So adjectives depend on the content and style of poetry.
"Style" refers to the author's different life experiences, emotional temperament and artistic accomplishment. , which shows his unique style, style and interest in creation, and forms different styles of his works, such as Li Bai's fresh and elegant, Du Fu's poems are depressed and frustrated, Tao Yuanming's poems are diluted and peaceful, Wang Wei's poems are painted, such as Su Shi and Xin Qiji's words are unrestrained, and Liu Yong and Li Qingzhao's words are unrestrained.
1, vigorous: vigorous means maximum strength and exuberant spirit. Its characteristics are: strong bones, majestic mountains and rivers, vigorous universe, open-minded, generous, majestic and magnificent. It is like a roaring sea, not like blue waves. If it turned out to be Kunlun Mountain, rather than a small and pleasant Suzhou garden, some of its specific works would appear majestic and resolute, such as Liu Bang's Song of the Wind; Some are generous and sad, such as Xiang Yu's Gaixia Song; Some are open-minded and full of lofty sentiments, such as Cao Cao's "Watching the Sea". Boldness is the era style of poetry in the prosperous Tang Dynasty, which embodies the prosperous scene and vitality of the prosperous Tang Dynasty. Wang Changling's "The Embankment" (the bright moon in Qin Dynasty, the custom in Han Dynasty) is magnificent and magnificent. Wang Zhihuan's "The Embankment" (the Yellow River is far above the white clouds) has rich imagination and broad realm; Meng Haoran's "Clouds and Clouds Rising in the Valley, Besieging Yueyang City" ("Lindongting") is magnificent; How sublime and magnificent Wang Wei's "Lonely Smoke in the Desert, Long River Falling in the Yen" ("Let it get stuck in traffic jams") is! What can really be called "vigorous" are frontier poets represented by Gao Shi and Cen Can. In their works, there are wolf mountains, deserts, isolated areas, isolated cities, extreme cold, extreme heat, grief and indignation, and determination to defend the frontier to the death.
2. unrestrained: unrestrained, it is called unrestrained. Its characteristics not only show the characteristics of the poet as the subject, but also show the characteristics of the object as the object. As far as the subject matter is concerned, the emotion is stirring and the style is high; Imagination is strange and exaggerated; Ambitious and broad-minded; Suck into the universe and pull up mountains and rivers; As far as the object is concerned, it is often huge in size and strength, showing its unique grandeur and sublimity, or showing a vast and boundless scene, so it is magnificent, magnificent and ethereal. Li Bai is a master of bold and unrestrained style, full of emotion, high-spirited style and boundless. "The grass is green and white, the sun is west, and the moon is east." ("Antique") depicts the rapid passage of time and the rapid turnover of personnel, in one go, seamless; Although the exaggeration of "Snowflakes in Yanshan Mountain are as big as seats" (Popular in the North), "White hair is three thousands of feet, and sorrow grows one piece" (Song of Autumn Pu) is unreasonable, it is reasonable. Su and Xin are the most outstanding representatives of the unrestrained school of Song Ci. Su Ci pays attention to integrating impassioned, tragic and desolate feelings into poetry, and is good at writing people and chanting things with bold and unconstrained brushwork. Niannujiao Chibi Nostalgia is a masterpiece. The sentence "The River Never Returning" captures all the people who have been active in a vast and long time and space, and it is magnificent. "West of the Old Base" to "Ashes" is a tribute to the past, with lofty and deep feelings, and that sentence "shake in the air" will be magnificent, colorful and loud.
3. Depression: If boldness is a volcanic eruption, then depression is an undercurrent. When the poet flies gracefully, he becomes unrestrained; When the poet meditated in silence, he became depressed. Li Bai was bold and unrestrained, light and clear, so he curled up and flew into the sky, floating around like a wild crane. Du Fu was depressed, because he was heavy, so he fell heavily and dived into his own heart, feeling agitated and full of twists and turns. What is depression? Depression refers to the profundity, richness, anxiety and resentment of emotions. "Sinking or not floating, it is not thin." Du Fu's poems are extremely rich. Sadness is the main content of Du Fu's poems. His sorrow is not only personal, but also national, national and people's. Therefore, this kind of sadness has a rich emotional level, which makes him depressed and gains deep feelings and lofty values.
4, sadness: touching the scene, seeing things hurting people, tragic and generous, this is called sadness. Generally, poets lament the changing situation, the speed of time passing, witnessing the people's profound disasters, bearing the ups and downs of fate, suppressing the anger of unpaid ambitions, and lamenting the people who are concerned about the country and the people and generous in their songs are all sad. Obviously, sadness is the voice of the times, poet. Youzhou rostrum is the most exciting elegy. With great grief and indignation, the poet climbed the tower and burst into tears. Facing the boundless sky and vast land, he used a rafter-like pen to draw a continuous picture of time in the past, present and future, and painted an endless picture of space.
