Problem description:
The more the better.
Analysis:
Li Bai (70 1 ~ 762)
China was a poet in Tang Dynasty. The word is too white, and the number is purple. Mian Governor Long (now Jiangyou, Sichuan) was born.
Li Bai read widely in his youth. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the following 10 years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the following year1February, he was invited to Lilin, the shogunate of Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.
Literary creation Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich and colorful contents.
Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and their sufferings, which focus on thinking about women and remembering people, and also write about the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiu Deng's North Building of Xuancheng Qi Xie, Sitting Alone in Jingting Mountain and Journey to Qingxi, are good at depicting beautiful scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army, and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems "But since the water is still flowing, although it is a knife cut, raise a glass to ease the sorrow" (Uncle Yun, a farewell school book at Xiezilou in Xuanzhou) and "Three thousands of feet with white hair, Sorrow is like a beard" (Song of Autumn Pu, Part XV) depict his deep anxiety after the failure of political activities in Chang 'an, which are widely circulated famous sentences. His poem "Poetry from the North Window is not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") wrote his own talent; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell shows the hidden worries about the political situation in the later period of Tang Xuanzong through confusing legends. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm.
The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which are obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the remarkable characteristics of his language style. Li Bai's poems have a far-reaching influence on later generations. Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all benefited from and were influenced by Li Bai's poems to varying degrees.
Li Bai also wrote several poems. There are 12 poems in Zunqian Collection and 7 poems in Hua 'an Miao Ci Selection. Among them, "Qingpingdiao" has three songs "Clouds Want Clothes, Flowers Want Capacity", and the genre is actually a quatrain of seven words, which was sung with music at that time. Other long and short sentences handed down by Li Bai are not very credible. There are more than 60 essays by Li Bai today. Many antithetical sentences did not get rid of the popular parallel prose fashion at that time. But the language is natural and fluent, which is similar to its poetic style. Among them, Hanshu Jingzhou and Preface to Peach Blossom Garden (Li) were selected by later generations and widely read.
Neither this episode nor the proofreading version of Li Baiji compiled by the Tang Dynasty has been handed down. Thirty volumes of Li Taibai's Collected Works in the Northern Song Dynasty were engraved in Suzhou and called Su Ben. Later, there was a Shu edition copied according to Su Ben, which was the earliest extant Li Baiji. During the reign of Kangxi, Miao Yue copied it and called it Miao Edition. The earliest annotation for Li Baiji was Yang Qixian's Li Hanlin Collection in the Southern Song Dynasty, with 25 volumes and rich annotations. Qu Tuiyuan and Zhu Jincheng's Li Bai Ji Zhu is the most detailed one in Li Bai Ji Zhu. Research on Li Bai's works: After the May 4th Movement, before the founding of the People's Republic of China, there was Li Bai, a Taoist poet, and there was a study of Li Bai. After the founding of the people's Republic of China, there was Zhan? He is the author of Li Bai's Poems and Essays, and Wang Yunxi is waiting for Li Bai's research. In addition, there are many individual papers, some of which were selected as representative papers by Zhonghua Book Company, and compiled into Collected Papers on Li Bai's Studies, which were published in the 1960s.
Bai Juyi (772 ~ 846)
China was a poet in Tang Dynasty. The word Lotte,No. Xiangshan lay, Mr. Drunk Sound. His ancestral home is Taiyuan, Shanxi, and his ancestral home is Luanhe River (now Weinan, Shaanxi). In his later years, the official prince from posthumous title Shaofu was called Bai Fu and Bai Wengong.
He was born in a small bureaucratic family all his life. Born in Xinzheng, Zhengzhou (now Xinzheng County, Henan Province). Since 1 1 years old, she has been displaced by war for five or six years. I studied hard when I was a teenager. In the 16th year of Zhenyuan (800 years), he was a scholar, and in the 18th year, he got an excellent degree with Yuan Zhen. After the engagement, Bai Yuan became as famous as a poet. In the spring of nineteen years, he was awarded the provincial school secretary. In the first year of Yuanhe (806), he dismissed the school book lang, wrote seventy-five pieces of "Ce Lin", was proficient in sports, and was named county commandant. Shoot "Watching Wheat Cutting" and "Song of Eternal Sorrow". Yuanhe returned to Korea in the second year, awarded a bachelor's degree in Hanlin in November, and served as a left gleaning in the following year. In four years, he launched the New Yuefu Movement with Yuan Zhen and Li Shen. In five years, Cao, a native of Jingzhao County, joined the army. At this time, he was still a bachelor of Hanlin, drafting letters and participating in state affairs. Can he not be afraid of powerful people? Tell the truth. In six years, Yuanhe was sent back to Beijing to serve because his mother was at home and had served her full term. In ten years, he was demoted to Sima Jiangzhou (now Jiujiang, Jiangxi) for taking the lead in catching the murderer of Wu. The following year, I wrote Pipa Travel. He began to "be an official in seclusion" and built a thatched cottage in Lushan. His thought has changed from "saving the world" to "being immune to the world", and more and more leisurely and sentimental poems have appeared. In the thirteenth year of Yuanhe, he changed to Zhongzhou Secretariat, returned to Beijing in the fifteenth year, and moved to Zhongshu Sheren. Due to the feud between the cronies of the DPRK and China, Yu Changqing requested to be released in the second year (822), and he was the secretariat of Hangzhou and Suzhou successively, which won the hearts of the people. In the first year of Emperor Wenzong Daiwa (827), he was supervised by the secretary, transferred to assistant minister of punishments the following year and settled in Luoyang for four years. Later, he served as the guest of the Prince, Henan Yin and Shaofu Prince. In the second year of Huichang (842), he became an official with the minister of punishments. In Luoyang, he entertained himself with poetry, wine, Zen, Qin and mountains and rivers, and often sang with Liu Yuxi, who was called Liu Yuxi. In Huichang four years, eight stone beaches were dug in Longmen for the benefit of boat people. At the age of 75, he was buried at Pipa Peak in Xiangshan, Longmen, Luoyang. Li Shangyin wrote an epitaph for him.
