Modern Poetry about Diligence

(Collar) Heaven and earth are grey, dry and boundless. Young people in China should stand tall and strive for self-improvement. (a) cloudy, pious prayer for peace; Dark sky, seeking hope with blood; Face the disaster bravely! The heavy responsibility is on the shoulder, dare to take responsibility! Do you still remember the most beautiful team ceremony in Wenchuan earthquake? (1, 2 1) That's gratitude and strength, which makes many people cry; Do you still remember the most beautiful smile in Wenchuan earthquake? (3, 4) That is optimism and upward, how many inches are broken; When the ground moves, immature hands push away their companions, leaving the hope of survival to others; After the disaster, clear eyes comfort the living and write firm confidence on the face; The sky can fall, the ground can crack, and our spine is hard to bend. In the rear area, love is like a tide, and the red scarf shines; Remember those coins? (1, 2 1) That's dedication, true feelings, and more young hearts are growing; (Collar) Remember that number? (3, 4 in 1) That's a scarf, that's a team gift, and even more ignorant teenagers are thriving; In (near) candlelight, eyes are red, hands are close, and prayers are sincere; When shouting, the fire flew into a rage, clenched his fist and sang loudly; Blood can flow, heart can be hurt, and infinite loyalty makes steel tough; We are no longer fragile flowers in the greenhouse, we want to be tall and straight poplars on the red cliff; The wind and sand can't blow down, the sun can't shine, and it will grow sturdily after the wind and rain, and then grow sturdily! Stubborn and tenacious! (collar) We are the bright future of the motherland, and we are the hope of the future of the motherland; A heroic oath, which has been recited through the ages, reverberates: (1) Young people's wisdom is national wisdom, young people's wealth is national wealth, young people's strength is national independence, young people's freedom is national freedom, young people's progress is national progress, young people are superior to Europe and young people are superior to the earth, so the country is superior to the earth. (1, 2 in) The red sun rises and its road is bright; The river flows out of the river and flows into Wang Yang; Dive into the depths of the dragon, scales flying; The milk tiger roared at the valley, and the beasts were shocked; (3,4 1) Falcon wings, wind and dust stretched; The first birth of a wonderful flower, the emperor of the emperor; The generals will make a fuss, and they will do their best; The sky is pale and the ground is yellow; (collar) there are eight famine, although there are eternal; The future is like the sea, and there is plenty of time. (Together) Beautiful, I am a young man from China, and the sky is not old! Zhuang Zi, I am a teenager in China, and I have no borders with China! I always like to say that I am lazy, provided that the other person is a China compatriot, I won't take it seriously. I will certainly praise you: how modest and successful you are! So I continued to humbly say, "Where, where, give me more advice!" " So, everyone is happy, why not? But then I thought I was wrong. In China, some people really want to take it seriously. Who is it? Poet also! The poet taught me to be serious! I feel very tired, and I want to make fun of laziness to show the combination of work and rest. The great man said: People who can't rest can't work. Just when I write some short lazy words to make readers look more relaxed, modern poetry is tirelessly expanding its length. I think China's readers are greatly influenced by classical poetry, especially Tang poetry and Song poetry, and this influence is "short-lived" or concise. So, China. & lt Peacock flies southeast >> A long poem like that. Moreover, readers don't like being considered stupid and don't need to think. The readers I meet actually like to think for themselves. The reason is simple: the reader's head grows on his own neck, not the poet's. Since I was a student, I have been taught by Tang poetry and Song poetry in pre-Qin literature. Whenever I want to write, I think my ancestors are really good at talking. So I stood in awe, thinking, we are proud modern people, saying that the times are progressing, but we can't let our ancestors down, although our ancestors also wrote long characters, such as those of westerners. & lt Homer's Epic >>, but after all, there are not many, and if there are too many, they will be replaced by novels and perish. Therefore, masterpieces like & gt are usually placed in museum libraries and literary history for people to appreciate or be studied by researchers. Even if the average reader is highly literate, I'm afraid it's hard to flaunt himself with them every day. There are no modern poems, only Long song of Han Yuefu: "Sunflowers in the youth garden are waiting for the sun." Spring fills the earth with hope, and everything presents a scene of prosperity. I am always afraid that when the cold autumn comes, the trees in Ye Er will turn yellow and the grass will wither. All rivers return to the East China Sea, when will they return to the West? If you don't work hard, the boss will be sad. "Poetry is a literary style, focusing on expressing the poet's thoughts and feelings. However, emotion is not poetry. From emotion to poetry, there is a concrete externalization process, which is not only the image construction process of "harmony between meaning and image", but also the artistic conception creation process of "harmony between thinking and environment" Whether a poem has poetic flavor or not, in the final analysis, depends on whether the poem has beautiful and ingenious images. Whether a poem has a unique charm depends on whether it has an aesthetic mood of blending scene and reality. Image and artistic conception are two terms often used by poets and critics when writing poems. However, in several authoritative writing textbooks, such as Writing published by East China Normal University Press, Advanced Course of Writing published by Wuhan University Press, and even the quite authoritative New Draft of Writing, there is