Seek the source of allusions in Preface to Tengwang Pavilion, and try to summarize them as much as possible. Thank you.

There are not only a large number of allusions in Preface to Tengwang Pavilion (there are 4 or 5 allusions in total), but also good at combining the beautiful stories sung in ancient stories with the present situation and the author's state of mind. By using allusions, in this preface, the sad feeling of not being able to meet one's talents and the enterprising psychology of not being willing to fail are fully expressed, and they are very tortuous. Previous poems and poems like to use allusions. Parallel prose is the extreme of allusion. Its main advantages are: using stories or poems of predecessors to form sentences, and expressing as many meanings as possible with very little pen and ink. The allusion involves rich historical and cultural knowledge, and the methods are positive use, negative use, explicit use and covert use, etc. In grammar and rhetoric, there are different methods such as inversion, contraction, antithesis and metonymy, and the ideas and ideologies of the ancients are very different from today. This requires a higher level of readers. If readers don't have enough knowledge, they will feel that they can't understand the article. For example, "Looking at Chang 'an in the sun and seeing Wu in the clouds", if you don't know Lu Xun's argument, you will feel that the writer is just writing to climb high and look far. In fact, this sentence uses allusions to describe himself as young and talented as Lu Ji. Here, according to the order of allusions in the text, the main allusions in the text are explained in detail as much as possible. Xu Ru got off the couch of Chen Fan. Xu Ru (97-169), a naive boy, was a native of Fengcheng, Jiangxi Province. In the Eastern Han Dynasty, he was a famous person who was full of economy and indifferent to fame and fortune, and was called "Southern Zhou Gao Shi". Xu Ruzi was very clever when he was a child. At the age of fifteen, he came to Jishan Mountain, where Fengcheng, Nanchang and Jinxian counties meet, and worshipped Tang Tan, a famous scholar at that time. One side set up an account to serve as a disciple. He once went out for a long trip and consulted the great scholar Fan Ying and Huang Qiong, which benefited him a lot, making him one of the prestigious scholars at that time. He was recommended by local officials many times, but he declined. Xu Zhi was very lofty and self-sustaining. According to the History as a Mirror, Xu Zhi worshipped Huang Qiong as a teacher in his early years, but after Huang Qiong became a big official, Xu Zhi took the initiative to sever ties with Huang Qiong and concentrate on farming at home instead of making friends. The boy hung it, crying his heart out, but he didn't give his name, so that six or seven thousand people didn't know him. Chen Fan, a famous minister in the Eastern Han Dynasty, went to Yuzhang to be a satrap (147) and was determined to do something great. When he arrived in the local area, he was in a hurry to ask Xu Ruzi, a celebrity, for advice on world affairs. He should go to the yamen first, but he scolded him. At that time, Xu Zhi was over 5 years old, and when Chen Fan sent someone to take him from the village. Xu Zhi put it down when he came, and hung it up after he left. Therefore, Wang Bo said in Preface to Tengwang Pavilion that "outstanding people make Xu Ru descend to Chen Fan's couch", and took Xu Zhi as the representative of Jiangxi's "outstanding people and outstanding people". Today, there is a famous scenic spot called Ruzi Pavilion in Nanchang, which was originally one of the ten scenic spots in Yuzhang. In 1979, Ruzi Pavilion Park was built. This allusion is mainly about Xu Ruzi because of him. It is Chen Fan's corporal Li Xian who sets off Xu Ru. By the way, calling Xu Ruzi Xu Ru is a contraction in ancient Chinese. The purpose of contraction is to make the structure symmetrical and the rhythm neat. Contraction is mostly used for names in ancient Chinese. There is also "Yang Yi is not satisfied, caressing Lingyun and cherishing himself;" "What's the shame of playing running water when the clock strikes?" "Yang Yi" is the contraction of "Yang Deyi", and "Zhong Qi" is the contraction of "Zhong Ziqi". 