No. 1 Han ballad Wei Shijiu has different opinions, and no one has discussed it in detail. Who is the chisel in this poem? For the time being, teach quietness to be clear and turbid.
This is the first poem in Yuan Haowen's Three Poems on Poetry, which shows his motivation, purpose and standard of writing this group of poems on poetry. Yuan Haowen takes the elegant tradition of The Book of Songs as the "body" and thinks that Han Yuefu and Jian 'an literature are the continuation of this tradition. In view of some drawbacks in the poetry circles of Song and Jin Dynasties, the prevalence of "pseudo-style" and the confusion of the poetry tradition in Han and Wei Dynasties, Yuan Haowen took it as his duty to "carve a hand in poetry". He wanted to deeply review the history of poetry creation, distinguish the true from the false, and make it clear, so as to clarify the development of poetry. It shows that he is not an ordinary loose orpiment poem.
Second, Cao Liu sat on the roaring tiger and gave birth to the wind. There are no two men in the four seas Unfortunately, Liu Yueshi did not teach in Zhi Heng Jian 'an Middle School.
This poem embodies the beauty of Yuan Haowen's admiration for Jian 'an poets. He first recommended Cao Zhi and Serina Liu, one of the seven sons of Jian 'an, as the "two outstanding poets" in the poem, and compared their poetic styles with the image of "sitting on a roaring tiger and generating wind". Cao and Liu are outstanding representatives of Jian 'an style. Zhong Rong commented that Cao Zhi's poems "originated from the national style, with lofty character, elegant words, elegant feelings and resentment, and stood out from the crowd", and Serina Liu "originated from ancient poems. It's amazing, dynamic and colorful, true bone first frost, and high wind customs. " The praise to Cao Liu is actually a praise to the fine tradition of Jian 'an literature, which is rich in content, generous and vigorous, and beautiful in style.
Liu Kun, a poet in the Western Jin Dynasty, is regarded as "elegant and vigorous and full of character" (literature "The Carved Dragon"), "strong in words but fearful in feelings" (literature "The Carved Dragon") and has the spirit of "Qing Yi" (poetry). Yuan Haowen introduced Liu Kun precisely because his generous and tragic artistic style is comparable to that of Jian 'an philosophers.
No.3 Ye Xia Huan is in Jin Duo, and he still lacks pot songs. If Fengyun doesn't hate Zhang Hua so much, what about Wen Li's new voice?
Yuan Haowen thinks that many poets in the Western Jin Dynasty inherited the style of Jian 'an, and the influence of Jian 'an style is still relatively great ("Hu Ge still lacks deep feelings"), but there are also poems of "many children love partly cloudy" (Zhong Rong commented on Zhang Hua's poems). Jian 'an style is the poetic style affirmed by Yuan Haowen, so he took Zhang Hua as an example and thought that although Zhang Hua was famous for his beautiful poems and elegant words, he lacked the boldness. As for Wen and Li Shangyin in the late Tang Dynasty, they are more affectionate and graceful in style. The sentence "Nairuohe" shows Yuan Haowen's dissatisfaction with the vigorous style of writing and his understanding of the development of the vigorous style of poetry.