Bai Juyi's poetry theory integrates Confucianism, Buddhism and Taoism. Self-reliance, with Confucianism as the guiding ideology, "wealth will help the world, and poverty will be immune to it." His ambition of "helping the world and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of treating filial piety and the method of applying Korea; His mind of "being alone" absorbed the concepts of contentment, uniformity and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation". The two are roughly bounded by Bai's demotion of Jiangzhou Sima. Bai Juyi not only left nearly 3000 poems, but also put forward a whole set of poetry theory. He compared poetry to a fruit tree and put forward the viewpoint of "root feeling, Miao character, Watson and true meaning" (nine books are the same). He believes that "emotion" is the fundamental condition for the emergence of poetry, "those who touch people's hearts should not care about emotion first" (ibid.), and the emergence of emotion is related to current politics because of emotion. Therefore, poetry creation cannot be divorced from reality, but must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs and attached importance to the realistic content and social function of poetry. Emphasize the role of poetry in exposing and criticizing political abuses. He put forward a series of principles in the method of poetry expression: (1) Simple and straightforward words; (2) Speak straight to the point, write things directly and be close to things; (3) The facts are true, the contents are true and well documented; (4) The body is smooth and smooth, and the text is smooth and easy to sing (Preface to New Yuefu). His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has an important influence on the poetic style that has gradually emphasized form since Dali (766 ~ 779). However, overemphasizing the subordination of poetry creation to the needs of real politics will inevitably constrain the artistic creation of poetry and the diversification of poetry styles.
Bai Juyi once divided his poems into four categories: satire, leisure, sentimentality and miscellaneous methods. Generally speaking, the first three categories are ancient bodies, and the latter category is near bodies. The first three categories are roughly divided by content, but they overlap. Among these four types of poems, Bai himself pays more attention to the first two types, and thinks that satirical poems reflect the ambition to help the world; Leisure poems show the meaning of being good alone; It is a direct embodiment of his life goals. Sentimental poems and miscellaneous poems are "either seduced by one thing or sent by a smile, born spontaneously, not in life" (Yuan Zaju "Nine Books"). Satire is the essence of white poetry. There are 50 representative works of New Yuefu and Qin Zhongyin 10. They widely reflect the major issues in all aspects of social life in the middle Tang Dynasty, and focus on describing the darkness of reality and the suffering of the people. These poems are fiercely worded and have no scruples, breaking through the tradition of "gentle and honest" poetry teaching, and are very prominent in ancient poems criticizing current politics. Satire is more direct in form. The narrative is complete, the plot is vivid, and the plot of the characters is meticulous and vivid. The other part of satirical poetry uses allegory to support things and natural images to support political feelings. These two kinds of works have profound and broad generalizations, concentrated themes, vivid images and clear language. Some "new Yuefu" also adopt the sentence pattern of "337", which has traces of folk popular literature and art. Leisure poems mostly express the yearning for seclusion and quiet life in the countryside and the interest of leading an honest and clean life. Many poems also promote the idea of contentment, peace and happiness. However, some poems show dissatisfaction with reality from the side, which shows that his pursuit of leisure is only a helpless relief. The most famous sentimental poems are the narrative poems "Song of Eternal Sorrow" and "Pipa Xing". Song of Eternal Sorrow is a story about the marriage and love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, which contains both an earth-shattering satire on China's lust for beauty and endless sympathy and regret for this endless sorrow. Pipa has a sense of descent, and his language achievements are outstanding. These two poems are full of twists and turns in narrative, meticulous in writing, good at parallelism, smooth and harmonious in sound and rhyme, and widely circulated. Bai also has many gifts for relatives and friends, sincere and sincere, simple and moving. However, in this kind of poems, there are many sad colors that lament the old people's illness and death, and Buddhist