Untitled last night's stars and last night's wind translation and annotation rhyme translation last night, the stars were bright, but there was a cool breeze in the middle of the night; Our banquet is located on the west side of the painting building and on the east side of Guitang. Without Cai Feng's wings, you can't compare with Qi Fei; The heart is like a soul, and the feelings are closely linked. Guess and play with each other, and drink spring wine every other seat to warm your heart; Let's toast in groups, the candlelight will be red. Alas, when you listen to the five drums, you should go to court; Riding to Lantai is like Artemisia capillaris floating in the wind.
Note 1, Cailou, Guitang: they are all metaphors of the houses of wealthy families. 2. Linxi: It is said that rhinoceros has miraculous effects, and there is a white line on the corner, which goes straight to both ends. 3. Hook delivery: also known as Tibetan hook. A game in ancient December was divided into two Cao to compare the outcome. After sending the hook to the other party, it is hidden in one person's hand, which makes people guess. 4. Divide Cao into several groups. 5. Shooting: There is something to guess under the cover. Dividing Cao and shooting Fu may not really mean it, but it is a metaphor for the excitement at the banquet. 6, drums: refers to more drums. 7, it should be an official: I am still at work. 8. Lantai: that is, the secretary province, which is in charge of book cheats. Li Shangyin used to be a secretary. Literally, this sentence means riding to Lantai immediately after attending the banquet, which is similar to the flying of grass, but it also implies self-injury and falling.
Untitled appreciation of last night's stars and the first wind last night, twists and turns to write down last night's party. "Last night's star, last night's wind" is time: the night is very low, the stars shine, and the cool wind blows gently. A night intoxicated by the spring breeze is full of tranquility and romantic warmth. The two "last night" in the sentence are self-correcting, and the tone is soothing and there is a sense of sadness. "The west of the studio and the east of Guixiangtang" is the location: the west of the exquisite painting building and the east of Guimutang. The poet didn't even write a clear place, but was set off by the surrounding environment. What happened in such a wonderful moment and charming environment, the poet just kept it in his heart alone, but we were involuntarily moved by the amorous feelings shown in the poem.
Zhuan Xu writes about today's lovesickness. The poet was separated from his lover. "Although my body doesn't have wings like Cai Feng" wrote the longing for love and the pain of lovesickness: I hate that I don't have wings like Cai Feng, and I can fly to my lover. "But I feel the harmonious heartbeat of the sacred unicorn" describes the depth of mutual understanding: their hearts are as close as the horns of supernatural rhinos. "Body without body" and "mind with body", one outside and one inside, one sorrow and one joy, are contradictory and wonderfully unified into one. There is sweetness in pain and expectation in loneliness. The combination of the pain of lovesickness and the comfort of soul-to-soul, vividly depicts the complex and subtle mentality of lovers who love each other deeply but cannot be together forever. This couplet has become a famous sentence through the ages.
The necklace couplet "across the spring-wine, while it warms me up, I'll remind you how to bet that shooting in a separate camp covered with wax lights is red" is the excitement written at the banquet. This should be a party attended by both poets and beautiful women. At the banquet, people played the game of hooking and shooting in groups every other seat, and there were flowers, lights and wine everywhere. Yesterday's laughter is still ringing in my ears, and today's banquet may continue, but there are no poets. The enthusiasm of the banquet set off the poet's loneliness, which was rather bleak. "The excitement is theirs, and I have nothing."
The writer of Wei Meng's "Until the drums beat, alas, call me to my post, and I will get on the horse and leave, like cut grass" is helpless in the Jianghu: it's a pity that I am going to be an official. As soon as I hear the drums at dawn, I will go in and out of the secretary's office like grass dancing in the wind. This sentence should explain the reason for leaving a beautiful woman, and at the same time reveal the boredom of any job, suggesting the feeling of being down and out in life.
The whole poem takes psychological activities as the starting point, and the poet's feelings are delicate and true, depicting an emotion that can be understood but cannot be expressed in words, which is confusing and fascinating.
Untitled last night's star and last night's wind have always had different views on the so-called "untitled" poem: some people think it should belong to fable, while others think it is endowed with skill. As far as Li Shangyin's Untitled poems are concerned, they all seem to belong to eroticism, but in fact they also refer to something, but it is inconvenient to say it.
This poem is a recollection of the erotic scene where we met. Write the time and place of the banquet first; Then write the separation of flesh and human feelings; Rewrite the feelings of meeting; Finally, write down goodbye and leave hate. Gorgeous but not obscene, real but not crazy.
