Dynasty: Pre-Qin Dynasty
Author: anonymous
Original text:
He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken. People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk. People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
The separation of millet is the reality of millet. Walking decadent, center suffocation. People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Appreciate:
In the first chapter of the poem, I wrote a poem and went to Zhou Zong. When I visited the palace of the ancestral temple, I saw a lush green. The prosperity of that year is gone forever, and the luxury of the past is gone forever. Even the war I just experienced is hard to find. Look, the green ones are growing millet and sad millet seedlings. "All scenery and words are sentimental" (Wang Guowei's "Words on Earth"), Xiaomi and Xiaomi's seedlings are heartless, but in the poet's eyes, they are the introduction to arousing infinite sadness, so he slowly walked on the desolate road, unable to help but feel uneasy and full of disappointment. Disappointment is tolerable, and this kind of worry is incomprehensible and unbearable. "What I know makes me worry, and what I don't know makes me want." This is the embarrassment that everyone is drunk and I wake up alone. This is the sorrow of those whose minds are higher than ordinary people. It is rare to respond to this great sorrow by appealing to the world. It can only be attributed to heaven: "Who is this?" Heaven naturally did not respond, and at this time the poet's melancholy and anxiety deepened.
In the second and third chapters, the basic scene has not changed, but the growth process of Xiaomi, in which "Xiaomi Miao" has become "Xiaomi Sui" and "Xiaomi Guo", is quite symbolic. With the deepening of the poet from "shaking the center" to "intoxication" and "suffocation", although the sighs and cries in the second half of each chapter are exactly the same in form, they have deepened the depressed spirit again and again. This is Long song who sings and cries after learning from a painful experience. No wonder people in later dynasties sang the poem "Su Parting" and shed tears: from Cao Zhi singing "Love Poem" to Xiang Xiu singing "Homesickness", from Liu Yuxi singing "Wuyi Xiang" to Jiang Kui singing "Slow Yangzhou", all of which reflected the charm of this image.
In fact, except Xiaomi and Xiaomi, poetry is an ethereal and abstract situation, and the lyrical subject "I" has strong uncertainty. On this basis, the appreciator can find the emotional singing point that fits the soul according to his different experiences. The feeling that things are different, the regret that bosom friends are hard to find, and the sigh of vicissitudes of life can't be vented. Furthermore, through the concreteness provided by poetry, readers can see a lonely thinker, who is infinitely worried about the future of human beings who are pretentious but unable to grasp their own destiny in the face of vibrant but spiritual nature. This kind of worry can only be understood by someone who knows me, but what kind of person is this person who knows me? "In the cry of disappointment, the reader saw the shadow of another poet. Where were those lost times before me? Behind me, where are the future generations? I thought of heaven and earth, there is no limit, there is no end, I am alone, my tears fell down! It is this incomprehensible anxiety about the fate of mankind that is the heart of Chen Ziang singing on the Youzhou rostrum. People who read this poem should think twice.