I want to find a place where my life is dying, but I don't know that it has been moved here.
This poem was written in the early summer of the 12th year of Yuanhe (8 17), when Bai Juyi was in Sima Ren, Jiangzhou (now Jiujiang, Jiangxi). This is a travel poem. Dalin Temple is at the top of Lushan censer peak. About his writing this poem, this episode has Preface to You Dalin Temple, which can be used for reference.
The whole poem is only four sentences, and it seems that there is nothing profound or surprising in terms of content and language. It is only a description of the scenery season and climate, which is "the mountains are deep and the four seasons are not late" and "different from the flat settlements". But if you read it carefully, you will find that this simple and natural poem is far-reaching and interesting.
At the beginning of the poem, the words "the world is full of wheatgrass in April, and the peach blossoms in the mountain temple" mean that when the poet climbs the mountain, he has already arrived in Xia Meng, and it is time for spring to return to the earth and the wheatgrass to fall. But unexpectedly, in the mountain temple, I met an unexpected spring scene-a peach blossom that began to bloom. From the following sentence "I often hate that spring is nowhere to be found", we can know that the poet was resentful, angry and disappointed at the hasty absence of spring before boarding the ship. Therefore, when this unexpected spring scene comes into view, how amazing and joyful it is! The first sentence of this poem, "Fang Fei is exhausted" and the second sentence, "It begins to bloom", complement each other. Literally, they are chronicles, but in fact, they are also writing about the leap of feelings and thoughts-from a sad feeling of sighing over the past to surprise, joy and even elation. Moreover, at the beginning of the first sentence, the poet deliberately used the word "person", which means that this adventure and this scenic spot have brought a special feeling to the poet, that is, it seems that he suddenly stepped into a fairyland from the real world of human beings and was in another non-human world.
It is under the trigger of this feeling that the wings of the poet's imagination soar. "I always hate that spring is nowhere to be found and I don't know where to go." It suddenly occurred to him that he once hated the ruthlessness of spring because he cherished it and fell in love with it, but he was wrong. It turned out that spring didn't come back. He just sneaked into this place like a child playing hide-and-seek with others.
In this poem, peach blossoms are used instead of abstract spring scenery to make spring scenery concrete and beautiful; Moreover, it personifies the spring scenery and writes it as if it really has feet, so you can hide it around. No, just feet. You see, it simply has a naughty and provocative character!
In this short poem, the spring scenery in nature is so vivid and concrete, innocent and lovely, and it can't be written without infinite nostalgia and love for spring and the poet's childlike innocence. The beauty of this poem lies in its novel conception, ingenious conception, elegant and interesting playful language, which is also inspiring and pleasing to the eye. It can be described as another treasure in the quatrains of the Tang Dynasty.
2. Ancient poem Dalin Temple, picking flowers, rewriting a story 2-300 words Wave Blog The little ant walked to the river, and the river blocked its way. The little ant saw many petals on the ground and said, "Hey, isn't this a boat?" I can cross the river by boat! "He said, while picking up a petal. When the boat rowed away and reached the shore, it said, "goodbye, pink boat." "
Little snail wants to go home. It was introduced into the Peach Blossom Garden by the fragrance of peach blossoms. Suddenly, it was cloudy and it rained cats and dogs. The little snail found a branch and a peach blossom petal and thought I could use them as an umbrella. I took up my peach umbrella and went home.
The sun shines on the earth and the chicken feels very hot. She ran into the garden, saw the petals of a peach, and ran to pick them up. She wants to put peach petals on her head so that she won't feel hot. Finally, the chicken went home happily. Peach blossom petal did so many good things for people, and it smiled happily.
3. The peach blossom in Dalin Temple was changed into narrative. April is the time when Fang Fei returns to the earth in spring.
But the peach blossoms in the ancient temple in the mountains have just begun to bloom.
I often feel sad for the passing of spring and its nowhere to be found.
At this time, when I met Chunguang again, I was overjoyed and suddenly "woke up" that Spring had turned around here.
The poem "Peach Blossom in Dalin Temple" says:
(1) The climate is related to the competition. Dalin Temple is on the mountain, and the height is relatively high, so the temperature is lower than other areas at the same latitude.
(2) It is also related to latitude position. Because of the latitude position, the peach blossoms in Dalin Temple have been in full bloom in April in other places, while the peach blossoms in Dalin Temple have just begun to open after the peach blossoms in other places have been in full bloom.
Adapted from Peach Blossom in Dalin Temple into a short essay of not less than 400 words, this poem vividly, concretely, naively and vividly depicts the scenery of spring. The conception is novel, ingenious, profound, interesting, thought-provoking and pleasing to the eye, which is another treasure in the quatrains of Tang Dynasty. The whole poem is only four sentences, and it seems that there is nothing profound or surprising in terms of content and language. It is only a description of the scenery season and climate, which is "the mountains are deep and the four seasons are not late" and "different from the flat settlements". But if you read it carefully, you will find that this simple and natural poem is far-reaching and interesting.
