First broadcast time: 20 12 65438+23 10/0/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: China's poems Li Yuanming and Li Shangyin
The main content of this program: There is such bright light at the foot of my bed. Could it have been frosted? ; In the spring morning, I wake up easily, and birds are singing everywhere; Silkworms in spring will weave until they die, and candles will drain the wick every night; Picking chrysanthemums under the east fence, leisurely see Nanshan; Ask how much sorrow you can have, just like a river flowing eastward. They are all famous sentences. In this program, Yu Dan explains and appreciates China's poems for the audience.
The second episode is warm at dusk and clear in autumn
First broadcast time: 20 12 65438+24 10/0: 32.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: warm dusk and clear autumn
The main content of this program is Warm Night and Clear Autumn: Teacher Yu Dan explains and appreciates the description of autumn in China's poems.
The third set of warm sunset
First broadcast time: 20 12 65438+25 10/0/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: sunset China's poems
The main content of this program: The theme of this program is warm sunshine and sunset. The most meaningful time of the day is sunset, which is the time to miss home. Teacher Yu Dan explained and appreciated the sunset description in China's poems for the audience.
Episode 4 The Eternal Moon
First broadcast time: 20 12 65438+26 10/0/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: China's poems are eternal and brilliant.
The theme of this program is the eternal moon. The question from Li Taibai "When will the moon appear in the sky? I stopped for a drink and asked, "To Su Dongpo, when will the bright moon come?"? How many questions and thoughts are there about the moon? In the program, Mr. Yu Dan, through appreciating the poems of ancient sages about the moon, explained in detail the periodic change law of the moon and the various sustenance and practical significance given to the moon by poets in poems and songs.
Episode 5 Elegant Pastoral
First broadcast time: 20 12 65438+27 10/0/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: pastoral school of China ancient poetry
The main content of this program: pastoral is a word that makes people feel very quiet when spoken, and pastoral poetry is also a big school of China poetry. Speaking of the relationship between China people and the school of pastoral poetry, many of today's pastoral poetry culture in China comes from the exaggeration of ancient poetry culture. Since Tao Yuanming in the Eastern Jin Dynasty, the pastoral culture has been gradually improved. In the program, Mr. Yu Dan elaborated the relationship between ancient pastoral and today's pastoral by appreciating the pastoral poems of ancient sages. Pastoral belongs to the refraction and connection of life philosophy.
Episode 6 is on the scene
First broadcast time: 20 12 65438+28 10/0/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Key words: landscape impression, viewpoint, perception, elevation, overlooking, boarding.
The main content of this program: "the mountains are flat and primitive, and the rivers meander in the wilderness", which is the scenery in Li Bai's eyes; "This river runs through the heavens and the earth, and there are both mountains and mountains here." This is Wang Wei's landscape; "I have Wu in the east and Chu in the south, and I can see the endless drifting of heaven and earth" is the scenery Du Fu saw; "The river is green and the mountains are like jade." This is the scenery that Han Yu saw. Everyone will leave their own impression when they look at the mountains and water. There is a secret to seeing the mountains and water, that is, different views. Although the above poems have different personal impressions, they are similar in one thing. They all have this impression when they climb to the distant heights. This program will talk about "boarding".
The seventh episode of Jian Xiao Changhong
First broadcast time: 20 12 65438+29 10/8: 30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Keywords: Jian Xiao Changhong Poetry Sword
The main content of this program: Throughout the ages, scholars have dreams in their hearts. Many people know the dream of saving the world and being an official. In fact, in addition to being an official, there is a big dream that almost all scholars have done and have never given up, that is, the dream of chivalrous literati through the ages. Qin Xin and Shu Jian are always lost, and they are always inseparable from a sword. The sword itself has the symbolic color of justice, promoting good and punishing evil. Perhaps, the sword is a romantic accessory in the life of the literati, and it is also a persistence in the hearts of the literati. In this issue, let's analyze the lofty sentiments of scholar swordsman Changhong through China's ancient poems.
The eighth episode of poetry and wine linger
First broadcast time: 201265438+1October 30th 18:30.
Video source: CCTV-3
Column: Cultural Forum
Category: variety show
Key words: indulge in drinking, drown my sorrows by drinking, and linger in poetry, wine and ancient poems.
The main content of this program: How many revels do we have to have to live a good life? China people can't live without wine. When we are happy, we are called to drink as much as we can, and when we are upset, we are called to drown our sorrows by drinking. Everyone has a different mood for wine all his life. In poetry, we call it wandering poetry wine. In this issue, let's analyze the poet's feelings of poetry and wine through China's ancient poems.
