Connecting the four poems together, we can find that one sentence and three sentences, like two sentences and four sentences, are loose alternating sentences in pairs. Chao Shuo corresponds to Huan Huan, and the time is approaching; "Fear of the other" corresponds to "get this" and has a similar orientation. As long as you read it, you don't have to think much, and you will feel a kind of charm, a kind of rhyme that gently shakes and floats in a circle, which coincides with the flow of Yuet Hua. In a word, the language of these four poems has quite rich and complete functions, and it is the real poetic language.
The next four sentences are night view appreciation. -but it's hard to say it's a night scene, and it's hard to say it's "appreciation." This is to feel the night with hearing and gradually sneak into the depths of nature by feeling. Zhang Yugu's "Appreciation of Ancient Poetry" said: "In Secondary Four, you should not treat the scenery with your eyes, but with your ears. This is the spiritual reason for staying overnight. " He didn't make it clear what this "sacred reason" meant. First of all, it should be said that the night scene is not impossible to see with your eyes, nor is it bad to write. There are many such examples in ancient poetry. However, we should focus on depicting the night scene on the horizon. Man and nature are easily separated, and its effect is different from what this poem pursues.
Look at the first two sentences: the birds' songs gradually become low and scarce, and finally they become occasional chirps, so I realize that they have settled in the forest and the night is getting deeper and deeper; In the silence, rustling leaves came from time to time, and I knew there was a night wind in the mountains again. These two sentences well describe the atmosphere of the mountain night. Because the sound is changing, fluctuating and fluctuating, it can better reflect the interest of the mountain night and the rhythm of everything in the fundamental emptiness than the fixed bodies such as mountains and gullies. This may be what Zhang Yugu called "staying out at night".
But the last two sentences are a deeper understanding. These two sentences are intertextual, meaning that "abnormal sound" and "abnormal sound" are heard in the ear at night, and both sound clear and melodious. Where did the so-called "abnormal sound" and "abnormal sound" come from? Is it the singing of birds, the falling of dead leaves, or the endless mountain streams and intermittent insects? Everything is nothing. When poets call those sounds "different sounds" and "different sounds", it is not the sound itself, but the strange feeling caused by the sound. Because this is a feeling, those voices have also been changed and amplified, becoming a "clear" tone. In other words, when the poet listened attentively to all kinds of voices in the night, those voices aroused some kind of illusion in people's hearts; Feel those sounds with this illusion, and they will become different from usual. In this way, it seems that some mysterious communication has been formed in the depths of human life and nature. Indeed, people have many unclear places about people and nature, so they often experience nature with mysterious feelings. A poet as keen as Xie Lingyun is more experienced than ordinary people.
According to the usual writing, Xie Lingyun's poems always have a philosophical discussion after describing the scenery. At the end of the last four sentences of this poem, it is not like this. He just sighed: such a wonderful autumn night, but no one can enjoy it, so I can't praise the good wine in this cup to anyone. The implication is that the world is so vulgar that it is difficult for them to walk with themselves. The last two sentences are still poetic in Nine Songs and Little Commandments. The original poem said: "I am with you in the salty pool, and I am with you in the sun." Looking at the beauty of the future, LAM Raymond _ Hao Haoge. " The "beauty" that Xie Lingyun hopes in his heart will not come after all. It just waited in vain until the sun came out and dried my hair. There are actually double connotations in this: on the one hand, Xie Lingyun really hopes to have like-minded friends to enjoy this autumn night scenery with himself; On the other hand, a person traveling without company just shows his unconventional character and expresses his loneliness, arrogance and arrogance. As far as Xie Lingyun's character is concerned, the latter is more important.
Wei, Jin and Southern Dynasties is an era of self-awareness awakening and strengthening. The inevitable result of strengthening self-awareness is the emergence and strengthening of loneliness. Therefore, investing in nature and seeking communication between individuals and nature has become one of the ways to get rid of loneliness. Xie Lingyun's poems construct a beautiful artistic conception from the loneliness, the empathy between man and nature and the pursuit of like-minded people. Although his other landscape poems have similar performances, they are not as simple and beautiful as this poem. Therefore, it is also a very meaningful work in the history of poetry. It can explain how poetry becomes rich and complex with the richness and complexity of people's emotional life.