-Appreciation of ——Jojo's Shadow Poems
Author: Wang Kenan
The poetic phenomenon of Jojo's films is a mystery to me, and writing is often a writer's last resort. It is often when life makes the poet's poetic qualification have to be revealed and the poet's disappointment with life has to be expressed in words. He Heying (hereinafter referred to as He) is different from the poetess I imagined. She grew up in Suzhou, a water town in the south of the Yangtze River, a poetic paradise. The beauty of heaven is for others to see, and people who live in heaven often don't feel it themselves, but if lotus flowers have feelings, hundreds of poems written in recent years are proof.
In my recent research on poetry, I was very interested in the origin and existentialism of poetry, so I went to Bok in Johor to study why she wrote poetry. She replied, "You can write poems at will. Carve memories with poetry and show life with poetry. " Of course, I am not satisfied with this answer, because the spiritual height of modern poetry is not just this, but as I read her poetry text, I feel that she has gone a long way on the road of modern poetry.
That's Bo Ke from He He. A group named "One" in her poems first caught my eye. In this group of poems, I didn't read the lyric (tender-hearted man) that female poets often emerge, but presented a kind of "cold light" to life and an insight into the essence of life. Her poems are rational and thoughtful. For example, in a poem, "a naked body hangs on the branches of thoughts,/a string of strange fruits is swallowed by thirsty lips" is no longer a superficial image interpretation. I can feel that every image of her is precipitated. A Leaf tells the life course of a leaf. The average poet will only be satisfied with the superficial description and express some sighs about life phenomena, and she is connected with the mother of "time". Life exists in the river of time. Without the length of time, there is no mother in life. Such a sensitive sense of time is also written on the hand, "It touched it with fingertips of different lengths/day and night of the same length/I touched it with fingertips of different lengths", and the figurative "finger" touched the abstract "time", which is very transparent.
Moderation is one of the basic characteristics of He He's poems. In the poem A River, to my surprise, she shows the feeling of being integrated with the river of time. Time is empty and concrete, and it is amazing to express such consciousness in a poem. In the poem "Actually, I am a kind of water/air is another kind of water/I am in love with air", not only the relationship between me and air is written, but also the existence of "I". As a woman, Jiangnan women can't have no feelings for water, so she associates herself with water. Above water is air, and air is also water-it is her unique discovery that water and air are highly unified in the poetic context of how to create. "A Bird" is full of explosive power, and the flow of the whole poem is open from face to face. "Tapy's lips knock out subtle thoughts/peck off feathers, open your skin to touch the details of high altitude/you are used to such actions/you are used to flying your thoughts with your wings/you can make your body leap as far as possible/you can get closer to the top blue/occasionally feather, fall off lightly/pose, and stay in the air behind you" is just the beginning. Then "details in the sky", then "flying", then "physical leap" and then "mid-air". The whole poem is full of movement, from limited to infinite, which makes readers marvel. "One Road" is a description of the road, and the significance of the road often lies in the sudden relief of the misery of life and the feeling of getting another village. Obviously dissatisfied with this superficial feeling, she wrote with a very broad imagination, "It is a wrinkle/sometimes a curve, sometimes a straight line/climbing someone's forehead". Wrinkles can be tree rings or sadness. In her poems, it becomes a road-the road from today to tomorrow, and "road" and "wrinkle" are unified in her poems; What is the relationship between "road" and "thought"? Her interpretation is "Now, it stays in the blank of your mind/occasionally, making the strength under your feet deep and shallow/uneasy". The road in the poem is not thought, but thought is another kingdom, and the "road" only provides a key to the kingdom.
