2. Zhou Bangyan was called Lao Du in the word, which was put forward by Mr. Wang Guowei. He once said in "Mr. Muslim's Legacy": "Compared with Tang poetry, Dongpo seems too white. In short, Lao Du is not a gentleman. " , for the following reasons:
(1) The similarities between Zhou Bangyan's and Du Fu's works are mainly reflected in three aspects: narrative techniques, diction and temperament.
As far as narrative techniques are concerned, Du Fu is a man who uses narrative techniques in a large number of poems, writes current events in five or seven words, that is, famous articles, and develops narrative techniques to a new peak. He is good at describing details and is more realistic. The arrangement of fu, the syntax of prose, etc Zhou Bangyan is not only good at describing, but also good at describing. His words are full of twists and turns and clear.
There are similarities between the two works in refining words and making sentences. Du Fu's metrical poems are good at using words, depicting exquisitely and refining words. His strength lies in expressing charm. The choice of words is even more appropriate. Sometimes, in order to express some feelings, it is written in an awkward way to make it conform to the rhythm. Zhou Ci is better at awkward sentences and pursues the harmony and unity of melody in anger. On the one hand, the intricate use of words and sounds enables you to express different feelings more appropriately, on the other hand, it also strengthens the aesthetic feeling of cadence. Achieve the contradictory unity of anger and harmony in melody.
(2) Although Zhou Bangyan's creation is the same as Du Fu's in composition, composition, melody and good use, it is not the same as Du Fu's overall creation of ci. We can simply analyze it from the following aspects.
1. Creation theme: Du Fu's poems have not only the themes of war life and people's suffering, but also the themes of entertainment, chanting, traveling, feasting, mountains and rivers, and loyalty to the country. Rich creative themes, thus forming a variety of styles of his poems, such as melancholy, depression and natural style. However, the theme of Zhou Bangyan's Ci is narrow, mainly the battle of chanting things, wandering and detaining. Therefore, wandering loneliness, fatigue and haggard frustration are the basic emotional tone of Zhou Ci.
2. Ideological realm: Du Fu was loyal to the monarch and patriotic all his life and actively used the world. However, due to the ups and downs of official career, I have experienced ups and downs and suffered greatly from the times, so I can understand and sympathize with the people's sufferings. His personal feelings are often closely combined with current events, with profound thoughts and broad realm, which has strong social practical significance and profoundly reflects which era. Zhou Bangyan's ci poems, though most of them are chanting things, such as new moon, spring rain, plum blossom, pear flower, willow, etc., are full of wandering and wandering feelings, and also integrate the feelings of wandering life, the sadness of official career, the frustration of love and chanting things. There is no new artistic conception, poor ideological content and low realm. Although his writing skills have some merits, his content reflects nothing more than wandering worries of birth, illness and death, and his realm is not high.
3. Poetic value: In the Tang Dynasty, Du Fu was the earliest and most comprehensive reflection of the great damage and disaster caused by the Anshi Rebellion. His poems describe the sufferings of the people in the war and show the broad picture of the fire life of the whole society in the war with profound and vivid images. His poems not only have historical cognitive value, but also can make up for the shortcomings of history. His poems on other themes also have profound thoughts and broad realms. Although Zhou Bangyan's ci has many merits in brushwork and melody, it is of little value in traditional literature because of its poor ideological content and low realm, especially because it reflects personal feelings and pays little attention to social real life, country and people.
To sum up, we can see that Zhou Bangyan's view that he was called "Lao Du in Ci" was one-sided. When affirming the contribution of Zhou Bangyan's Ci, we should comprehensively analyze it from many aspects, and it is unreasonable to call it Du Fu in general.
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