China's first poetry collection is

China's first collection of poems is The Book of Songs. The Book of Songs is the earliest collection of poems and the beginning of China's ancient poems. Collected poems from the early years of the Western Zhou Dynasty to the middle of the Spring and Autumn Period (pre-1 1 century to the 6th century), with a total of * * * 31/,among which 6 poems are full, that is, there are only titles but no contents, which is called full poems. The Book of Songs fully shows the social life of China in the Zhou Dynasty, and truly reflects the historical features of the slave society in China from prosperity to decline. Some of these poems, such as Gong Liu, Mian, Huang Yi, Daming, etc. In Daya, the origin, development and establishment of Zhou tribes from the birth to the demise of Hou Ji were recorded. There are two opinions about the creation of The Book of Songs: 1. Pedestrians say that the phonological system and rhyme rules of 305 articles in The Book of Songs are basically consistent with the poetic form, but they involve a long time and a wide range. In the case of inconvenient transportation and different languages in ancient times, it is unthinkable to produce such a collection of poems without purposeful collection and arrangement. So the poetry anthology is credible. 2. Confucius said that Confucius in the Tang Dynasty, Zhu in the Song Dynasty, Zhu Yizun in the Ming Dynasty and Wei Yuan in the Qing Dynasty were all skeptical. The Book of Songs was written in the 6th century BC, before Confucius was born. In 544 BC, Ji Zha, the son of Wu, went to the State of Lu to watch music. The preface of the wind music poems played by Lu was basically the same as that of the Book of Songs today, indicating that there were poems at that time, while Confucius was only 8 years old. Therefore, modern scholars generally believe that the theory of deleting poems is not credible. But according to what Confucius said in The Analects of Confucius: "I will go back to Shandong and be happy, elegant and eulogized where I belong." It can be seen that Confucius really likes this poem. It was only at the end of the Spring and Autumn Period that new voices rose and ancient music was lost. Only songs and poems in "Poems 300" were handed down and became the collection of poems seen today. Sogou Encyclopedia-The Book of Songs China's first collection of poems-The Book of Songs collected 305 poems from the early Western Zhou Dynasty (1 1 century) to the mid-Spring and Autumn Period (6th century BC) for about 500 years. The Book of Songs was called "The Book of Songs" in the pre-Qin period, and sometimes it was called "The Book of Songs 300" by integers. It was not until the Book of Songs in the Han Dynasty was officially regarded as one of the classics by the imperial court that the name of the Book of Songs appeared, and it is still in use today. There are different opinions about the compilation process of The Book of Songs. First, the Zhou court specially set up officials to collect folk songs. They interviewed and collected folk songs everywhere and concentrated the folk songs of various vassal countries. Second, the Zhou Dynasty had a system of "offering poems", and officials and scholars had to offer poems to the emperor on some occasions. This is how many elegant poems in The Book of Songs come together. The poems in The Book of Songs are originally lyric poems with music, which retain the combination of poetry, music and dance. Among them, "Feng" is a folk song of various vassal States, which was divided into 15 "National Wind" by, Bian, Wei, Wang and Zheng, with a total of 160 pieces. "Ya" is the official music in Wang Ji in the Western Zhou Dynasty, with 105 articles, which are divided into "Ya" and "Ya". Ode is the dance music of the ancestral temple of the ruling class, with 40 songs, which are divided into Zhou Song, Truffle and Ode to Shang. Many chapters in The Book of Songs reflect the social outlook in the long historical period 2500 years ago. On the expression of The Book of Songs, predecessors summarized it as Fu, Bi and Xing. As an early form in the development of poetry, The Book of Songs is basically a four-character poem, which is relatively neat, but it mostly adopts the form of two characters to eight characters and one sentence, which is flexible and free, and its reading rhythm is natural. The Book of Songs created an excellent tradition of China's poetry and had a great influence on later generations. The ancient poets in China were influenced by The Book of Songs to varying degrees. The study of The Book of Songs later became a specialized knowledge. 1. China's first collection of poems is The Book of Songs. There are 305 existing books in The Book of Songs, which are divided into three parts: Feng, Ya and Ode. 2. The Wind contains folk songs from fifteen places, including some places in Shaanxi, Shanxi, Henan, Hebei and Shandong (Qin, Qi, Han, Zhao and Wei) today, and most of them are folk songs from the Yellow River valley. Most of the polished folk songs are called "The Wind of Fifteen Countries", 160, which is the core content of The Book of Songs. "Wind" refers to rural wind and wind ballads. 3. Ya is a music song near the capital of Zhou Dynasty, with 105 songs. Including Daya Xiaoya, * * * 3 1 article. "Ya" is Ji's music. "Daya" mainly praises the ancestors of the Zhou royal family and even proclaims the merits of the king. Some poems also reflect the tyranny and chaos of Li and You Wang and their ruling crisis. 4. The explanation of Fu was first found in Preface to Poetry: "Fu is described as a virtue, and its success is also known to all gods." Confucius said in Mao Shi Zheng Yi that the word "Rong" was omitted under "ode". Zhu's Biography of Poetry says that the ancient words "ode" and "capacity" are universal. 5. The Book of Songs is the source of China's poetry and the glorious starting point of China's poetry history. It has many forms: epic, satirical poem, narrative poem, love song, war song, carol, holiday song and labor ballad. Rich in content, it reflects all aspects of social life in the Zhou Dynasty, such as labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and feasting, and even astronomical phenomena, landforms, animals and plants. It can be said that The Book of Songs is a mirror of Zhou society. The language of The Book of Songs is the most important material to study the general situation of Chinese from the 6th century BC to the 6th century BC. The Book of Songs is China's first collection of poems, which contains 305 poems from the Western Zhou Dynasty to the Spring and Autumn Period. The Book of Songs is the earliest collection of poems in China, which contains 305 poems of the Zhou Dynasty. Originally called "Poetry" or "Poetry 300", Confucian scholars in the Han Dynasty began to call "The Book of Songs". The existing Book of Songs was handed down by Mao Heng in the Han Dynasty, so it is also called Mao Shi. It is said that all the poems in The Book of Songs are lyrics that can be sung at that time. According to the nature of music, it can be divided into wind, elegance and praise. The "Wind" is composed of Nan Zhou, Zhao Nan, Gao Feng, Yong Yufeng, Feng Wei, Feng Wang, Qifeng, Wei Feng, tang style, Qin Feng, Martin, Guifeng, Cao Feng and Zhuifeng, and is called the Fifteen-Country Wind. Most of them are folk songs in the Yellow River valley, and a few are works processed by nobles. "Elegance" includes Xiaoya and Daya, *** 105. Ya is basically a noble work, and only a part of Xiaoya comes from the folk. Ode includes Zhou Song, Truffle and Shang Ode, with a total of 40 articles. Ode is a lyric used in court sacrifice. Generally speaking, folk songs are lively and lively, and the poems of court nobles are dwarfed by them, and there is not much poetry. The Book of Songs is the source of China's poetry and the glorious starting point of China's poetry history. It has many forms: epic, satirical poem, narrative poem, love song, war song, carol, holiday song and labor ballad. Rich in content, it reflects all aspects of social life in the Zhou Dynasty, such as labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and feasting, and even astronomical phenomena, landforms, animals and plants. It can be said that The Book of Songs is a mirror of Zhou society. The language of The Book of Songs is the most important material to study the general situation of Chinese from the 6th century BC to the 6th century BC.