thoughts that get rid of the hubbub. Miscellaneous poems are the most in white poems, and some intriguing lyric landscape poems are very famous, with a few strokes and a lot of business. In addition, there are some long sentences and poems that tell the truth and contrast the melody. There is a glass of light, wine shadow and amorous feelings, which is quite imitated by people at that time. White poetry was widely spread at that time, from the court to the folk, and its reputation spread far and wide in Xinjiang, Korea and Japan. White poetry has a great influence on later literature. Pi Rixiu, Lu Guimeng, Nie, Luo Yin and Du Xunhe in the late Tang Dynasty and Wang Yucheng, Mei, Su Shi, Lu You, Wu and Huang Zunxian in the Qing Dynasty were all inspired by the style of white poetry. Playwrights of later generations have also re-created according to the stories of Bai poetry, such as Bai Pu and Hong Gang's Song of Eternal Sorrow, such as Wu Tongyu and Palace of Eternal Life. Ma Zhiyuan and Jiang Shiquan wrote Tears on the Shirt and Autumn on the Four Strings respectively based on Pipa. White poems and white sentences were also adopted by the three generations of characters in Song, Yuan and Ming Dynasties. Bai Juyi is not a literary group of Han and Liu, but he is also an advocate and creator of new style ancient prose. His 75 articles "Ce Lin" are outstanding in knowledge, popular in discussion and profound in writing, and they are political papers tracking Jia Yi's "public security policy". Yuan Jiu Shu is an important literary criticism document in Tang Dynasty. Essays such as Caotang Collection, Lengquan Pavilion Collection, Preface to Three Visits Cave and Preface to Litchi Map are concise and to the point. It is a masterpiece in the prose of Tang Dynasty. Bai Juyi is also a powerful promoter of ci creation. Poems such as Recalling Jiangnan, Langtaosha, Flowers Are Not Flowers, and Sauvignon Blanc paved the way for the development of literati ci.
This collection and research materials Bai Juyi compiled his anthology "Bai's Anthology" (formerly known as "Bai's Changqing Collection"), and collected more than 3,800 poems, which were later published. The earliest extant collection of white works is Shaoxing block-printed edition in the Southern Song Dynasty, with more than 3,600 poems (including dozens of other people's works). Ma Yuan reprint in Ming Dynasty and Bonadaoyuan 16 18 Japanese and Shao editions are basically the same. In the early Qing Dynasty, Wang Liming's Poems of White Xiangshan was only a collection of poems. Modern people took Shaoxing as the base and participated in the formation of Bai Juyi's Collection, with Bai Zhuan, an important preface and postscript, and a chronicle. Bai Yuan's Poems by Chen You, Collection of Classical Literature Research Materials Bai Juyi Volume, edited by Chen Youqin, published by Zhonghua Book Company 1962, and Bai Juyi Research by Hideki Hayashi are all important reference books for research.
Wang Wei (70 1 -76 1) was born in Taiyuan, a poet in the Tang Dynasty, and was nicknamed "Shi Fo".
Wang Wei is well versed in Buddhism. Buddhism has a Vimalakīrti classic, which was told by Vimalakīrti to his disciples. Wang Wei admired it, so he called himself Wei, with the word "Momo".
In the ninth year of Kaiyuan (72 1), Wang Wei was a scholar and a great official. Immediately, he was involved in joining the army for Jeju treasurer because he was forbidden to jump the yellow lion in the department. In the 14th year of Kaiyuan (726), he resigned. Later, he was appointed as the right to collect the remains. In order to supervise the remonstrance, at the age of 40, he moved to the temple to preach remonstrance. At the end of Tianbao, An Lushan captured Chang 'an, and Wang Wei was coerced by An Lushan and became his courtiers. But he didn't want to. He writes poems to express his feelings. After the defeat of An Lushan, Wang Wei was pardoned and was named Prince Zhongyun, and later transferred to Shangshu Youcheng, hence the name "Wang Youcheng".
Wang Wei's poems, paintings and calligraphy are all famous and versatile. Music is also very proficient. He made great contributions to landscape painting and was called "the father of southern painting". Greatly influenced by Zen. He founded the School of Ink-wash Landscape Painting, in addition, he is also good at figure painting.
Su Shi commented on Wang Wei's poems: "Poems with charm have pictures; Look at the picture, there are poems in the picture. " So far, this evaluation has been affirmed by scholars. Wang Wei is famous for his five-character poems and quatrains. There are two styles in Wang Wei's poems. The poems in the early stage mostly reflect the reality, while the poems in the later stage mostly depict pastoral landscapes. Wang Wei is also good at pastoral poetry.