5. Handsome: Handsome, bold and fluent. The representative poet is Du Mu. His poems are ancient and modern, overlooking the past dynasties. He talked about history, lamented the shortcomings of the times, summed up lessons, worried about the country and the people, and felt that there was no way to serve the country. On the other hand, he is bold and unrestrained, chic and romantic, flowing and refreshing. No one knows it's litchi. "In a subtle and ironic style, he profoundly exposed the life of Xuanzong in the Tang Dynasty, such as Red Cliff (the halberd is heavy and the iron is not sold), Mountain Walk (the stone path is far away from the cold mountain) and Jiang Nanchun's quatrains (a thousand miles of birds sing green and reflect red).
6. Dilution: Dilution, that is, harmony but difference, has the characteristics of leisure, quietness, indifference and far-reaching. Wang Wei's landscape poems are characterized by leisure, quietness, plainness and remoteness. He is a master of dilution school, such as "people are idle with osmanthus fragrance, and spring is quiet day and night." Birds are surprised when they rise in the mountains and sing in deep streams. " There is no external interference, only the tranquility of nature and the vitality of flowers and birds in the landscape. Poets indulge in nature, appreciate nature, indulge in nature, and become natural organisms. Nature in the poet's works is beating the poet's pulse, whirling the poet's voice and shaking the poet's soul, so nature is personalized. The nature written by the poet is the poet himself. It reflects the poet's diluted mood. The poet himself has integrated into nature. This kind of melting is to turn subjective feelings into objective scenery and pursue the ethereal realm without me. This is the ultimate in dilution.
7. Broad-minded: that is, open-minded, unrestrained, elegant, noble and unique. The representative writer is Su Shi. Su Shi's ci is not only bold, but also broad-minded in style. Su Shi, who has great talent but no talent, has a typical "broad-minded" character. "Life is like a dream, there is still a statue on the moon" ("") frees all kinds of troubles of life from surreal and pure nature, purifies itself from all kinds of contradictions with society, and blends with the laws set by nature. For example, "When will there be a bright moon? "Equating life phenomena with natural phenomena and philosophy of life with natural laws obliterates the boundaries between time and space. Shanggan only regrets that he can't "go home by the wind" and immediately regrets it. Xia Gan regretted that "people have joys and sorrows" and immediately explained that "the moon is full of rain and shine, and it is difficult to be complete in ancient times", thus getting comfort and inspiration from nature and getting rid of the distress of life. Su Shi sometimes tries his best to enrich himself and strengthen his spiritual world to the maximum, so as to resist all external interference and achieve detachment.
8. Gong Li. Gong Li-style poetry pays attention to both flowery rhetoric and neat antithesis. For example, in Du Fu's landscape painting, "Red-soaked coral is short and green-hung Ficus pumila is long" is gorgeous and neat, and each sentence begins with a colorful picture with color words.
9, straightforward. Poems with straightforward style are written directly according to the true feelings without obscurity or embellishment. For example, "Uncle Shuo, Uncle Shuo, I have no food! Three-year-old close friends, don't worry about me ",denouncing the rulers' unearned gains and ruthless oppression.
10, euphemistically (implicitly). Poems with euphemistic style, lyrical or narrative, are not written directly, but express their inner feelings euphemistically by writing something irrelevant to the original intention or by metaphor. For example, Li Shangyin's Notes to Friends in the North on a Rainy Night, the original intention of the poem is to express the author's nostalgia for his wife, but it is not written directly. It says, "When the candle is cut at the west window, it is raining at night."
1 1, natural, natural, refers to poetry that does not leave traces of carving, and does not make people feel artificial. Li Bai once explained the natural style with "clear water gives birth to hibiscus, and carving is natural". For example, in Li Bai's "Journey to the Moon on Gulang", "When I was a child, I didn't know the moon, so I called it Bai Yupan, and I suspected that there was a Yao Tai Jing, flying at the end of Qingyun Mountain", which was about my childhood.
12, quiet, quiet, deep, seemingly plain and natural, but in fact deeply appreciated. For example, Wang Wei's Chai Lu: "There seems to be no one on the empty mountain, but I think I hear a voice. The sun enters a forest and shines on me from the green moss." The first two sentences set off the emptiness and coldness of the mountain with nobody's sight, and the last two sentences set off the moss in the forest with the afterglow of the sunset, further rendering the mountain.
13, washing and practicing. The language expression of this style of works is simple, clean, smooth, mellow and free, with infinite meaning. Wang Changling's Farewell to Xin Jian at Furong Inn ","Night enters Wu Hanyu, and Chushan sees Fujian bright. If relatives and friends in Luoyang ask each other, a piece of ice heart is in the jade pot. " The ingenious conception and elegant taste of this quatrain turned into a blank. Weave a misty sad net, and take "loneliness" as the driving force to further push people to the lingering separation. Coupled with the wonderful metaphor of Bing Xin Yu Hu, the author's aloof, beautiful and clean image came out. The language is almost vulgar, but the words are connected and inseparable, and the meaning of the craftsman is deep.