There are many good poems to enjoy, so I'll give you one I like.
Cao Xueqin's funeral words
Flowers fade, flowers fly all over the sky, and who will pity if the red disappears and the fragrance disappears?
The hair is soft and floating in the spring pavilion, and the hair falls and touches the embroidered curtain.
The daughter in the boudoir cherishes spring and dusk, and her sadness is full of nowhere to release.
Hoe the flowers out of the embroidered boudoir with both hands and endure falling flowers again and again.
The pods of willows and elms come from wheat straw, regardless of whether peaches float with Li Fei.
Peaches and plums can be delivered next year. Who do you know in the boudoir next year?
The fragrant nest has been built in March, and Liang Jianyan is too heartless!
Although we can peck at flowers and hairs next year, people will not tend to go to empty nests.
360 days a year, wind, knife, frost and sword are pressing hard,
When can I be aboveboard? Once I wander, it's hard to find.
Flowers are easy to see but hard to find, and those who bury them suffocate in front of the steps.
Leaning on the hoe alone, I shed tears in the dark, and the branches on it saw blood stains.
The cuckoo was silent at dusk, and the lotus hoe returned to cover the heavy door.
The blue light shone on the wall and people began to sleep, but the window was not warm.
Blaming slaves is double depression, half pity and half trouble;
Flow spring suddenly to bother, to silence.
Last night, I sent a sad song outside the court, knowing that it was a flower soul and a bird soul?
The bird's soul is always hard to stay, and the bird is ashamed of being wordless.
May slaves have wings and fly to the end of the sky with flowers.
After all, where is Xiangshan?
Hide the wind without a trick.
It's better to be clean than trapped in a ditch.
I am going to die and be buried, but I don't know when Nong will die.
The man who buried the flowers is laughing today, but who did he know when he buried them?
We see that the spring flowers are gradually falling, and it is the time when the beauty dies of old age.
No sad songs for me, I don't know what happened!
(1) This poem imitates the Song style of the early Tang Dynasty in style, and it is called chanting flowers, but it actually describes people. The whole poem is lyrical and incisive, with weeping language, sad voice and blood and tears in every word. Every word in the poem is not from the heart, and every word is not condensed with blood and tears, which shows Lin Daiyu's experience and sigh about her life. The whole poem is not blindly compassionate, but there is still a feeling of oppression. "Liu Cong Fang Fei is long, no matter whether the peach is floating or Li Fei", there are resentment against the cold world and attachment to human feelings; "360 days a year, the wind, the sword and the frost are pressing each other hard", isn't that an indictment of the ruthless reality that has persecuted her for a long time? "May Nong give birth to wings and fly to the end of the day with flowers. After all, where is Xiangshan? Hide the wind without a trick. It is better to be clean than to be trapped in a ditch. " It is the kind of aloof character who is unwilling to be humiliated and defiled and unwilling to bow his head and yield when the fantasy of freedom and happiness cannot be realized. These are its ideological values.
Another value of this poem is that it provides important clues for us to explore the tragedy of Baodai in Cao Xueqin's works. JOE's version of Zhi Yanzhai's comment on writing said: "I read Buried Flowers again until three or four o'clock, and its sadness made people forget their own life experience, so I can't approve it any more. A guest said,' Mr. Wang is not Baoyu. How can he write? In other words, the word is double-circle, and the word is immortal, but it is difficult to express each other's meaning. Read Baoyu before approving it. The perseverer wanted to get inspiration from The Stone, so he stopped writing and began to wait. "It is worth noting that the comment on writing points out that you can't criticize this poem without reading The Story After Baoyu; It is precisely the "post-essay" related to this poem that makes the critics "stop writing and wait". There is no doubt that the so-called "post-essay" refers to the writing of Daiyu's death in the second half of the lost manuscript. If this poem only symbolizes the misfortune of a fallen beauty in general, then you don't have to wait for the next one; Only when what is written in the poem is not general, but mostly related to the plot of Daiyu's death later, it is necessary to emphasize that after reading the following words, I will go back and deepen my understanding of this poem. It can be seen that Burying Flowers is actually a poem written by Lin Daiyu. Sewing tips for fallen flowers and burying incense graves for fallen flowers; I had to write a poem in tears. This "absurd" behavior has never been seen before. Only those who are infatuated with Bao Dai can understand it, and only when it happens to Bao Dai can it be understood by the world. Please look at the poem in the quatrains of tihongloumeng in Ming Dynasty, which was contemporary with Cao Xueqin:
A sad funeral poem seems to come true.