2. There are green bamboos in the garden, which makes Peng Ze feel angry. Liu Wu, the grandson of Liu Bang, the son of Wendi, and the brother of Jingdi in the Western Han Dynasty, was sealed in Liang, with Kaifeng as the capital. His most famous building in history is a very big one. He also made great contributions to the defense of the Han Dynasty. After quelling the rebellion of the Seven Kings, he built a large garden in Liang State, centering on Suiyang and relying on the natural scenery, called Dongyuan, also known as Tuyuan, and later generations called Liangyuan. The Book of Han says: "Liang Xiaowang built Dongyuan, with a square of more than 3 miles". The houses in Liangyuan are carved with dragons and painted with phoenixes. There are many kinds of birds and animals. King Liang often hunts here, feasts and meets guests. Literati such as Mei Cheng, Yan Ji and Sima Xiangru all over the world gather in the Liangyuan Garden and become the guests of Liang Xiaowang. The common idiom "Although Liangyuan is good, it is not a place to stay for a long time" comes from this allusion. Peng Ze refers to Tao Yuanming. He once worked as Peng Zeling and likes drinking, so he said "Peng Ze's place." There is a sentence of "full of wine and bottles". These two allusions are quoted in this paper to show that the guests present here are drinking and composing poems just like the literati gathered in Suiyuan Garden (Liangyuan Garden) in those years. Their spirit of being generous and good at drinking is better than that of Tao Yuanming. 3. Ye Shui Zhu Hua, whose pen shines on Linchuan. This clause is used by poets Cao Zhi and Xie Lingyun to compare the literati who attended the banquet. "Ye Shui Zhu Hua" There is a sentence in the poem "Zhu Hua braves the green pool". Zhu Hua, literally a red flower, refers to the lotus (hibiscus) here. Cao Zhi is a master of Jian 'an literature, with seven steps. The Book of Poetry says that Cao Zhi's poem is "extremely tall in character and adopts Hua Mao", such as: "The bright moon clarifies the scenery, and the rows are uneven. Qiu Lan is taken by Nagano, and Zhu Hua braves the green pool." The words "Bei" and "Mao" show the writer's skill in choosing words. The words "Ye Shui Zhu Hua" are written for the banquet, which means that the bachelor of letters who attended the banquet, like Cao Zhi of that year, wrote beautiful poems like "Zhu Hua braves the green pool", and their romantic literary talent reflected Xie Lingyun's poetry, which means that they can be compared with Xie Lingyun. Linchuan, a guide to the landscape poet Xie. Their life experiences are similar, and their lives are doomed. Zhong Rong said in Poems: "Xie Lingyun, the satrap of Song Linchuan, originated from Chen Si." Xie Lingyun worships Cao Zhi's talent very much, and once said something crazy: "There is only one stone in the world, and Cao Zijian monopolizes eight fights, and I have one fight, and the world *. It's very appropriate and natural. 4. Looking at Chang 'an in the sun and seeing Wu in the clouds. The literal translation of these two sentences is: "Looking at Chang 'an in the sunset, looking at Wu Jun in the mist." On the surface, standing in Tengwang Pavilion, you can see Chang 'an in the west and Suzhou in the east. Wu kuài, the textbook is annotated, referring to the city of Wu Jun, that is, Suzhou City, Jiangsu Province. In the Qin and Han Dynasties, the county of Huiji County was in Wuxian (now Suzhou), and the counties were connected, which was called Wu Hui. From the perspective of antithesis, it was not as neat as the previous solution ("Chang 'an" versus "Wu Hui", and a single place name versus a single place name). However, it was also a allusion, and it should have a deep meaning. According to the reference book, the "On the Sun" originated from "Shi Shuo Xin Yu Hui" With the intention of crossing to the east, I asked Ming Di, "What do you mean, Chang 'an is as far away as the sun?" Answer: "The day is far away. I don't know if I don't hear people coming from the side of the day." Yuan Di is different. Tomorrow, I will gather a banquet of ministers to tell you this and ask you more questions. Instead, I