I guess you like it.
Li Shangyin's Untitled "You said you would come, you didn't come, and you didn't leave me any other traces, even on the moonlit upstairs.
History of Song Dynasty, Records of Five Elements
Clock ". What is secretly used here is the old code of the demise of the Song Dynasty.
At the beginning of the Song Dynasty, there was a folk song of "Cold in the Fifth Gengtou", which was homophonic "Wugeng", indicating that the state of the Song Dynasty ended after the fifth Gengshen. Song Taizu was founded in 960 AD (the first year of the founding of Gengshen) and arrived at the Garden on 1259 (the year of Li Zong and Qing Yuan), which happened to be the Five Gengshen. Sure enough, twenty years later, the Song Dynasty was declared extinct. Now, the bell of the fifth watch rings, like the voice of mourning for the country's destruction and death, beating the poet's sad heart. The following two sentences, "Silent outside the Jingyang Palace, according to the residual red", is again
The three images of the old palace flowers further render loneliness and desolation.
Leng Yue,
Situation. "Jingyang Palace", namely Jingyang Hall, is the palace of Chen in the Southern Dynasties, so it is located in Xuanwu Lake in Nanjing today. In 589 (three years), the Sui army crossed the river in the south and captured Taicheng (so the address is near Xuanwu Lake in the north of Nanjing today). When Chen Houzhu heard the news, he and his concubine Zhang Lihua hid in the well of Jingyang Palace and were captured by Sui Jun at night. Nanjing was the capital of the Ming and Chen Dynasties. This is a scene symbolizing the end of the Chen Dynasty.
Once I saw Chen's Jingyang Palace,
Yang Gong's old story hints at the demise of the Ming Dynasty.
Witnessed the bright moon captured by Chen Houzhu, but now she is like a profound witness, coldly observing the bleak scene after the demise of the Ming Dynasty-the safflower in late spring has withered in loneliness, which is quite meaningful. The next film cuts into the vicissitudes of life and expresses the sadness of mourning for the old country. "The butterfly is full of colorful clothes, and the worm is painted with powder." These two sentences are the inheritance of the previous one, showing the decline of a number of countries. In the History of Luofu Mountain, there is a story that Ge Hong became an immortal and turned his clothes into colorful butterflies. In the words of "butterflies turn colorful clothes into golden thread", it means that after the death of the nobles in the Ming Dynasty, colorful clothes turned into butterflies, and even the golden thread was completely eroded, and it had already lost the royal flavor. The former imperial court official Yuyuqionglou has long been eroded away, and the stripped painting powder is flying everywhere, leaving only a desolate scene. This kind of bug erodes the image of the building and is a symbol of traitors and traitors. "Only the ruthless two swallows can dance in the east wind" seems to describe the east wind and spring scenery of the swallow dance, but in fact it dispels the nonsense of the old ministers with the ruthless metaphor of swallows and exposes their ugly faces of selling themselves for glory. They are like dancing swallows. They are proud of the spring breeze and have no pain of national subjugation. The meaning of these two sentences is very implicit, but it is not difficult to feel the poet's meaning and resentment. In Qing Dynasty, Chen Tingzhuo commented on this word and said, "Sadness is beautiful, and the meaning of the word is also sad!" (Bai Yuzhai's "Thorn"), and summed up the characteristics of this word with the word "sad beauty", pointing out that the sad style of this word is similar to that of Li Jing and Li Yu, two outstanding figures in the southern Tang Dynasty; "Mourning for thinking reveals the connotation of this word, which means mourning for thinking of one's old country, leaving Mai Xiu's sorrow and hatred for his family's life experience, which has been tossed in his chest for a long time and has become a beautiful swan song." If Li Yu's "Regret for the Past" is mainly about mourning the lost paradise and remembering the glory of the past, then Chen Zilong's "Regret for the Past" is more about mourning the collapse of the old country and contemplating the lessons of the Ming Dynasty. One is a monarch who has lost his country and family, and the other is an ambitious man who is trying to recover. Obviously, the latter works are more thoughtful. Shen Xiong in the Qing Dynasty said: "Da Zun (Chen Zilong) is famous for his style of writing in the Han Dynasty and poems of the three Tang Dynasties. The rich colors and festivals are in harmony. It is a true episode, so romantic and beautiful!" The beautiful shell contains the lofty meaning of grief. If we interpret the poem Shan Huazi in this way, we will fail the poet's bitterness and loneliness.
To sum up myself, that's all Du Niang told me.