1, although the first half focuses on the scenery, the scenery is full of feelings. "The mountains are all red and the forests are all dyed" is not only a portrayal of the surrounding maple forests, but also a reflection of the poet's fiery revolutionary feelings.
Red symbolizes revolution, fire and light. Wan Shan Hong Bian is a vivid expression of the author's idea that a single spark can start a prairie fire, and an optimistic vision for the revolution and the future of the motherland.
"The eagle strikes the sky, the fish jumps shallowly, and ten thousand kinds of frost fight for freedom" is the author's yearning and pursuit for freedom and liberation. The sigh of "melancholy, ask the boundless earth, who is in charge of ups and downs" directly shifts from writing scenery to lyric, which naturally brings out the lyric movement in the second half.
2. Although the second half is mainly lyrical, there is no lack of emotion and scenery. "Recalling the past eventful years", using eventful, novel and image to describe the years will make the intangible extraordinary years.
It has become a tangible towering mountain peak, giving people lofty beauty. "The mid-stream hits the water, and the waves stop the flying boat" is also a magnificent picture of bravely breaking the waves.
It can be said that the sublime beauty of Qinyuanchun Changsha is interwoven with emotion as the warp and scenery as the weft. It not only enables us to enjoy the artistic enjoyment of magnificent autumn scenery, but also draws confidence and strength from the poet's passionate revolutionary feelings.
Extended data:
Appreciation of Changsha Qinyuan Spring:
1, historical perspective
In the history of China's poetry, Qu Yuan was the first poet who described the natural beauty in great quantities and combined it with his concern for the country and the people. This is a fine tradition of China's classical poetry. Mao Zedong's poems inherited this fine tradition. He is good at integrating natural beauty with social beauty, and through the vivid artistic image of natural beauty.
Content that shows social beauty. By describing autumn scenery in Changsha and recalling his revolutionary struggle life in his youth, this word puts forward the question of "Who is in charge of ups and downs", and expresses his optimism about the future of the Chinese nation and his great ambition to take what's going on in the world as his own responsibility. In particular, the last three sentences of this word end with a question, which skillfully answers the question of "who is in charge of ups and downs".
2. Aesthetic perspective
Aesthetically speaking, sublime beauty is manifested in the external aspect, which is embodied in magnificent scenes such as tall, vast, majestic and magnificent. German philosopher Kant divided sublimity into two categories: mathematical sublimity, such as the volume of mountains; The sublimity of mechanics, such as the momentum of a storm. Chernyshevski, a famous Russian literary critic, also said: "One thing is much bigger than everything compared with it, and that is sublime."
Confucius also linked "greatness" with sublimity and praised: "greatness! Yao is the king. This is embarrassing, only the sky is big, this is just embarrassing. " This kind of sublimity, broadness and magnificence is vividly reflected in the description of mountains and rivers in Chairman Mao's poems. Qinyuanchun Changsha is one of the best articles.
3. Calligraphy appreciation
This work, written about 1954, is the representative work of Mao Zedong's calligraphy. It is regarded by calligraphers as the latest work, the most mature and highest work in Mao Zedong's poetry ink, and also the last monument in the ink we have seen. Poetry and ink are written on two pages of red letterhead, *** 15 lines. Mao Zedong's brushwork is quick and clever, but every word is independent, and the whole article is blunt and elegant, fluent and fluent.
Every word is well-written, connecting the preceding with the following, looking far and wide, achieving the beauty of nature; Get rid of the tense situation, but the bones and muscles are healthy, beautiful and free and easy, the words are small and sparse, but the words are not connected, but the veins are smooth, the ink is moist, fat and comfortable, and there are no strange words, strange pens and unbiased ink. For example, one hundred couples, young and graceful, strolled slowly along the banks of Xiangjiang River.
But he aims at "pointing out the mountains and inspiring the writing style", with beautiful words, flying around and flying over cranes. This painting uses Fang Bi as a pen and Shi Lufeng as a Tibetan front. It is elegant and carefree, implicit and intriguing. Dense layout, rows without columns and dense lines.
A few words are equivalent to the gap between words, and the pen is soft outside and firm inside, "marking the algae and feeling the spirit." The book 100 words, the written test and ink color change with the book, which makes the book full of charm and perfect structure.
4. The angle of scenery description
"You see all over the mountains, and all the forests are dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky, the fish is shallow, and all kinds of frosty days compete for freedom. " From the content point of view, write mountains, Woods, Xiangjiang River, ships, eagle fish and so on. There are both natural objects and animals and plants, with complete categories and full of vitality.
5. Artistic perspective
The artistic expression of China's classical poetry attaches great importance to the blending of scenes. Liu Xie said: "The taste is complicated, but it is boring when it is light." (Wen Xin Diao Long) Xie Zhen said: "Landscape is the medium of poetry, and love is the embryo of poetry; It is a poem, a few words are unified, and the vitality is endless. " The word "Poem Four Styles" has reached the realm of well integrating scenes.
Baidu Encyclopedia-Changsha Qinyuanchun