Wangwei information

Wang Wei (70 1-76 1), a famous poet in the prosperous Tang Dynasty, was famous and successful, with a high official, originally from Qi (now Qixian, Shanxi), moved to Yongji, Shanxi, believed in Buddhism and lived in Lantian in his later years. He is good at drawing figures, bamboos and landscapes. There are two kinds of landscapes recorded by the Tang people: one is similar to Li's father and son, the other is painted by breaking ink, and the latter is his masterpiece. Unfortunately, no original works have been handed down from generation to generation. The Snow Stream Map and Jinan Mansion handed down to him are not original works.

Wang Wei was very literary when he was a teenager. In the ninth year of Kaiyuan (72 1), he was the first scholar, and he was very happy. I joined the army in Jeju for some reason. After returning to Chang 'an. In the 22nd year of Kaiyuan, Zhang Jiuling was appointed as the secretariat. Wang Wei was demoted to the right. At that time, he wrote a poem "Dedicating the Beginning to Prosper the People", praising Zhang Jiuling's political views against planting party member for personal gain and abusing his title, which reflected his mood of demanding at that time. Twenty-four years (736), Zhang Jiuling went on strike. The following year, Jingzhou was relegated to a long history. Li's appointment as the secretariat was a turning point in Xuanzong period, and politics changed from relatively clear to increasingly dark. Wang Wei was depressed about Zhang Jiuling's demotion, but he didn't quit the officialdom. In the 25th year of Kaiyuan, he was ordered to visit Cui, our envoy from Hexi. Later, he learned from the temple history that Wang Wei's official position was gradually promoted. Before the Anshi Rebellion, on the one hand, officials were tired and worried about the officialdom at that time, on the other hand, they were attached to the stack and could not leave decisively. So when in Rome, do as the Romans do, and live a semi-official and semi-secluded life for a long time.

He used to believe in Buddhism. At this time, with the increasing negative thoughts, his Buddhist beliefs are also developing day by day. When he was young, he used to live in a mountain forest. After middle age, he once lived in Zhong Nanshan. Later, he found jobs in Wangchuan, Lantian and Song. So he travels among them with his good friend Pei Di and likes to write poems. In the fifteenth year of Tianbao (756), the Anshi rebels captured Chang 'an, Xuanzong entered Shu, and Wang Wei was captured by the rebels. Pretending to be ill after taking medicine, he was sent to Luoyang as a fake official. After the recovery of the two capitals, those who suffered from false jobs were convicted at different levels. He was praised by Su Zong for a poem "Ningbichi" that missed the Tang Dynasty, and his brother Wang Jin had a high official position, so he was only demoted to Prince Zhongyun, and later he moved something and finally became a senior official.

There are less than 400 poems by Wang Wei. Among them, the most representative of his creative characteristics is the description of natural scenery such as mountains and rivers, pastoral and secluded poems. Wang Wei's high achievements in describing natural scenery made him unique in the poetry circle in the prosperous Tang Dynasty and became the representative of the pastoral poetry school. He inherited and developed the tradition of writing landscape poems initiated by Xie Lingyun, and absorbed the freshness and naturalness of Tao Yuanming's landscape pastoral poems, which made the achievements of landscape pastoral poems reach a peak, thus occupying an important position in the history of China's poetry. Together with Meng Haoran, he is a representative figure of the pastoral poetry school in Tang Dynasty. Wang Jin collected more than 400 poems of Wang Wei in Biography of Wang Wei in Old Tang Dynasty. In addition, Wang Jin's "Entering Wang Youcheng Collection Table" was compiled as 10 volume. Shu Gu Tang originally contained the Collected Works of Wang Youcheng by Masha in the Southern Song Dynasty 10, and then it was returned to Lu Xinyuan □ Song Lou. The Beijing Library has 10 volume of Wang Mo's Song Shu Engraving Collection, which was photocopied and published by Shanghai Ancient Books Publishing House on 1982. In the Yuan Dynasty, there were six volumes of The Collection of Wang Youcheng, which were reviewed by Liu, and four copies were copied by You Qian, Lv Xiang and Cui Xingzong. In the Ming Dynasty, there were 10 volumes of Wang Youcheng's poems in the Tang Dynasty, among which 4 volumes of Selected Poems were the earliest extant annotations of Wang Wei's poems. Zhao Diancheng's Notes on Wang Youcheng in Qing Dynasty is a good one so far. In addition to explaining all the poems, there are also notes to explain the author's suspicious poems, and occasionally textual research; Wang Wei's life information and poetry and painting comments were also collected as appendices. 196 1 year, Zhao Zhu was revised by Shanghai Editorial Institute of Zhonghua Book Company and printed and published. In addition, Zheng Zhenduo collated the four series with Zhao Diancheng's notes and other four versions, and included them in the World Library. For the deeds, see Biography of Old and New Books of Tang Dynasty. Both Gu's annotation and Zhao Diancheng's annotation are accompanied by Wang Wei's chronicle written by the annotator. There is a paper on Wang Wei's life story in Chen Yi today, and a chronology of Wang Wei is attached (on Tang poetry).

Most of Wang Wei's pastoral poems depict the natural beauty, but at the same time, they reveal the leisure interest in the leisure life. Poets especially like to express a quiet and tranquil realm, and some works are desolate or lonely, showing indifference to reality and even Zen thoughts and feelings. After middle age, Wang Wei became increasingly depressed and sought sustenance in Buddhism and landscapes. He claimed that "silence is joy, and there is much leisure in this life" ("Fanbu Busan Monk"). This state of mind has been fully reflected in his poetry creation. In the past, many people admired Wang Wei's poems, on the one hand, because of his high artistic skills, on the other hand, because of his leisure and negative thoughts. In the Ming Dynasty, Hu Yinglin called Wang Wei's five-line poem "Zen", and said that two poems, Bird-singing Creek and Wu Xinyi, "I forgot my life experience after reading them, and my thoughts were all silent" (poems), which is proof. Legend of Snow Scene is a work about Wang Wei's parting and travel, and there are often some beautiful sentences describing the scenery, such as "Far trees lead, the sunset is red in the distant city" ("Sending money home") and "Half a mountain and half a rain, thousands of valleys come to the Silk Waterfall" ("To Li Shi in Zizhou"). The tides rise and fall on the earth (Farewell to Guizhou) and Lonely Smoke in the Desert.

Su Shi once said: "There are paintings in poetry, which are fascinating; Look at the picture, there are poems in the picture. " Wang Wei is not only outstanding in literary talent, but also an excellent painter who is good at music.