Zhang Jiuling's poems sung through the ages: What are Zhang Jiuling's representative works?

Zhang Jiuling's "Book of the Old Tang Dynasty" says: at the age of nine, politics is salty, so choose it at the moment. In other words, Zhang Jiuling's political and literary attainments had a place at that time. In fact, throughout the history of China, there are very few people who can achieve the same success as Zhang Jiuling in politics and culture. He not only has a prominent position in politics, but also has its unshakable influence in the literary world.

The moon is now round at sea.

Zhang Jiuling (678-740), Zi Zishou, was a naturalist. He was the prime minister during the Kaiyuan period of the Tang Dynasty, and his demeanor was talked about by Emperor Xuanzong at that time. Even after the ouster, whenever a prime minister was appointed, Xuanzong always compared with Zhang Jiuling.

Zhang Jiuling's well-known poems include: Going to the Wang Pavilion at the End of the Ji Dynasty, Twelve Feelings, Looking at the Moon and Thinking about a Far Away, Looking at Lushan Waterfall, Looking at the Lake Mouth Spring, Chanting Swallows, Giving Your Majesty and so on. Especially when I look at the moon, I think of a distant place: the moon, now at sea, is the end of the world. Became an eternal swan song.

Zhang Jiuling's poetry style is dominated by violet, and he is regarded as the originator of China's landscape poems in Tang Dynasty. His contemporaries, his teacher and good friend Zhang said that he once said: If you are lighter than practicing, you should be practical and use it when you need it, but you are embarrassed. In his poems, there is no strong color, but some are elegant. He advocates nature, expresses emotion with things and has a unique technique. Volume 2 of Biography of Poetry calls him: In the early Tang Dynasty, he inherited the unique source of elegance created by Liang, Chen and others. Zhang Zishou initiated the Qinglian School. Zhang Jiuling's style of violet poetry is also the conclusion drawn from this.

The style of Zhang Jiuling's poems is basically fresh, positive and uplifting. Even when he was relegated, there was no negative or pessimistic tone in his poems.

Even if Zhang Jiuling's poems are degraded, there is no negative feeling between the lines. On the contrary, he always expresses his feelings in a free and easy way, giving people a positive outlook on life.

In the twenty-fifth year of Emperor Xuanzong of the Tang Dynasty, Zhang Jiuling, the prime minister and great poet of the Tang Dynasty, was framed by treacherous court official Li, and when he was exiled to Jingzhou, he wrote twelve poems about Zhang Jiuling. At the same time, the author also wrote another excellent work, Looking at the Moon and Thinking Far away. Experience, such as full moon Philip Burkart, has become a masterpiece sung by later generations. Experience is a model of five-character poems in Tang Dynasty, and it is also the representative work of the author's five-character poems. The themes expressed in the twelve poems are basically the same: borrowing things for meaning, expressing feelings about one's own life experience, and expressing the author's noble moral integrity and lofty political ideals and aspirations, which are contained in all Tang poems.

Statue of Zhang Jiuling

During the Wei, Jin, Southern and Northern Dynasties, China's overall poetic style tended to be flashy and ethereal, and Zhang Jiuling's poems played a positive role in reversing this style. Gao in the Ming Dynasty mentioned in the Collection of Tang Poems that Zhang Qujiang's Love and other works were elegant and diluted, with a style of * * *, and VV almost reached its peak in the Tang Dynasty.

Take "feeling encounter" as an example. The author of the first two sentences is centered on Gui Lan. On the surface, it seems to describe the scenery rather than the people. He used the prosperity and prosperity of Gui Lan's business as an excuse to express his character, highlighting the author's own desire, and Dont Ask For Help knew how to cultivate it. In the third sentence, the pen turned sharply, and the hermit living in the deep mountain was painted by the forest people. Because of her yearning for Lan Guifang, she sat in the breeze full of flowers and was very happy.

And the fourth sentence is the whole poem. The vegetation is intentional and does not want to be impressed by beauty. The author uses this as a metaphor for the quality of a gentleman who leads an honest and clean life and studies in Germany. His knowledge of Dont Ask For Help and Dont Ask For Help showed his excellent character as an ancient scholar-bureaucrat. The whole poem shows the author's optimistic attitude towards life after being demoted, and his noble character of leading an honest and clean life.