Andrew died for a wisp of love, fan HongLing again?
(1) "It seems to be true" can only be said by people who know the plot of Daiyu's death written by the author. In the past, we thought that Yi Ming might not be able to read the whole novel like Yan Zhi. Now, it seems very likely that he finished reading the second half of the manuscript, or at least listened to the people in the author's circle who talked about the main plot in the second half in detail. If we say the later things mentioned in Ming Yi's quatrains, such as "gathering like spring dreams and scattering like smoke" and "there is no aura under the stone", we can still speculate; Then, it is no longer possible to write a poem describing Baoyu's poverty and poverty, such as "Wang Sun is skinny", and a poem describing his conviction, such as "Skillen is ashamed of his misfortune".
(2) The same is true of the last two sentences in the poem quoted above: He said that he really hopes to come back from the dead and die for love, to save Daiyu, to make Bao and Dai lovers soul mates, and to reconnect with the red silk rope held by the old man under the moon. Imagine, as long as the "sink cup" can rise, the "HongLing" can continue, which is different from the reason why the sequel later imagined the tragedy of Bao and Dai because of involuntary marriage! If everything is as written in the sequel edited by Cheng Weiyuan and Gao E, Baoyu already belongs to another family. Excuse me, Daiyu's "sinking" is "renewing HongLing". What's the use for her to be a second aunt?
(3) This poem "Nong buries flowers, and people laugh today. Does he know who it is when he buries Nong? ..... "At the end of the sentence, such as repeated several times in the book, with special emphasis, even learned to write parrot poems. It can be seen that the day when beauty dies of old age is really the time when spring flowers fall, not the comparison of function words. At the same time, what is said here is "he knows who it is when he is buried", and what is said earlier is "who has pity on the fragrance and jade after it has died" and "a wandering is hard to find" and so on. So there is no doubt that Daiyu died in a very miserable and lonely situation like Qingwen. At that time, not everyone was busy holding a wedding for Baoyu, so there was no time to take care of it. On the contrary, Baoyu and Xifeng were both exiled because of avoiding disaster. It was a day when "the family was ruined and everyone died, and each family sought more happiness." In the poem, "both willows and pods come from weeds, whether peaches and Li Fei float together" still means this.
(4) "The fragrant nest has been built in March, and the swallow between the beams is too heartless. Although we can peck flowers next year, it is difficult to grasp the meaning of the sentence "no one can go to the empty nest of Liang", which is between solvable and unsolvable. Now, if you look at it in a prophetic way, it will be more clear. Probably in the spring, Baodai's marriage is basically settled, which is the so-called "fragrant nest has been built." However, in autumn, something happened, just like Liang Zhongyan flew away mercilessly, and Baoyu was forced to run away from home. Therefore, she lamented that "the soul of flowers and birds is always hard to stay" and imagined that she could "give birth to wings" and walk with her. She cried for a day and a night, and finally "all her tears ran out." In this way, "I don't know when flowers fall and people die", and it is completely appropriate to compare "flowers fall" with Daiyu and "people die" (exile). Whenever Jia Baoyu encounters a so-called "ugly disaster", someone else will have bad luck. First Jin Chuaner, then Qingwen, and finally sealed Daiyu. Therefore, there is a pun in the poem that "clean and clean is better than being trapped in a ditch", which can be used to dissect and show integrity. When Baoyu returned to Jiafu in the autumn of the following year, Hongyi Courtyard was "red, thin and green" (fat comment), and Xiaoxiang Pavilion was a desolate scene of "rustling leaves and loneliness" (fat comment). Dai-yu's boudoir was filled with Baoyu's crimson porch, and she saw "a cobweb covered with carved beams" (fat comment refers to Baochai's residence). "Although you can peck flowers next year, you can't go to the empty nest of beams! "Isn't that what you mean? The above are just some details that can be confirmed from the clues mentioned in the fat review, and may not be so appropriate. But this poem and Baodai's tragic plot must take this into account, which is probably not subjective; In fact, the poem "a dream come true" does not stop there. Dai Yu's "Daili? "Autumn window wind and rain, peach blossom line also has this nature. The former seems to say unfortunately that she left Baoyu later, while the latter seems to be a preview of her "want to cry without tears" (fat comment) ending.
I hope I can help you.