In this poem, peach blossoms are used instead of abstract spring scenery to make spring scenery concrete and beautiful; Moreover, it personifies the spring scenery and writes it as if it really has feet, so you can hide it around. No, just feet. You see, it simply has a naughty and provocative character! In this short poem, the spring scenery in nature is so vivid and concrete, innocent and lovely, and it can't be written without infinite nostalgia and love for spring and the poet's childlike innocence. The beauty of this poem lies in its novel conception, ingenious conception, elegant and interesting playful language, which is also inspiring and pleasing to the eye. It can be described as another treasure in the quatrains of the Tang Dynasty.
The first two sentences of this poem are about seeing peach blossoms in the mountain temple in late April, and the last two sentences express the poet's joy in welcoming spring in the mountain temple. Reveals the poet's love for tranquility, harmony, freshness and nature.
Dalin Temple is located in a high terrain with a cold climate. Generally, peach blossoms bloom in February in early spring and wither in April, but they don't bloom until April here. How interesting it is for the poet to say "Spring is nowhere to be found" and "Come here"! Where are the steps of spring? How can I transfer? This is the poet's rich imagination and the natural expression of his surprise and joy.
At the beginning of the poem, there are two sentences: "Flowers bloom in April on earth, and peach blossoms bloom in mountain temples". It is written that the poet went home in the spring outside the mountain, but he met unexpected spring scenery in the mountain. This sharp contrast in nature makes the poet have a complex feeling of "long-term hatred of returning to spring and nowhere to find it, and I don't know how to turn it into it". Literally, before climbing the mountain, the poet was resentful or disappointed at the passing of spring scenery, but when a piece of spring scenery came into view, he would feel some heartfelt surprises and helpless relief. Perhaps this emotion, on the surface, is caused by the change of natural scenery, but in fact it reflects his sad and melancholy feelings in a tortuous way.
When the poet wrote this poem, it was in Jiangzhou Sima's office. Bai Juyi, who was born as a scholar during the Tang Zhenyuan period, was awarded the post of secretary of the provincial school, and later went to collect the remains, which is a spring breeze. Who knows that during his career as a Beijing official for several years, he was demoted to Jiangzhou Sima by the court because of his outspoken suggestions. Bai Juyi, as Jiangzhou Sima, once faced with vicissitudes of life, we were all unhappy-to the ends of the earth, a pipa girl, in his poem Pipa Xing. This feeling of vicissitudes may naturally blend into the artistic conception of this little poem, which gives the poem Peach Blossom in Dalin Temple a metaphorical color of vicissitudes.
This is the feeling that the poet used "people" instead of "outside the mountain" in April. This wording makes people realize its profound meaning. The word "human" is not only used in the neat confrontation of "mountain temple", but perhaps "mountain temple" is a fairyland for poets to forget their troubles and comfort their hearts. The long-standing hatred of the end of the world for "human beings" may be freed in the fairyland where peach blossoms are in full bloom; The way to get rid of the joys and sorrows of life may come to you in the beauty and tranquility away from the noise.
5. The story of adapting the peach blossom of Dalin Temple into more than 300 words is a bit long.
A classic folklore story and a touching love story can be described as "Peach Blossom Luck" between Jiang Niang and Cuihu. First, there are poems: in this door last year, peach blossoms set each other off; I don't know where to go. Peach blossoms are still smiling in the spring breeze. This poem entitled "South Village in the Capital" written by Cui Hu is widely circulated, and many people can still recite it.
However, the poet did not fully realize that there was a touching love story hidden in this poem. The story is full of the innocence of talented people and beautiful women, and the plot is tortuous and magical. People call it "Peach Blossom Luck", also known as Peach Blossom Luck.
Cui Hu was born in Boling County during the Zhenguan period. He was born in a scholarly family, gifted, elegant and aloof. On weekdays, he buries himself in a cold window and seldom associates with others. Even if he takes time to travel occasionally, he likes to be alone. This year Tomb-Sweeping Day coincides with a rare sunny day. Outside, peaches and willows are green, butterflies and bees are flying, the breeze is blowing slightly, and the spring is lingering.
In the afternoon, it is a warm spring. Cui Hu, who studied hard all morning, was deeply infected by the breath of spring and decided to go to the suburbs to enjoy the hospitality of spring. So I put down my books and walked out of the city alone with great interest.
Along the way, willows danced, warblers sang, the sun was warm and the weather was beautiful. Study hard, I don't know that spring is already strong, and he suddenly feels refreshed.
Along the way, endless red flowers and green grass, spring mountains and spring water, he enjoyed the gifts given by nature without knowing the distance of the road. Unconsciously, he had left the city and suddenly felt a little sour and thirsty. He wants to find a rural farmer to have a rest and ask for some water so that he can return to the city before sunset.
