The peach is gone. It's green. The Beauty of Everything Forever Mika —— Reading The Beauty of Everything

Confucius said: "Don't learn poetry, don't use words". The Book of Songs is almost a must-read book on the reader's desk and a book of literary enlightenment.

The thousand-year-old naming rule "The Book of Songs is a woman, Chu Ci is a man", which beautifies the words in the Book of Songs into life and is everywhere. Wang Guowei, Liang Sicheng, Lin, Tu Youyou ... are all quotations from The Book of Songs.

The source of poetry is a ballad, a simple lyric ballad sung by our ancestors from the heart. Later, the score was lost, and only the lyrics were circulated for more than 3 thousand years. I overheard a song "Jiangdong", with a distant artistic conception and pure timbre, which made people crazy. Modern people imitate the four-character ballads in The Book of Songs, which is also simple and vivid, not to mention the Book of Songs itself.

I remember when I was young, I read some poems such as Guan Ju, Cai Wei and Wei Jia, and when they were selected as teaching materials, I rushed to buy the whole Book of Songs to study it carefully. However, The Book of Songs is often written in the form of happiness, especially the methods of "comparison" and "happiness", which are full of animals, plants and birds whose names were difficult to understand more than 3,000 years ago, and are completely different from simple modern folk songs such as "Flowers bloom in Shandandan" or "Moonlight".

What is a pheasant dove and what is a mole? It's easy to put it on the shelf when you are at a loss.

Unexpectedly, Hiroshi Hosei, a Japanese Edo scholar, painted the plants, animals, fish and insects in the Book of Songs with ancient meticulous paintings. The Beauty of Everything selected more than 100 of them and compiled a book. The editor compares the habits and states of 100 with the original text of The Book of Songs, which becomes a brand-new way to cut into The Book of Songs.

0 1 recognized the beauty of all things in the name of The Book of Songs.

The study of the Six Classics in ancient China was mainly used by Confucianism to explain its meaning. Poetry 300, in a word, thinking is innocent.

Mr. Zhu Ziqing explained in the book Classic Talk that Confucius took the method of taking words out of context and used poetry to discuss the truth of learning and being a man, which became one of the five Confucian classics and was mainly used for enlightenment.

Anything beautiful, once taught with a straight face, is no longer cute. Therefore, The Book of Songs has remained in the Four Books and Five Classics for a long time and was criticized together.

Turning to the beauty of everything, elegant and graceful meticulous painting reminds us that 3,000 years is not far away, and we can still see the original beauty in the eyes of the ancients.

The pheasant dove is still the closest bird to love; Jia Jian is still the grass closest to love.

More than 3,000 years have passed, and the sound of "Guan Guan" by the river is still in my ears, as if a man is softly calling the name of the woman he loves, so affectionate but simple; More than 3,000 years have passed, and the Iraqis on the water side are afraid that they are old, but what is more complicated than the Rose Man has long been in their hearts.

Japanese people who pay attention to details carry forward their down-to-earth spirit from details in sinology research, providing us with a detailed new research angle, which not only examines the object itself, but also pays attention to showing poetic situations.

For example, in "Nan Zhou Guanju", there are three bone flowers in bud under two blooming flowers, and the meaning of "jagged" is vivid on the paper, and the flowers themselves are bright yellow, which can just set off the youth of the girl who picks from left to right.

Another example is "Magpie" in "Zhao Nan Magpie Nest". The magpie standing on the stone wrote the magpie's nest but didn't draw it. "A magpie has a nest and a pigeon lives in it." The homeless magpie has a big mouth and a miserable shape, vividly showing the image of an abandoned wife watching an old husband marry a new one.

The aesthetic concept of "mourning for things" has gradually unified the art, literature and aesthetics circles since the Edo era in Japan. Refers to the feelings of joy, anger or sadness when the human heart comes into contact with foreign objects.

The painting style of the beauty of all things embodies the aesthetic view of "mourning things" The book's brushwork is simple and profound, and it shows the famous scenery in the Book of Songs with meticulous and original ideas and pure and meaningful pictures.

Thousands of years of wind and rain, the harp has not been tuned, and the bells and drums have not been knocked; Thousands of years of wind and rain, autumn water soup, reed large lonely past.

Re-understanding everything means re-understanding the world.

Those who are in a hurry may wish to look back when crossing the river, collect jagged leeks and enjoy the white dew that condenses into frost.

Return to the true nature in the name of The Book of Songs.

Alex, an American who advocates nature, talked about Japan's "five poisons": signboards, wires, concrete, fluorescent lamps and small steel ball shops.

It is all modern things that are eroding this world where man and nature live in harmony. Looking through the beauty of everything in the Book of Songs, you will marvel at the closeness and affection between ancient people and nature.

At that time, there was no daily transportation, no round-the-clock production, no department stores, and everything was related.

Every day they are in nature, they feel the change of seasons and the change of cold and warm, decorate their lives with countless creations in nature, be self-sufficient, and then feed back nature with their hard work.

When they saw the silkworms on kudzu vine and mulberry leaves in the field, they couldn't help thinking that the clothes they were wearing were made of these natural and beautiful animals and plants.

When they see "The Sword is Pale", they will realize autumn; When they saw the "dead peach", they felt spring.

In modern times, we are divorced from nature. As the saying goes, "Have you never eaten pork and seen a pig run?" For modern people, it should be changed to "Never seen a pig run, never eaten pork?" It might be more appropriate.

The ancients were lucky. Most chapters in The Book of Songs are inspired by flowers, insects and birds in nature. In the tired modern life, we might as well pick up the key to the beauty of all things, open the door of time, feel the charm and fragrance of nature at that time, and return to the true nature.

In the name of the Book of Songs, the beauty of the initial heart is reproduced.

Yuval harari, an Israeli historian, has a point: ancestors in the hunting era and early farming era all advocated the "pantheism" view of nature and believed that everything was animistic.

In the observation of everything, they experienced the happiness of being connected with everything. As Haizi said, giving "every river and every mountain a warm name" is full of childhood loveliness.

Three thousand years later, the mountains and rivers remain the same, but the development of science and technology and the accumulation of experience have made contemporary people have completely different thinking modes and psychological structures from their ancestors. There are many "presciences", and too many "simplicity" and too many "beauty" have been lost from the beginning.

We seem to be more "complex" and "smart", but compared with the ancients, we lack a lot of irrational strong emotions, imagination and experience, and lose a lot of beautiful and poetic fascinating fantasies. It is a defect for people's own development.

Most of the flowers, birds, insects and fish painted in The Beauty of Everything belong to the rising things and scenery in the three methods of "Walking in Fu Bi". Try to give up the knowledge we have, let ourselves return to the simple mind of our ancestors, and savor the acacia swaying in the white grass, the virtue of praise in the green bamboo and the love given in the peony. ...

The breath of life 3,000 years ago will come to my face. After reading too many stories about roses and chocolates, I suddenly remembered the beauty of Dove and Jiajian, which was so ordinary that people gradually forgot.

Let the mood return to the original simplicity and kindness, in order to regain that simple poetry.

And this may be the most precious harvest when we contemporary people read the beauty of everything.