Poems containing Chang'e during the Mid-Autumn Festival include "Two Poems Sitting at Night", "Wine to Ask the Moon", "River Full of Red Mid-Autumn Festival and Sending Far Away", etc.
1. Two poems on "Sitting at Night" (Qing Dynasty) by Gong Zizhen
It is better to sit sadly on a painting screen on a spring night than to look into the Qingming.
A mountain protrudes and the hills are jealous, and the soul of the emperor is silent.
There is a feminine spirit like Tengqi on the plug, and few stars have been lost for a long time in Jiangdong.
I never ask tired questions about Xiang, but call out Chang'e's poems and listen to them.
My thoughts are deep in the north, south, and east, and I glance at the vast sea of ??talent.
When he was in his prime, he began to participate in the history of Zhou Dynasty, but in his 60s he fell into the virtuous style of Jin Dynasty.
Only when you have achieved great success and become an immortal will you be filled with anger.
If the Zen barrier is broken, the beauty will be like a jade sword or a rainbow.
Appreciation: Writing sorrowful feelings with majestic brushwork is what Ding'an is best at, and best reflects his unique aesthetic character of combining "sword" and "flute". This is true for these two pieces of "Night Sitting", and it is also true for the following two pieces of "Autumn Heart". Reading them side by side can give you a deeper experience of the excellence of Ding'an's poetry.
I heard that Zhang Yuanshan (one of the authors of "On the Characters of Qi") said that Li Bai wrote "Sorrow" with "ecstasy", and thought that it was the samadhi of Taibai's poetry. It might as well be said that if Gong Zizhen wrote about "sadness" in such a variety of ways, not many people would pay attention to it after Taibai.
2. Asking the Moon about Wine (Tang Dynasty) Li Bai
When will the moon come to the blue sky? I'll stop drinking and ask. People cannot reach the bright moon, but the moon travels with people.
The bright sky is as bright as a flying mirror approaching Danque, and the green smoke extinguishes the clear brilliance. But seeing the night coming from the sea, I would rather know that it has disappeared into the clouds.
The white rabbit makes medicine, autumn returns to spring, who is Chang'e living alone next to? People today cannot see the moon of ancient times, but today's moon once illuminated the ancient people.
People in ancient times and today look like running water, even when you look at the bright moon. I only wish that the moonlight would always shine in the golden cup while singing and drinking.
Appreciation: The title of the poem "Wine to Ask the Moon" is the author's wonderful self-image. The elegant and romantic wind god can only be achieved by banishing an immortal. The original note under the title: "My old friend Jia Chun ordered me to ask him." He did not ask himself but asked me to ask him. A sense of romantic self-appreciation is evident in his words. The whole poem is written from wine to the moon, from the moon to the wine; from the feeling of space to the feeling of time.
In it, people and the moon are repeatedly contrasted, and interspersed with scene descriptions and myths and legends, creating a sublime, eternal, beautiful and mysterious image of the moon, and also revealing an aloof character. The emerging poet self. Although the thoughts are many and varied, they are spontaneous and spontaneous, but the hidden energy turns inward, the veins are connected, the loops are intricate, and the beauty of nature is complete.
In addition, the four sentences change rhyme, interchange between oblique and oblique, and the rhythm and rhythm are even more coherent. It has the voice of palace merchants. It can be said that it has both music, emotion, reason and interest, so it is "a creative tune in ancient and modern times" (Wang Fuzhi's "Selection of Tang Poems") ).
3. The Mid-Autumn Festival is full of red and sent far away (Song Dynasty) Xin Qiji
Go up to the west tower quickly, fearing that the sky will release and the floating clouds will cover the moon. But the jade-fiber horizontal pipe burst with a blow. Whoever makes curling cools the world has the most pity for the jade ax repair season. Ask Chang'e, does Gu Ling have any worries? Ying Huafa.
The clouds are full of liquid and the cup is slippery. Lift up your long sleeves and sing loudly. Sigh, eighty-nine times out of ten, the desire is still lacking. I hope that on such a long night, the favor may not be the same as farewell. Turn the past and separation into joy and say it when you return.
Appreciation: This poem is a poem about looking at the moon and cherishing a person. It may be a singing and dancing girl who has an emotional entanglement with the poet. This woman makes the poet fall in love with her. The beautiful moon in the sky can already evoke endless autumn thoughts in people. Facing the moonlit night of Mid-Autumn Festival, the feeling of cherishing others becomes even stronger. So the poet used the moon to express his feelings freely, conveying the poet's complex feelings of resentment and reluctance to part with the singing and dancing girl.
The first part of the poem is written on the side of the Mid-Autumn Moon, mainly showing the poet's high spirits. The rhyme begins with passion and the word "kuai" is used as an urge to express the excitement of going up to the west tower to admire the moon.
The word "fear" also reveals the poet's worry that the Mid-Autumn moon will not be clear enough. In terms of emotional rhythm, this rhyme rises and falls with regular ups and downs. Jie Yun borrows from previous stories. The poet waits for the moon from the west tower and asks a beauty to play the flute to call for the moon. This builds momentum for the appearance of the moon in the Mid-Autumn Festival.