The poet focused on the telephoto lens and captured the life from "the field" to his mother's "face covered with wheat straw". The close-up is clear. Although the work in the field made her feel "tired", her face was "brilliant" because of the harvest. "Fatigue" and "brightness" are properly used and expressive.
In the second section, the poem turns to sing "our home" affectionately, expressing the poet's praise to "mother" from the side: although we live in only "a straw house", but! The existence of mother makes our home always green, full of tenderness and hope.
After praising his mother in the first two lines of the poem, the poet continued to sing to his mother more devoutly from the side: "Corn and ears of grain like children and grandchildren/passed down from generation to generation/surrounded you into a village". These three sentences are vivid, long in time and space, and deep in context. They are hardworking and simple mothers, creating a home full of tenderness; It is a tender home, bringing generations of descendants of "corn and ears of grain"; Is a good mother, let a family prosper!
Here, the poet's "mother" has become a grand metaphor, and its meaning has greatly exceeded her original simple coverage. At this point, the whole poem has entered a more high-spirited lyric climax, but the poet has gathered his rich inner thoughts and feelings into a subtle and beautiful conclusion full of reverence and humility, showing strong control: "In the vast fragrance of my mother/I only have the breath and desire of a mung bean."
The whole poem is clear in structure, concise and full of emotion. Poetry turns from reality to emptiness, which expands the artistic realm of poetry and receives pleasing performance effects.