How does the poem Miscellaneous Poems in the Mountains express the poet's thoughts and feelings? Great gods, help!

Appreciation 1: These four landscape poems have their own styles. Before each sentence, if you read the words "look at it" in one breath, a wonderful picture will appear before our eyes and play beautiful music. Du Fu's quatrains: "Two orioles sing green willows, and a row of egrets go up to the sky. The window contains autumn snow in Xiling, and the Wu Dong Wan Li boat stops at the door. " Looking around, I feel deeply, combining different scenery to form a special environment, giving people a fresh feeling. That's the style. Appreciation 2: the poem describes the poet's interesting life in the mountains: surrounded by peaks, lush bamboo and wood, birds flying on the eaves of others, and clouds floating out of the window. This kind of seclusion exhausted the dust of the world and expressed the poet's comfortable and leisurely mood casually and vividly. The whole poem is only four short sentences, one sentence and one scene, but each sentence is inseparable from the theme of "in the mountains", which is a common phenomenon in quiet mountains. When the sun sets, you can only see the oblique glow of its veins in the cracks of the bamboo forest, which shows that the bamboo forest is dense and lush, and the first two sentences of the fun in the mountains have already been heard. Birds come and go on the eaves, and white clouds pass through the window, all of which show that the poet lives on a high and steep terrain, while in the Maolin bamboo cultivation, birds always live in front of and behind his eaves, which reflects the tranquility and detachment of the mountain residence, away from the hubbub. Shen Deqian once said this poem: "Four sentences about scenery are unique." It means that this little poem concentrates all the pen and ink on the scenery, which is different from the general structure from scenery to characters or from scenery to lyric, and opens up a new format. In fact, although each of these four sentences is a scene, people are always in it. For example, "seeing" and "peeking" in the first two sentences all indicate that there is someone behind the scenes, and the scene written is only seen by people, not purely objective description. As for "on the roof" and "in the window" in three or four sentences, people's existence is more clearly revealed. Moreover, the poet's joy in living in the mountains has been hinted at in his landscape writing, and his calm and detached state of mind can also be seen here. Wu Jun is an expert in writing landscapes. The reason why these four short poems can outline the characteristics of Shan Jutu lies in the author's proper choice of observation angle. Smoke is seen by mountains, sunset is seen by bamboo, birds are on the eaves, and clouds are outside the window. In this way, Shan Lan, Sunset, Birds and Clouds were written in an unusual way, which brought the subjective color that the poet saw in Shan Jutu and had typical significance. It's like photography, which takes the same image, but everyone has his own opinion. And a frame of successful works can always capture the characteristics and interests of the scenery from a novel and ingenious angle, just like Wu Jun's imitation of the landscape. About the author: Wu Jun was born in Xing Wu (now Anji, Zhejiang). Born in the fifth year of Taishi Emperor in the Song and Ming Dynasties (469), he died in the first year of Liang Wudi (520). The family background is poor, and everyone is eager to learn and talented. Shen Yue once read his article and expressed his appreciation. Tian Jianchu and Liu Yun were appointed as the magistrate of Xing Wu, called him as the main book, and often wrote poems with him. Later, he was the secretary of King Xiao Wei of Jian 'an and was promoted to assistant minister of the country. Please enter the court. He once asked to write Qi Chunqiu, and the manuscript was handed over to Emperor Wu of the Han Dynasty. Emperor Wu of the Han Dynasty actually recorded that he was burned "because his book was untrue". Later, he wrote the General History by imperial edict, but he died before. See Liang Shu's Southern History, Volume 49, Volume 72, Biography of Wu Jun, and Zhu Dongrun's Poet Wu Jun has a chronicle of Wu Jun (see China Literature Collection published by Zhonghua Book Company 1983) for reference. Wu Jun is a historian. He wrote 30 volumes of Qi Chunqiu, 10 Record of the Temple, 16 Records of the Twelve States, 5 volumes of Biography of the Sages in Qiantang and 90 volumes of the Book of the Later Han Dynasty, all of which have died. He is a famous writer. Legend of Liang Shu: "The monarch's body is clear and ancient, and those who are good or learn are called' Wu Jun's body'." His Collection of Twenty Volumes. Sui Shu? Four notes in the Annals of the Classics: "Liang Fengchao invited Wu for twenty volumes." Old Tang book? Records of both capital city and Tang Xin Shu? Literary and artistic records are all twenty volumes. Song Shi? Literary annals: Three Volumes of Wu Jun's Poems. It can be seen that most of his works were lost in the Song Dynasty. The compilation of the Ming Dynasty includes: Three Volumes of Wu Chao Please Collection, Appendix One Volume, and Seventy-two Volumes compiled by Zhang Xie. "Wu Chao Please Collection" is a volume of 103, a masterpiece of the Han, Wei and Six Dynasties collected by Zhang Bi. In addition, there is a volume of Wu Wenxuan, in which 130 selected works of Han, Wei and Six Dynasties were selected by Wu Rulun in Qing Dynasty. Quanliangwen has a total of 60 volumes, including 13 articles, such as Friends with Stone, Thoughts on Writing with Zhu Gu, Poems of Qi, Qin, Han, Wei, Jin, Southern and Northern Dynasties, etc. Liang Shi's 10-volume edition consists of 147 poems, including To Wang Guiyang, Miscellaneous Poems in the Mountains, Answering Liu Yun's Poems, etc., which are relatively complete. One of Wu Jun's poems and essays was not selected. I wonder if it has something to do with Liang Wudi's criticism that "Wu Jun is unfair and He Xun is puffed up" (see the biography of He Xun in volume 33 of Southern History). Wu Yun's achievements in parallel prose are relatively high, and his books with Zhu and Gu Zhangshu are well-known masterpieces. Wu Jun's poems, like his prose, are full of mountains and rivers, with fresh and straight style and certain artistic achievements. In addition, he also has Continued Harmony, which is an excellent novel of the Six Dynasties.