He He's poems never exclude daily life, nor do they deliberately "improve" the simple tone of daily life. She wrote about the ordinary life of ordinary people in the group of "low-key life". In the "crowd", the indifference between people is fully displayed, "pretending to smile/as if barely completing an expression for the task". I think poetry is to express beauty. Can it express a "perspective of life"? He He's poem has already made an answer. The writing of "Door Frame" is very unique, which describes the growth process of life. When I was young, I saw that the world was very big. Now, the world is getting smaller. Because the eyes have a perspective function, they can see the essence of things, "and now/it fixes me on the glass/sees the world outside the house." Of course, women are the beautiful carrier of this world, and her poems are also very delicate and beautiful. In a group of autumn poems, "light" is a feeling, "ants pick up their love/run around the ground close to the ground", "light, so light that you don't notice all the changes/only feel your forehead brush backwards", adding a delicate feeling to the landscape. Some of her poems are related to family relations. In the voice, it says that her mother "can't see far away/can't see her mother bending over/pick up the sickle/hear her tired cry", but on the surface, she writes her hard poems, which can be seen everywhere on the Internet. The difference between ruohe and ruohe lies in thinking, "why is mom still standing there/-where flowers bloom?" In Surge, she wrote about the tenacity, endless life and unremitting spirit of life, such as "Next autumn/I will jump on the waves again/smash myself into a piece of iron/beat the waves", which is touching and exciting!
If the lotus is always sensitive to those tiny things, such as the "top" group, it will be "sharp". The interpretation of the image in the tower has entered a state of no self, such as Shu Ting's early sculptures and great love. "It stands side by side with the clouds/like a thin thread hanging in mid-air/unexpectedly looking into the distance", and "I" is another element in poetry. "I" worship this tower and head for it. "Become a big bird/look at it." The blade tip presents the relationship between "I" and "blade tip", with "water" in the middle, and the image is very dense. Tiptoe is a state, a dynamic trend, not a stereotype. The direction it gives is always forward. One trend is the existence of a person. People often wander at the crossroads of life and bear the challenges of various "choices". Is it promotion or demotion? The highlight of her poem lies in the ending, "It took me into a black hole/blinded me/took me out of the black hole/let me walk with my eyes closed", and wrote a state of nirvana after purgatory.
Her phantom group is also very energetic, characterized by changes in words and a strong sense of pictures. I am blue. I entered the topic with the color "blue", then expanded with imagination, and merged with "water" again. "Water, I am yours/I am the background you seek/I am evenly smeared by the pen of the vast sea/my body, my body." "I am purple" reveals that the change of color reflects the diversity and democracy of life. Blue and purple are not just different colors. He is no longer a plane writing, but introduces the poetic elements of the light of the soul, which is great. With light, the world's vision will be broadened, and you can "drink time/water in my body every day".
To judge a poet's writing achievements, the writing of love poems is often a touchstone, and the inner content of a poet can often be considered. Jojo's The Other Side of the Season is obviously a love poem. He He's poems are very emotional. "The wind's lips only move slightly/her white gauze flies", which is the trend of love. "Floating a cloud or two in the low altitude, looking for the feeling of trembling" is a beautiful state of love. The most beautiful state of love in the world should be like this. Both sides have been in a state of searching. At some point, they suddenly merged and had a heartbeat. I think He He's poems express this process very well. "She drank bitter wine and smashed her bones/let time smash her soft body/just smile for your recovery", and wrote the realm of shining love. The essence of love is to sacrifice, not to take. Oh, "smile is just to make you change", isn't this kind of love a paradise on earth? "Now, she has to wait for another detail in the autumn wind." True love can be met but not sought, so most unfortunate people wait all their lives, and only a few lucky people can sip its sweetness. Quiet is about love, friendship and beautiful feelings. "Take the magic pen, you come again. /Fingertips touch the river. /Face transparent, ring dancing. /When the river changes color, I also change color. " The influence of beautiful things on people can be explained from poetry.
Even so, He He's poems are not perfect, and her poems are still on the road. She is still a poet who writes poems because of "freedom of life", and has not reached the realm of "freedom of thought", or she has not accumulated enough in this respect and needs to make up lessons. In her poems, thoughts are not rich enough, sometimes they seem pale and weak, and "thoughts" cannot be combined with colorful images. In other words, her poetry has reached a "cliff moment"-she must practice hard and wait for qualitative change. No longer write more, but dig and break through. I read that because of the limitation of life, she cares more about things around her and less about things far away. Judging from the poetry text, how to expand the space of poetry structure still needs considerable efforts, and the single style of poetry also affects the richness of her poetry tentacles.
Even so, she is a poetess I respect. Looking at the south of the Yangtze River, I am moved and I work hard because there is a man named He He who insists on writing poems and sticking to a rare beauty in this impetuous age.