1. The beauty of "neutral harmony" reflected in ancient Chinese words
Zhonghe, also known as harmony, is the condensed spirit of ancient Chinese culture. The Chinese ancestors regarded themselves as one with the universe, heaven and earth, and sought survival and happiness in the union of heaven and earth, which gave rise to the simple concept of harmony as beauty, and Confucianism also derived the idea of ??neutrality.
2. The beauty of "hardness and softness" shown in ancient style words.
"Masculinity" and "femininity" are a pair of important categories in Chinese classical aesthetics. They are used to describe categories of beauty and artistic styles, equivalent to sublimity and grace. Yang Xiong in the Han Dynasty linked masculine and feminine qualities with the beauty of literature, marking the entry of the masculine and feminine categories into the realm of aesthetics. Yao Nai in the Qing Dynasty made a relatively systematic discussion on the aesthetic categories of masculinity and femininity based on summarizing the experience of his predecessors, and dialectically discussed the interrelated and complementary relationship between the two. "Masculine" refers to the characteristics of vigorous and vigorous work shown in the work, which has the power to inspire people. That is to say, it is characterized by the beauty of strength, unrestrained emotions, vigorous spirit, vigor and vigor, broad realm, strong and beautiful style, bold and powerful language. Femininity in ancient poetry means that the work is full of moving charm and beauty from content to form, with delicate emotions, lingering echoes, fresh and implicit realm, graceful and curved style, and its language is also soft and beautiful, making it pleasing to read and stimulating.
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