answer: "The day is near." Yuan Di pales and says, "Why are you different from yesterday's words?" Answer: "I can see the sun, but I can't see Chang 'an." This dictionary is more like a metaphor for longing for the imperial capital, failing to achieve fame and fortune, and failing to realize my hopes and ideals (see Common Allusions Dictionary, Shanghai Dictionary Publishing House), which is consistent with Wang Bo's life experience and mood, but this understanding is not enough. It can only explain the previous sentence, but not the next. That is to say, it can't explain why "under the sun" and "between clouds" are opposite. In fact, there is another classic source from "On the New Tales of the World": Xun Minghe and Lu Shilong are strangers, and both of them will be seated by Zhang Maoxian. Zhang Ling speaks * * *. As he has great talent, he can't be a common language. Lu raised his hand and said, "Between clouds, Lu Shilong." Xun replied: I met with Dr. You Guanglu at home. Zhang Hua asked them to talk, because both of them have outstanding talents, and asked them not to say ordinary sayings. Lu Shilong surrendered and said, "I'm Lu Shilong in the clouds." Xun Minghe replied, "I'm Xun Minghe in the sun." The "talk show" between Lu Yun and Xun Yin, two celebrities in the Western Jin Dynasty, was a pair of names with high artistic quality. The singing crane is a natural antithesis. Because the wind follows the tiger and the cloud follows the dragon, Lu Shilong, who is quick-witted, calls himself "Lu Shilong in the Cloud". Xunyin is a native of Luoyang, which is the capital of the Western Jin Dynasty. Ci Yuan: "In feudal society, the emperor compared Japan, because the place where the emperor is located is the sun." Therefore, Xunyin calls himself "Xunming Crane in the Sun". Lu Yun is. Later, Shanghai was nicknamed "Yunjian". Because of the famous couplets, "Yunjian" versus "Sunset" became a common parallel language in poetry. Li Yu's "Li Weng Dui Yun" in Qing Dynasty: "The name moves the emperor's capital, and the three Soviet Union in West Shu come to the sun; A strong tour of Jingluo, East Wu Erlu rises in the clouds. "There is a riddle: every household in Wuxia family plays the single-hole flute (answer: blowing the fire tube), and every household in the clouds plays the solo piano (answer: playing cotton). Because of the allusion, this sentence has two meanings. On the surface, it means that standing in Tengwang Pavilion, you can climb high and look far, enjoy your view, and have a wide field of vision. I also know that the author implicitly expresses himself as a young and talented person like Lu Ji, and at the same time reveals the feeling that his career is difficult and he has no way to serve the country. This meaning can be similar to the following: "The terrain is extremely deep in the south, Tianzhu is high and Beichen is far away. It is difficult to cross the mountain. Who is sad for those who have lost their way?" This understanding fully conforms to Wang Bo's character and experience, and can also better penetrate the context. Wang Bo was originally young and energetic, and with his brilliant talent, it is easy to have a high heart. Later, an article entitled "Chicken of the King of England" offended Emperor Gaozong, was expelled from the capital, and even brought trouble to his father. At that time, Wang Boyou was punished by demotion. Being dismayed by the bleak future, looking at Chang 'an in Kyoto is as far away as the horizon, and looking at the Wu Hui seems to be far away from the misty sea of clouds. This is the true expression of Wang Bo's sad and lost feelings about the political future at that time. If he just looks at Chang 'an in the west and looks at the Wu Hui in the distance, how can he convey this complicated emotion? One of the advantages of using allusions is that the words are concise and rich in meaning, and the few are more than the many, which can "contain all things in one" and better convey rich and complicated thoughts and feelings. 