This place is remote and farmers live in scattered places. He looked around and saw a hut in the corner in the middle of a mountain not far away, so he stepped up and walked towards the mountain. Near the foot of the mountain, the huts that can be seen in the distance are covered with peach trees at the moment, leaving only a magnificent peach forest in front of us: peach blossoms are burning, covered with branches, the breeze blows, and the fragrance lingers around people, making people suspect that they have strayed into the peach blossom source.
Walking along the winding path between peach trees, there is a small courtyard surrounded by bamboo fences in a small gap, which is simple and elegant. There are three huts in the yard, all made of bamboo boards and thatch, which are simple but neat.
Cui Hu thought, "Who is the master, living in such a unique place?" Approaching Chai Men, he knocked at the door and shouted, "I passed by in spring and wanted to ask for some water!" " While calling the door, he guessed that it must be an old man with white hair, bamboo sandals, beautiful appearance and elegant speech who opened the door.
With a creak, the door opened, only to find a young girl coming out. Cui Hu was surprised. The girl's clothes were very pale, but there was an elegant and refined look in her eyes.
He explained his purpose again, and the girl stared at him brightly, thinking that the newcomer was harmless, and politely led him to sit down in the thatched cottage and go to the kitchen to prepare tea. Cui Hu looked around and saw that the indoor windows were clean and spotless. There is a row of bookshelves against the wall. The bookshelf is full of poems, pens and inkstones are listed on the table, and a couplet is hung in the middle of the wall. The couplet reads: "How many catkins turn over the snow, and countless peach blossoms soak in the clouds."
The sentence is elegant and interesting, which is definitely different from the style of ordinary rural farmers. On the desk by the window, there is a frame of poems with wet ink, on which are written the five-character quatrains of Yongmei: plain and bright, fragrant in Leng Xue, Ren Xiaofeng; Poor muddy like me, scattered in this mountain.
This poem must have been written by the owner here. It seems that I am lamenting my bumpy life experience through plum blossoms, but it is so full of sadness and helplessness. What kind of characters live in seclusion here? What kind of mood and experience led to such helpless words? A series of question marks floated in Cui Hu's mind, which made him interested in the cottage surrounded by peach blossoms and its owner. He wanted to find out.
At this moment, the girl came out of the kitchen with a tea tray. She gracefully walked up to Cui Hu and saw the other person staring at the couplets on the wall, as if commenting. She smiled knowingly and gently called, "Xianggong, please have tea." Cui Hu turned her head from thinking and saw the girl coming towards her. Her face is white and red, with eyes all over her face. She didn't wear makeup, and the plain cloth set off the innocence and beauty of the girl, just like a peach blossom in the spring breeze, showing people the elegance of life.
At that time, Cui Hu some tybalt slain, the girl seemed to perceive his intention, immediately lowered his eyes. She is even more moving with a little shyness. Cui Hu can't help but feel uneasy and can hardly rely on herself. But after all, he is a scholar who reads a lot and is considerate. Cui Hu tried to stabilize her emotions so as not to be rude in front of girls.
He politely took the teacup, took a sip of tea, pretended to indicate his surname and village calmly, and then politely asked the girl's surname and home. The girl seemed reluctant to mention this, but simply said, "Little Red Mom, she lives here with her father."
Not to mention the surname and family background, there seems to be something to hide, and Cui Hu is naturally inconvenient to ask more questions. However, the couplets on the wall, the poems on the table and the people in front of us all reveal that the owner of this hut must have an extraordinary origin.
Cui Hu's mind formed a fog, but since people didn't want to talk more, he had to put it aside. They were silent in the room for a while, and Cui Hu turned the topic to the scenery. He praised the pleasant scenery here, just like a fairyland, which is a rare place for spring outing.
The girl just listened to him, smiled and nodded as if she agreed, but didn't speak. Speaking of spring, Cui Hu is full of poetic sentiment, commenting on famous sentences about spring outing in ancient and modern times. Finally, he said, "When the flowers bloom, you must pick them straight, and don't wait for them to be empty." .
Say that finish, he looked at crimson niang meaningfully, waiting for her response. Hui Ling's crimson mother certainly understood what he meant. In the spring season, in the face of such a young, imposing and talented young man, why not fill her heart with spring in Seeds of Love? But how dare a girl who knows books and manners open her heart in front of a strange man? She sat there shyly and silently, and two pieces of Xia Hong dyed her cheeks red. She occasionally glances at Cui Hu with affectionate eyes, and when she meets Cui Hu's eyes, she quickly takes it back.
Looking at your toes more shyly will look cute. Facing the girl's confusion, Cui Hu didn't know what to do. After reading this sage book, he couldn't be more enthusiastic.