Appreciation of Man Jianghong's Translation of Late Spring (Xin Qiji)

Manjianghong Late Spring Xin Qiji Series: The Complete Poems of Tomb-Sweeping Day. Man Jianghong lived in the south of the Yangtze River in late spring, but she died and ate cold food on Qingming Day. In the flower garden, there was a storm and a mess. The red powder darkens with the running water, and the garden gradually feels clear and dense. Every year, the Erythrina flowers fall, and the cold is weak. The yard was quiet and empty. Nowhere to say, very idle. I am afraid of stray Inging and Swallow, and I know the news. The ruler is nowhere now, and the colorful clouds are still gone. Teach people, be ashamed to go upstairs, be flat and green. Appreciation of Jia Xuan's morphemes is famous for its boldness, but there are also some subtle chapters close to grace. Gaida's writer is not just a pen and ink. They can fill in the lyrics according to the different contents and the needs of expression, just like painting the "follower" of the so-called "six methods". Judging from the word spectrum, Manjianghong uses rhyme and is interspersed with three-character short sentences, so its tone is complex, and it advocates cadence, which is suitable for expressing impassioned feelings, and bold poets are also happy to use it. Yue Wumu's "Anger Rushing to the Crown" can be a typical specimen. However, earlier, He used this song to write the lyrics "Hurt Haruka" to express his deep affection and grace, but it was Xin Jiaxuan who inherited its tradition. This word, which describes the "leisure worry" of hurting spring and hating others, belongs to the most common content in Song Ci: the first part focuses on scenery, and the second part focuses on lyricism, which is also the most commonly used long-tune composition. It is very common and commonly used, so it is easy to stick to the rules, but if you appreciate the word carefully, it is not conventional, has new characteristics, euphemistic, but not soft; Good, but uneven. It's all because of bone strength that we have achieved this step. Specifically, every sentence has its "bone", which is a literal with profound meaning and heavy weight, enough to attract attention; The "strength" born in the bones is enough to support every sentence and arouse the whole article, "I live in Jiangnan and have passed the Qingming Cold Food Festival". In this sentence, the word "Jiangnan" is bone. When this word is associated with the topic, it can arouse readers' rich associations: early spring in the south of the Yangtze River, beautiful scenery, thousands of miles of warblers singing, red and green contrast, rivers and mountains, wine flags fluttering in the wind, flowers and trees growing in late spring, and grass growing with warblers flying. In addition to causing reproduction, another function of "bone" is to show its "strength", which can be seen from "flowers in the path, some storms, some chaos" The word "chaos" in this sentence is its bone. From this word, readers seem to feel a violent and violent force. In contrast, Meng Haoran's so-called "but remembering the storm tonight, I don't know how many flowers have been folded" is dull, while Li Qingzhao's so-called "whether you know it or not, it should be green and fat and thin" is only euphemistic, but the strong bone strength of the word "messy" here can clearly see that "the red powder is dark with the running water, and the garden plants are gradually dense", and its bones are "dark with" and "gradually feeling" In these two places, "bone" shows its toughness, and it is used as "tendon". The author spread the scene of "green, fat, red and thin" into a 14-character couplet in order to get rid of rhetoric and produce new ideas, so he deliberately focused on its turning point and joints, and the angle was better than that of previous sages. "follow in the dark" without knowing it: "gradually realize" that it is already there. It is ingenious to express the time series and the passage of festivals through human cognitive process. The following words "number of years", pick out a Erythrina flower as a supplement, and turn it into truth. The word "cold weakness" is a fairly new thing, and it is where the "bone" lies. Cold makes flowers thin. So I can't attach branches, so I have to fall with the wind, and I won't clear the lush shade and green leaves, if I can shine on the branches. The contrast between cold flowers and dense leaves can also make people think that if we can combine the author's situation and mood, it is not absurd to say that it implies a metaphor that a gentleman is frustrated and a villain is successful. As far as composition is concerned, the implied metaphor here is the transition from describing the scenery with an upward shovel to expressing feelings with a downward shovel, which is particularly intriguing, because it can be hidden only by content. You can express your inner sadness without meeting the beautiful cover you think. "The yard is quiet and empty. The four short sentences of "nothing to say, nothing to say" are just to point out the word "leisure". Leisure is the most common word in Song poetry, and its meaning is the most uncertain, so it is a "vague concept". Poets often refer to extremely deep feelings and indescribable and unspeakable worries as leisure worries. If readers want to explore its specific meaning and understand its "fuzziness", they must combine the historical background, the author's life and other related materials to make an investigation, and almost make a reasonable inference. The author's so-called leisure in this word is due to his political frustration caused by his failure to reuse himself for the Southern Song Dynasty court, his failure to display his ambition to save the country and his exclusion by the capitulators. By extension, "I'm afraid of a street warbler and know the news", but I hate a traitor's gossip and intention of hitting people when they are down. The combination of "Su Su" and "Lv Yun" symbolizes beauty and expresses the desire and pursuit of ideals. However, the information does not come, there is no trace to be found, there is only a glimmer of hope, and sadness is still knotted. At the end of "teaching people is ashamed to go upstairs, flat and green", it is logical that the word "people" is an adverb of mood, with a flexible meaning. It's close to the word "muddy" here, and it's still "simple" and "true." Wu Pingbi "can be compared with Ouyang Xiu's sentence" Spring Mountains cover Wu Ping, pedestrians even go beyond Spring Mountains ",which means that even if you climb a tall building, you may see grass all over Sichuan. Jia Xuan's "Fishing" has a sentence "There is no way back at the end of the world", which means that the way back is blocked by Pingwu, and finally you can't meet the right person. It is a tradition of * * * to trust each other. Song people mostly inherited this tradition when writing lyrics, and so did Ci. However, the meticulous brushwork of the lyricist has its own meaning, which makes his works "fuzzy". This ambiguity not only does not damage the artistry of poetry, but sometimes becomes a factor that constitutes the artistic charm of poetry. The more vague and uncertain, the more intriguing. This seemingly strange phenomenon is a major feature of poetry art. As far as reader search is concerned, if you can get a general idea, enough is enough; If you think too deeply and seek too much truth and refuse to let go of every word, you will think that there are graves everywhere and it is inevitable to catch shadows.