? Don Zhang Xu Ruo
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift thousands of miles, where there is no moon by the river!
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
This seven-character poem "Moonlit Night on a Spring River" was written by a poet Zhang in the Tang Dynasty. This poem follows the old theme of Sui Chen Yuefu, expressing its beautiful scenery with spring, river, flowers, moon and night, creating a dreamlike artistic realm, which is fascinating and intriguing.
When reading literary works, we should first understand the author's life and his time. Zhang was a poet in the early Tang Dynasty, and he, Zhang Xu and Bao Rong were also called "Four Scholars of Wuzhong". At the peak of his spring and autumn period, Li Bai was wearing open-backed pants, Du Fu was not yet born, and the development of poetry could not be found. Everything is groping in the darkness of dawn.
Moonlit night on the riverside is a masterpiece of Tang poetry. Zhang used the colors and styles of southern folk songs for reference, and applied the new poetic meter brewed for a hundred years from Qi Liang to the early Tang Dynasty to explore the method of combining long poems with group rhymes in seven-character poems for the first time, which perfectly integrated the advantages of the three and set a good example for later poets.
"Even the sea level spring tide, the bright moon * * * tide at sea. With the waves thousands of miles, there is no moon by the river! " The poet cut to the chase and went straight to the point. Like Master Dan Qing, he sketched a beautiful picture of a moonlit night by the river with graceful brushstrokes: peach blossoms falling, the blue sea flourishing, the moonlight like water, and the night sultry.
Birds return to the mountains, and the sunset enters the East China Sea. People in my heart, where are you from? The river rises and falls, as if connected with the sea, with great momentum. A bright moon, rising slowly in the sky, is very spectacular. The gentle and affectionate moonlight shines all around, and as far as the eye can see, the winding river bypasses the lush Yuan Ye in spring. The moonlight illuminates the colorful world, and the river washes away the colorful world of mortals.
Bright moonlight, clear river air, vast sky and unknown world have aroused the poet's thinking about life. My heart is as deep as the sea, and you are like the bright moon, so picturesque, but out of reach. At this time, with the movement of the stars, the moon hangs high, and the clear universe of heaven and earth seems to have entered a purely private and quiet world, allowing the poet to put on a pair of invisible wings and soar between heaven and earth.
For a poet, imagination is a more important ability than talent, just as Zhang has both. With quick thinking and rich imagination, he explored the philosophy of life and the mystery of the universe through the moon full of flowers. Keep original and innovative. Life is only a few autumns, but human existence is long. Now people are not seen in Gu Yue, but in this month they took the ancients. Flowers are similar year after year, but people are different year after year!
"When drinking songs, life geometry? For example, morning dew is much more difficult to go to Japan! "Life after life, jiang month year after year. A solitary moon lingers in the sky as if waiting for something, but it can never be justified. In the bright moonlight, only the big river flows away. With the flow of the river, the poet's emotion overflowed, pushing the waves to a more far-reaching realm. Jiang Yue is intentional, the water is ruthless, and the night is gentle. Don't hate leaving sadness.
The poet seems to have God's perspective. He is not limited to describing the moon on the river, but runs through the complex and changeable emotions of human beings. Whether it is the bright early moon, the bright high moon, the blurred oblique moon, the lingering of the falling moon, or the lingering of the early moon, the reflection in the mirror, the leaning moon in the curtain, and the anvil photo of last month are all emotional catharsis.
On this beautiful moonlit night by the river, I don't know how many people can go back to their hometown by moonlight, and then return to their homes to make their feelings gentle and kind and soothe their hearts. Missing is a mysterious thing. Like a shadow, it is intertwined with the feelings of moonlight, wanderers and poets. It has a lingering charm and a lingering loneliness.
"Moonlit Night on a Spring River" surpassed the previous generation of landscape poems in thought and art, and the poet injected new connotations into the common traditional theme, integrating poetry, painting and philosophy. He praised the beauty of nature, eulogized the true feelings of the world, extended the affection of street children, and integrated the pursuit of life philosophy with the exploration of the mysteries of the universe to form a scene. The profound and beautiful natural world and hazy artistic atmosphere make the whole poem shrouded in an ethereal and dreamy moonlight, attracting readers to explore the true meaning of beauty.
Moonlit Night on the Spring River has a high aesthetic value, which is admired by later generations and recited by others. For thousands of years, countless readers have been fascinated by it, and they have the reputation of "covering the whole Tang Dynasty with an isolated article". Wen Yiduo, a modern poet, called it "the poem in the poem, the peak on the peak" and praised it greatly. It is a banner that changed from the extravagant style of Qi and Liang Dynasties to the natural beauty in the prosperous Tang Dynasty, and it is also an important milestone in the history of ancient Chinese poetry.
Jiang Tian, Jiao Yue, Baiyun, cuttlefish, figures and boats endow this poem with the beauty of painting; The sound of tide, river, clothes and geese endows this poem with musical beauty; Structurally, the poems are arranged neatly and clearly, giving this poem architectural beauty. These artistic aesthetic feelings have had an important influence on modern poets' artistic ideas. Crescent poets, led by Xu Zhimo and Wen Yiduo, put forward the "three beauties of art" in poetry: the beauty of painting, the beauty of music and the beauty of architecture.
Moonlit Night on the Spring River itself is like a bright moon, which illuminates the development of poetry in the prosperous Tang Dynasty. Since the birth of this famous poem 1000 years ago, no one has been able to render spring, river, flowers, moon and night so vividly. After vicissitudes of life, poetry will never be passed down, the river is not old, and the moonlight is still there.