Farewell to Xu zhimo of Cambridge
I left quietly, just as I came gently; I waved my hand gently and bid farewell to the clouds in the western sky. The golden willow by the river is the bride in the sunset; Beautiful shadows in the waves ripple in my heart. Green grass on the soft mud, oily, swaying at the bottom of the water; In the gentle waves of Cambridge, I would like to be a water plant! That pool under the shade of elm is not a clear spring, but a rainbow in the sky, broken in floating algae, precipitating a rainbow-like dream.
Looking for dreams? Holding a long Artemisia, wandering back to a greener place, loading a boat with glory and singing in the glory. But I can't play the piano, just a farewell flute; Summer insects are also silent for me, silence is Cambridge tonight! I left quietly, just as I came quietly; I waved my sleeve without taking away a cloud.
Xi Murong, choose
If I can meet you once in my next life, it's only for that moment in hundreds of millions of light years, all the sweetness and sadness in that moment. Then let everything that should happen appear in an instant. I bowed my head and thanked all the planets for their help, so that I could meet you, leave you, finish a poem written by God, and then grow old slowly.
Facing the sea, Haizi blooms in spring.
From tomorrow on, be a happy person, feed horses, cut firewood and travel around the world; From tomorrow on, I care about food and vegetables. I have a house facing the sea, which is in full bloom in spring. Starting from tomorrow, I will write to every relative and tell them my happiness.
That happy lightning told me that I would tell everyone to give every river and mountain a warm name; Stranger, I wish you a bright future. I wish you all the best and you will be happy in this world. I only want to face the sea and spring blossoms.
Appreciation method of modern poetry
Grasping the eye of poetry: the eye of poetry is the most expressive keyword in poetry, which can open up the artistic conception of poetry and make poetry shine. The tempering and setting of poetic eyes play an important role in poetry creation, and all poetry critics in ancient and modern times appreciate poetry from this point.
Image analysis: Image is the product of the collision between the poet's subjective concept and the external objective image, and it is a kind of language artistic image with specific significance that the poet chooses, refines and reorganizes the objective image in order to express his inner world. In poetry, poets should not only think and feel with images, but also express them with images.
Ming and Shi: Social life is infinitely vast, and it is impossible for a poet to write everything in his poems. Therefore, poets often use "reality" to mean "emptiness" or "emptiness" to mean "reality". It is the artistic law of poetry creation that the virtual and the real coexist and set each other off into interest. The "emptiness" in poetry is thoughts and feelings, and the "reality" in poetry is the image of scenery. If poetry only writes "empty", it will appear abstract and empty, without poetry; If you just write "truth", it will look lifeless and lifeless.
Deliberative skills: There are generally two ways for poets to express their feelings: one is to express their feelings directly, that is, to express their personal feelings directly in their works; The other is that poets often ignore political background in order to render scenery and contrast atmosphere, such as euphemistically expressing their feelings with metaphors and allusions.
Knowing the world: Meng Ziyun: "Ode to his poems and read his books. I don't know who he is. " It is based on its world. "This sentence means that if you want to understand his poems, you must know who he is and the era in which the author lives.