a very coincidental situation: the creation of artistic conception is emphasized, while the creation and analysis of images are downplayed, and some even fail to put forward the concept of "image" in the whole chapter. For famous works, it is normal for viewers to be attracted and infected by the "artistic conception" in the works. In other words, it is understandable to emphasize the artistic conception of a work from the perspective of literary history or appreciation. However, writing textbooks are not dedicated to reappearing literary historical facts or appreciating works, but to let students master the necessary writing theories, understand the basic writing rules of common styles, and exercise their writing skills in common styles. In common stylistic writing, poetry writing is difficult for teachers to teach students, especially the "poems" carefully created by many students. It is tasteless in the eyes of experts, and a simple conclusion is "unlike poetry"! Where does poetry come from? What is the key to writing poetry? What is the relationship between artistic conception and image? This article now discusses these issues-once discussed, it is inevitable that the words of one family are biased. Please correct me. General textbooks believe that the focus of poetry writing lies in the creation of artistic conception, and the beauty of artistic conception makes poetry full of charm. I think the focus of poetry writing should be the combination of images, which are cleverly chosen, naturally combined with each other, integrated and unique in natural artistic conception. In the final analysis, the choice of images should be the first in poetry writing, and artistic conception is a kind of overall connotation presented after the whole poem is written. That is, the starting point is in the image and the end point is in the artistic conception. The poetic image is not like it, but whether it is poetic, and poetry comes from the image; Whether a poem is beautiful or not depends on whether it has meaning, which comes from artistic conception. From poetic flavor to poetic beauty, it is actually the excavation process from image to artistic conception. Without images, artistic conception becomes passive water and rootless wood. In the process of poetry creation, the poet always feels particularly touched by a phenomenon in life, produces a strange feeling and gets the first image, which often becomes the core image to be produced in this poem. How did this first image come into being? From the specific writing practice. There are two ways to write ordinary poems: one is to have emotional thoughts before using things skillfully, which is called the materialization of emotional thoughts; The other is that the poet first sees something and then expresses his will with it, which is called the emotionalization of things. Whether the image has penetrating power depends on the efforts of "materialization of emotions" and "emotionalization of objects". It's wonderful that things are integrated with me, but it's hard to attract readers' attention when things are separated. Therefore, for poets, instead of painstakingly looking for unsatisfied inspiration, it is better to focus on capturing delicious and perishable images. Image is not the patent of modern poetry. Si Kongtu, a poetry critic in the Tang Dynasty, said: "Imagination is natural and strange." Hu Yingli also said: "The beauty of ancient poetry lies in seeking images." It can be seen that image art is the tradition of China's poetry, and creatively carrying forward this tradition is the conscious aesthetic pursuit and artistic tendency of contemporary poets. Simply put, image is the image in people's mind, a unique image created by the objective image through the poet's emotional activities, and a concrete artistic image with more subjective colors, which is different from the original state of life and can be perceived by people. Images generally appear in two forms in literary works, namely, single images and whole images. The single image is the most basic artistic image in literary works, and the whole image is an organic whole picture composed of a group or a string of images, also known as the image system. For example, in Ma Zhiyuan's Tianjingsha Qiu Si, "dead vine", "old tree" and "heartbroken man at the end of the world" are all single images, and people often regard this image as a part of a larger realm. They can't leave the whole. If they leave, the single image will lose its original meaning. For example, once Kuteng left Tianjingsha Qiu Si, Kuteng lost the sad color given to it by this Sanqu. Therefore, in this sense, Ma Zhiyuan's Tianjingsha Qiu Si has only one overall image. Image is the focus of poetry writing. Image is the soul of poetic art, where there is image, there is poetic flavor, and without image, there is no poetic flavor. Therefore, poetry writing should avoid both intentional images and unintentional images. For example, a poem "Diligence" published in a certain publication can be described as intentional or unintentional: "Genius is accompanied by diligence/success is linked with hard work/don't expect luck/don't wait for tomorrow/leave it to fate. This is the creed of lazy people/grasp life, and it is also the motto of diligent people." This kind of poem is just straightforward in general philosophy, lacking concrete symbols, ignoring images and not talking about images. Therefore, a little motto like "Pride makes people lag behind, modesty makes people progress" is acceptable as a motto, but it is really not a poem. Gorky put it well: "True poetry, even with a little philosophy, is always ashamed of what is reasonable." In another case, a poem says, "A smooth mirror/an image reflecting an object/a girl's smiling face/an old man's eyes." Others shouted shrimp: "bending over is by no means a respect for people." Chant to the goat cloud: "A beard that stands up doesn't mean you are old." They all only know things, don't know the meaning of sustenance, and lack poetry and painting. At best, it is only an explanation of the unique form of things, and it is a superficial work without profound meaning.