and glory. "Birth" corresponds to "no envy", emphasizing tone and highlighting the noble integrity of chrysanthemum. This last sentence revealed the theme of the poem here, and the poem was sublimated.
Poetry about things cannot be without things, but it cannot be written for the sake of writing things. Pure words, even if realistic, are just "forgetting the appearance" and lifeless. This poem conforms to a chrysanthemum character, and each sentence contains the author's thoughts and feelings. Chrysanthemum is simply a symbol of the poet himself.