5. The terrain is extremely deep in the south, and the sky is high and the north star is far away. "Southern styles" refers to the sea in the south, which comes from "Zhuangzi Xiaoyao Tour": "If it is a bird, the sea will migrate to the south. From "The Miraculous Classic of Mountains and Seas": "There are copper pillars in Kunlun Mountain, which are high into the sky, so it is called Tianzhu. It is surrounded by three thousand miles, and the staff is like a knife. There is a house under the copper pillar, and the walls are hundred feet high." Tianzhu is extremely high. "The terrain is extremely deep in the south, and Tianzhu is high and far away from Beichen." The emperor refers to the heavenly emperor, and the shovel refers to the gatekeeper. The shovel is the gatekeeper of the heavenly emperor. Liezi Tangwen: "The snake-handling god hears about it and fears it, and tells it to the emperor." This "emperor" also refers to the heavenly emperor. The shovel was originally an imaginary god in Qu Yuan's poems. Li Sao: "I ordered the emperor. However, Emperor Chang refused to inform him that this heaven is actually a symbol of the human world, indicating that the poet's road to regain the trust of the King of Chu was completely blocked. The predecessors often used "calling Emperor Chang" and "knocking Emperor Chang" to express their loyalty to the court, hoping that the monarch and his ministers could meet, or that the people's feelings could reach the meaning of holy hearing. Yang Xiong's "Shu Du Fu": "Choose Wu Xian Xi to call Emperor Chang." Hu travels as fast as a ghost. "Yuan Chonghuan's" Huanyili ":"If you sincerely knock on the emperor, you are willing to melt an inch of iron. "In Wang Bowen," emperor "actually refers to the monarch or the court, just like calling the son of heaven by" your majesty ",because the former is" Huai "instead of" Jiao ",and then" disappear ". In contrast to the next sentence "Xuanshi", both of them allude to the emperor of the current dynasty. The translation of "I miss the imperial palace but I can't see it" by the teaching staff means "I miss the imperial court but I can't be summoned". The allusion of "Feng Xuanshi" is intended to sigh that it is difficult to get close to the imperial court and be loyal to the emperor, and at the same time, it is skillfully written for the following "I am bent on Changsha, not without a holy Lord" Emperor Han once called him back to Chang 'an, and asked him about ghosts and gods in the propaganda room. "Biography of Qu Yuan and Jia Sheng". These two sentences mean that he misses the imperial court, but when can he serve the monarch? 7, Feng Tang Yi Lao, Li Guang is hard to seal. Feng Tang's deeds can be found in Biography of Zhang Shizhi and Feng Tang in Historical Records and Biography of Feng Tang in Han Dynasty. Feng Tang lived in the three dynasties of Wen, Jing and Wu Di, and he was only a Langguan. By the time of Wu Di, someone recommended him, but he was over 9 years old and could no longer be an official. Later generations used "Feng Tang Yi Lao, Feng Tang was old, Feng Tang was old, and was old." I can't do anything anymore. The historical records mainly recorded one thing about Feng Tang. Feng Tang and Emperor Wendi chatted when others were present. When talking about ancient famous soldiers, Emperor Wendi thought that Lian Po and Li Mu were very capable of commanding. Emperor Wendi sighed with emotion and said that I wish I had people like Lian Po and Li Mu as generals. Mr. Feng immediately said that even if you had Lian Po and Li Mu, you wouldn't hire them. Emperor Wendi was furious and left. However, Emperor Wendi was a very good-tempered person among emperors. If someone else were emperor, Feng Tang would almost be beheaded. After a while, Emperor Wen came back and said that even if you criticized me, you should say it in private. How can you lose face in public? Feng Tang said, humble people don't know how to avoid taboos. I think your majesty is too bad for soldiers, the reward is too light, and the punishment is too heavy. Wei Shang, the chief of Yunzhong County, only reported six more heads, so your majesty dismissed him and sentenced him to one year's imprisonment. From this, even if your majesty got Lian Po and Li Mu, it can't be reused. Emperor Wen suddenly realized that he immediately appointed Feng Tang as his special envoy to Yunzhong County to pardon Wei Shang. This is Su Dongpo.