Soul-style poetry is an interesting poem. According to Sang Song Shichang's Collection of Collected Poems, Su Shi once wrote the poem "Looking at the Heart". He doesn't write poems directly, but "paints with meaning, which makes people since the enlightenment". Skillful typesetting, long and short glyphs, horizontal writing, profile writing, reverse writing and reverse writing. Named for its novelty and inspiration. Theosophy became popular after poetry. There are occasional literati among the people, but their artistic conception is not high, which is not as fluent as Su Shi's poems.
2. Comedy poems.
Comic poems are usually arranged in a circle, and the number of words is not limited, but because of the difficulty, the number of words is generally between ten and twenty crosses. There are many ways to read. Generally, it starts with the word at the top of the circle (some people read it from any word), and then reads it clockwise or counterclockwise into several five-character poems or seven-character poems (some comic books can be read in both directions). Some read the last few words of the previous sentence as the first word of the next sentence. This kind of comic poem is also called comic poem borrowed from fonts.
3. The same poem.
Homology means that the beginning of each poem is the same, which is roughly symmetrical to the rhyme poem. However, some rhyming poems have the same word at the end of every sentence, and some only rhyme with the same word, not necessarily every sentence rhymes. The same poem existed in the Southern Dynasties, and later generations continue to write it. Wu Cheng'en and The Journey to the West wrote three poems, namely Fu, Lu and Shou. Poems with the same head are slightly different from poems with compound words. A poem with compound words means that every compound word runs through, but not all at the beginning of a sentence, while a poem with the same head means that the first word of each sentence must be the same.
4. Around this poem.
Poems around the head was written by Su Shi, a great writer in the Song Dynasty. Its form is as follows: the first and third sentences are three characters, and the second and fourth sentences are seven characters; One or two rhymes, three or four rhymes. One or three words in the third sentence are the three or three words in the first sentence, just like wrapping the tail around your head, so it is called "head poem"
5. Frontier poems.
Couplet poems mean that every word in a poem is composed of words with the same radical and combined into a chapter. The so-called Lian Bian, the Chinese version of Liu Xie's Wen Xin Diao Long Lian Zi: "Lian Bian is also semi-illiterate. The appearance of mountains and rivers is salty in ancient and modern times. If it is applied to Chang Wen, it will be embarrassing. If you don't exempt, you can do it three times in a row, and your words are forest! " Liu Xie believes that poetry and prose should practice calligraphy, "avoiding strangeness and combining two provinces". For combined characters, use less, and use at most three characters together. If you use it too much, it will become a "word forest". This is aimed at "Chang Wen" However, the frontier poetry intends to use this feature to expand its form and turn it into a poem, which is not interesting. Shen Jiong, a poet in the Southern Dynasties, wrote a poem with the word "mouth", and every word in the poem contains the word "mouth", which can be regarded as the pioneer of couplet poetry. Huang Tingjian's Drama Title in the Northern Song Dynasty can be regarded as the most authentic frontier poems.
6. Baota poetry.
Baota poem, formerly known as "one-word to seven-character poem". Pagoda words are called "17th order". From one sentence to seven sentences, rhyme step by step, or two sentences are stacked into a rhyme. Later, it increased to one word to a cross, or even one word to fifteen words, and the number of words in each sentence or every two sentences increased in turn, from less to more, shaped like a pagoda, with a wide top and a wide bottom, so it was called Baota Poetry. In fact, Li Bai's first three-five-seven-character poems, as well as his later three-five-six-seven-character poems and one-three-five-seven-character poems, are all pagoda poems, not limited to "one-word to seven-character poems". Baota poem is a kind of miscellaneous poems. But on the whole, miscellaneous poems refer to the fact that the words in the poems are long and short and irregular, while the words in each sentence in Baota poems are "increasing in turn", from less to more, which is the difference between the two.
7. One-word poetry.
One-word poetry, as its name implies, is that there are many "ones" in the poem, and there is usually a scene, an object or an action behind each "one". According to poetic theory, it is taboo to have heavy words in a poem, but as a game, "one-word poem" is also interesting.
8. Nine-character poems.
Nine-character poetry is nine-character poetry, and the whole poem is nine words. China's ancient poems are generally composed of five or seven words, but also three, four and six words. Nine-character poems usually only appear occasionally in ancient poetry (such as Du Fu's A Cottage Blown by Autumn Wind and All the Poor People in the World are Laughing), while nine-character poems are rare. When reciting this nine-character poem, we should pay attention to the pause rhythm of each sentence as four, two, three or two, four and three.
9. Cross poem.
Cross-shaped poems refer to poems arranged in a cross shape, which can be read in many ways, but the words generally located in the center of the cross shape will appear in every sentence. Two existing "symphonic poems" were discovered in Dunhuang, and were confirmed as ancient "symphonic poems" after repeated textual research and scrutiny by the famous Dunhuang scholar Li Zhengyu. Judging from the content and form of the poem, this kind of "cross-painting poem" was once popular among the lower intellectuals in northwest China for recreation or wits.
10. Seventeen-character poem.
Seventeen-character poems, commonly known as "three sentences and a half", have been popular among the people since the Song Dynasty and have been passed down to this day. There are seventeen words in the whole poem, with five words in the first three sentences and two words in the last sentence, which are used to summarize the whole poem or to get rid of the burden and cause comedy effect. When reciting, the first three sentences should be calm and slow, and the last sentence should be stressed urgently. Now "three sentences and a half" has evolved into a miniature sketch form performed by four people.
1 1. Tibetan poetry.
Discrimination of poetic style: "Tibetan poetry, every word is hidden in every ending." It means that the first word of each sentence is hidden in the last word of the previous sentence. This is to use the characteristics of many combined words in Chinese characters to separate a "component" from the last word of the previous sentence as the first word of the second sentence, so it is called Tibetan poem or Tibetan poem. Bai Juyi's Wanderer Xiao Gong seems to be the earliest existing Tibetan poem, with few successors. Some poets don't know the meaning of Tibetan poems, and it is wrong to regard embedded poems (embedded at the beginning of sentences) as Tibetan poems.
12. Embedding poems.
Broadly speaking, according to the figure of speech "mosaic" technique, specific words are embedded in the first sentence or the second sentence of a poem, such as poems about names of people, names of places, poems about medicines, poems about building and dismantling, poems about eight tones, poems about six rooms and so on. In a narrow sense, embedded poetry refers to a kind of poetic style in which phrases embedded at the beginning of each sentence are combined into short sentences and have other meanings. Hu Tsefu, a close friend, interprets the poetic style: "I don't know when the inlay began, but it has been used since the Song Dynasty." People sometimes confuse embedded poems with Tibetan poems because they don't know the meaning of Tibetan poems.
13.
Word-splitting poems, according to the characteristics of Chinese characters with multiple combined words, split the combined words into single words, or split them into related parts (adding single words to the radicals) and perfunctory them into articles. Clutch words are similar to clutch words, but they are not the same. A clutch poem is divided first and then combined, usually four (or six) sentences are separated into one word; Is the word-splitting poem one word or two words? There are other forms of poems (such as poems about drug names), but there are no poems about Chinese characters.
I hope it helps you.