There are three reasons why China's poems took the road of law and flourished after Qi Liang:
First, the law poems were influenced by Fu, which is the main reason. -the rise of the antithesis of sound and meaning
Second, influenced by the translation of Buddhist scriptures and the study of Sanskrit, that is, the influence of anti-tangent. -for
, backcutting is the method of applying pinyin to the original word of this pinyin. Upward posture: It turns out that Pinyin is influenced by Sanskrit.
China scholars will never find the truth of pinyin in China characters that are not pinyin unless they are inspired by pinyin characters. Therefore, it is undoubtedly influenced by Sanskrit.
The word "under the reverse tangent" has two functions, one is to indicate homophony (receiving the same vowel), and the other is to indicate homophony (flat or other sounds).
The difference of four tones is inherent in China's pronunciation. Realizing this difference and analyzing it in detail probably started from anti-tangency, and the application of this technique of distinguishing between poems began in Jinning and flourished in Qi Yongming's era.
The influence of Sanskrit input, coupled with the prevalence of the study of phonology, led to the formation of Yongming Poet's Rhythm Association.
Third, another important reason is that in the Qi and Liang Dynasties, Yuefu was gradually transformed into a literati poem. At the last stage, the poem had words but no tone, and the external music disappeared, and the music of the words itself replaced it. Yongming temperament movement is the natural result of this deepening.
Explain in detail the four periods of the relationship between sound and meaning in the evolution history of poetry:
1. The period of having sound but no meaning. The most primitive period of poetry. Poetry and music and dance are of the same origin, and the life of * * * is in rhythm. In addition to the harmony of music and dance rhythm, singing does not have to contain any meaning. Most of the original folk songs are like this
2. The period when sound is more important than righteousness. Most of the more evolved folk songs are of this kind. Among the two components of poetry, tone is the main one and word is the auxiliary one. Words are popular
3. The period of sound and meaning differentiation. This is the period when "folk poetry" evolved into "art poetry". The author of poetry has changed from the whole people to a scholar of a special class.
4. The integration of sound and meaning. Poetry and tune are separated, and there is no music other than words in poetry. Although poetry cannot be sung, it must still be recited, which makes the rhythm and tone of language still contain the rhythm and tone of several forms of music. The rhythm of poetry began to prevail.
The Book of Songs should be a period when sound is more important than meaning; In the early days, Yuefu was also a period of "sound is more important than meaning", and Yuefu was a medium for brewing ancient poems with five or seven words in Han and Wei Dynasties. When the ancient poems were completed, Yuefu changed from "sound is more important than meaning" to "sound and meaning differentiation". The Qi and Liang Dynasties were properly separated from the successful period of the modulation word movement, so the melody movement was the most popular at that time. The case of Qi and Liang Dynasties is the fourth period of the separation of sound and meaning, that is, the musical period when poetry leaves external music and focuses on the words themselves.