Changting Road, with green poplars and fragrant grass, is easy to get to when you are young. The lingering dreams at the top of the building are at five o'clock, and the March rain is leaving melancholy at the bottom of the flowers. (Li Chou's work: Li Qing) Explanation: On the ancient road of Changting with willows and lush grass, young people can always easily abandon those who are seeing them off and go away. The sound of the five-minute bell from the top of the building awakened Li Ren from his residual dream, and the March spring rain falling under the flowers added to the sadness in his heart.
Changting Road, with green poplars and fragrant grass, is easy to get to when you are young. The lingering dreams at the top of the building are at five o'clock, and the March rain is leaving melancholy at the bottom of the flowers. (Li Chou's work: Li Qing) Explanation: On the ancient road of Changting with willows and lush grass, young people can always easily abandon those who are seeing them off and go away. The sound of the five-minute bell from the top of the building awakened Li Ren from his residual dream, and the March spring rain falling under the flowers added to the sadness in his heart. The name of the poem: "Spring in the Jade House·Spring Hate". Real name: Yan Shu. Nickname: Yan Yuanxian. Font size: Tongshu. Era: Song Dynasty. Ethnic group: Han. Birthplace: Linchuan, Fuzhou (now Wengang Town, Jinxian County, Jiangxi). Date of birth: 991 AD. Time of death: February 27, 1055 AD. Main works: "Medicine", "Butterfly Loves Flowers", "Huanxi Sand", "Huanxi Sand", "Magnolia", etc. Main achievements: A famous prime minister in the Northern Song Dynasty and a famous poet of Wanyue School. Together with Ziyan Jidao, he was called "Er Yan".
We provide you with a detailed introduction to "The Sorrow of Flowers in March Rain" from the following aspects:
1. Click here to view the full text of "Spring in the Jade House·Spring Hate" The details of "Jade House Spring·Spring Hate"
The green poplars and fragrant grass make the pavilion road, and young people leave their faces on the road.
The lingering dream at the top of the building is the fifth clock, and the March rain is leaving melancholy at the bottom of the flower.
Ruthlessness is not as painful as sentimentality, an inch is like thousands of strands.
When the ends of the earth are endless, there is only endless love.
2. Other poems by Yan Shu
"Broken Array", "Huanxi Sand", "Butterflies in Love with Flowers", "Medicine", "Huanxi Sand". 3. Appreciation
Desolate sorrow and quiet lovesickness are the themes sung by Yan Shu’s poem. It not only contains the poet's lament about separation and sorrow, but also expresses the profound philosophy of life in a tactful way.
"Green poplars, fragrant grass and long pavilion road", the first sentence of the first film writes about the spring scene, the farewell pavilion and the way out, to set off people's emotions. Because it was outside this long pavilion with lush green grass and dense poplars, and by the ancient road, that the young wanderer said goodbye to his sweetheart. The spring scenery depicted by the boundless "green poplars and fragrant grass" creates a broad space for the expression of parting sorrows and resentments. The second sentence "It's easy to leave people when you are young" describes a young man who is always so hasty and easy to say goodbye when he is still suffering from love. However, as time passed, he felt deeply regretful. The word "easy" contains both the young man's regret for the past and his still searching. "The lingering dream at the top of the building is five o'clock in the morning, and the March rain is falling under the flowers." The two sentences express the pain of lovesickness and the sadness. The lingering dreams are vague, the bells and drums are sad, the drizzle is misty, and separation from love is even more painful. This is the sadness of the abandoned true love. These two sentences not only have the wonderful synchronization of syllables, but also express the beauty of the gentle and graceful artistic conception. The lingering and subtle sighs of the song, the true and pure expression of emotion, connect the drizzle in late spring in March, the lingering dreams of the fifth night, the loneliness under the flowers of the people away from the building, and all the lovesickness into one, misty and light. _, boundless.
The first two sentences of the next film are, "Ruthlessness is not as painful as sentimentality, and an inch is like thousands of strands." The author uses the technique of line drawing and strong contrast to write out the deep love that haunts the dream. . The previous sentence bluntly states that being sentimental is painful, and it is determined that this kind of pain is far beyond what "ruthless" can replace; even if he wants to be freed, the author's ruthlessness can only be "ruthless" that is "passionate but always ruthless", so he still can't get rid of that kind of pain. Endless lovesickness. "One inch becomes thousands of strands", a very sentimental statement. An inch of love can be turned into thousands of strands of love, so endless passion will be turned into countless strands of love. In these two sentences, the words "ruthless" and "unlike" are deliberately written to highlight the pain of passion. "When the ends of the earth are limited, there is only endless love." These two sentences mean that endless love lasts forever and lasts forever. Just like what Li Houzhu said, "A heart has thousands of emotions, and there is no place to arrange it in this world." All things will come to an end, but only the true love in this world will never end. Therefore, this endless lovesickness is worth singing forever.
4. Notes
Changting Road: the farewell road. In ancient times, there were pavilions built on the post roads for pedestrians to rest. People are abandoned by youth, and people change from youth to old.
Remnant dream: unfinished dream. It all refers to when you miss someone.
Yicun: refers to the sad intestines.
Already.
Ten thousand threads: Thousands of threads. A metaphor for endless separation and hatred.
5. Translation
The Changting Road with green poplars and fragrant grass is easy to pass by when you are young. The lingering dreams at the top of the building are at five o'clock, and the March rain is leaving melancholy at the bottom of the flowers. (Li Chou's work: Li Qing)
On the ancient road of Changting with willows and lush grass, young people can always easily abandon the person who is seeing them off and go away. The sound of the five-minute bell from the top of the building awakened Li Ren from his residual dream, and the March spring rain falling under the flowers added to the sadness in his heart.
Ruthlessness is not as painful as sentimentality, an inch is like thousands of strands. When the ends of the earth are endless, there is only endless love.
How can a heartless person understand the troubles of a passionate person? An inch of lovesickness and sorrow turns into thousands of strands.
No matter how far away the world is, there will be an end. Only that lovesickness has no end and will never stop.
Poems of the same dynasty
"General Cao", "Going to Qutang", "Tengwang Pavilion", "The Son is Nei, the Angry Man Abandoned His Wife, The Poor and the Poor, the Anvil", Tang Meishan's poems are also played as notes ", "Inscribed on Ai Xi", "Waiting Gongyuan for the value of the rice harvest", "Seeing off guests to Linggu", "Sigh", "Inscribed on Chen Chaoyu's love for Zhuxuan", "Rewarding Chunhu Shi Lu Yonghui" "Four Hao Pictures".
Click here to view more detailed information about Yulouchun·Chunhen