Untitled last night's star and last night's wind were appreciated in the second connection, and the time and place were given. Last night was even more memorable, and at the same time it gave people aesthetic enjoyment in reading. The first sentence uses "last night" to recall the past. Explain the time of the banquet first, and then explain the location of the banquet. Compare three or four sentences with other things. "No Cai Feng" wrote last night's feelings. At the banquet, I hate flying to the person I love without Cai Feng's wings. "There is a heart in my heart" means that the rhinoceros horn is white in the middle and the two ends are connected, so it is connected at one point. Two hearts are soul mates. Although they have no wings to fly, they can't stop the silent communication of each other's feelings. "Gathering wind" and "Linxi" are metaphors of love, with graceful images, bright colors and rich musicality. Five or six sentences changed from the tacit understanding between the two to the description of the whole banquet. The next seat describes the play "Wandering and Hidden Hook", arranges speculation about its mystery, writes a lively and cheerful atmosphere at the banquet, paints more colorful colors for the joy of falling in love, and produces a feeling of happiness with lovers. Looking deeper, why did the poet write the two conceptual images of stars and wind alone in the first sentence? In ancient times, the star not only means the star, but also means "going to the tower in the middle of the night to remember my old star" (Jiao's "Feelings"). Going to the tower at night to miss the past is the meaning of years; "The new love follows the bright candle, and the stars fly in Liang Dong" (Tang Du Fu's "Friendship with Wei Liu Zhang and Shaofu") means that the lights are brilliant; The ancients also called entering Chaolang "Shangxing". There are warm wind, cool wind, cold wind and evil wind in nature, which are related to human society, weathering, grace, character and black wind, and even coincide with the meaning of love between men and women. In this way, only the first sentence will give people infinite reverie and doubt.
To the west is the studio, to the east is the osmanthus hall, a carved attic and a hall made of osmanthus wood, which is extremely luxurious and beautiful. The painting building is the auxiliary, Guitang is the main one, and the west of the painting building is the vein of Guitang East. "There is a figure in it", which leads readers to follow the poet's eyes to Guitang. It is worth noting that the poet is not in Guitang, and his environment is in a quiet and deep night sky with stars.
The last two sentences are wonderful, exquisite and well known, and they are a group of wonderful antitheses. Linxi, like spring, says, "The center color is white, connecting the two ends." . Cai Feng and lin xi are gods, so the feelings here are noble. The meaning of the poem is to sigh that I have no wings to transform Cai Feng, and I only leave light and spiritual connection. This pursuit, though unattainable, is very touching.
Tie writing hook covered with wine warm lamp red music. Hook originated from a legend in Han Dynasty. It is said that when Mrs. Gou Jian was a child, her hands were always clenched into fists and there was no way to loosen them. Later, when Emperor Wu saw it, he broke her hand and a jade hook fell from her hand. From then on, her hands were no longer curled up and she was named "Hook a Lady". Later generations followed this legend, adapted it and hid hooks in the banquet, which made people guess. Repetition is also a game in the Tang banquet, and it is speculated that people use words to hide things in the wine order. Both games need the cooperation of many people to complete, and they are linked with the first two couplets. The stars are still hanging high ahead, the breeze in Ling Ran is empty, the night has arrived, but the figure is falling, and the wine is warm and the lights are red. The words "warm" and "red", one describing spring wine and the other describing wax lamps, are full of wanton laughter and a harmonious scene. The contrast is disturbing. Lin Geng said in summing up the Tang poetry: "Red is a warm color, it is flowing and lively, so it is close to complexity". The suggestibility of color is the most infectious in literature and art, and the red in poetry is sometimes the other way around. In ancient times, there were red shadows all over the house, such as "No one came to see the peony in the old palace" (Tang Palace) and "No red flame to save moths", which set off the loneliness of the author Xiao Suo. To readers' surprise, there were two scenes with such a big contrast in one world. The poet's loneliness is the loneliness hidden in the excitement, and red is the surging torrent under the appearance of harmony.
The last two sentences of the poem, the bleak pain of going to Lantai, are natural. Listening to the drums is like grass, and the loneliness of the moment reminds people of the warmth of yesterday. The poet lamented that he was "an official who listened to the drums", but his official body was "like scattered grass". It was really sad that they had a hard time in the future and their feelings were hard to be happy again. This is a method of reverse knotting. In the front, there was a lot of joy, and at the end, the joy disappeared, which reflected the poet's indelible and unforgettable love.
Poetry: Untitled the stars of last night and the wind of last night Poetry Author: Tang Dynasty Li Shangyin Poetry Classification: 300 Tang Poems, Love, Acacia, Feast and Feelings.