(1) With the deepening of the construction of new socialist countryside in China, farmers' ideas are undergoing profound changes, and some people also have problems that cannot be ignored, such as lack of public morality, vague concept of right and wrong, and variation of values. Without new farmers, there will be no new countryside; Without the improvement of farmers' cultural quality, it is impossible to achieve the success of new rural construction. Strengthening the cultural construction of new countryside is an effective measure to improve farmers' quality, and cultural construction must run through the whole process of new countryside construction. Only when the cultural construction is done well can the new rural construction have stamina and vitality; Only when the cultural construction is well done and the comprehensive quality of farmers is improved can the goals of rural civilization and social stability and harmony be realized.
(2) Strengthening the construction of new rural culture is not only an inevitable requirement for the sustained, healthy and scientific development of rural areas at present, but also an organic part of building a harmonious rural society. The original cultural resources in rural areas have been seriously inadequate, especially the basic cultural infrastructure, cultural activities and cultural education in rural areas below towns and villages need to be supplemented. Many traditional, backward and decadent cultures have disintegrated or died out to a great extent, and the culture adapted to the new era has not yet developed, so the new countryside urgently needs to develop a new socialist culture. Therefore, from the perspective of social transformation, strengthening the cultural construction of new countryside is an inevitable requirement to conform to historical development and people-oriented social development. Zhejiang is a big drama province, and is known as the "cradle of China drama". The first ray of sunshine in the new era of China's drama shines in Wenzhou, a coastal city in southeastern Zhejiang. Southern Opera, the earliest mature drama in China, was born in this fertile land with beautiful mountains and rivers and beautiful Zhong Lingxiu. In the long history of traditional Chinese opera, Zhejiang has written a brilliant chapter. Zhejiang opera talents come forth in large numbers, with excellent works one after another. A number of outstanding Zhejiang playwrights and opera theorists, such as Xu Wei, Li Yu and Wang Guowei, have shone brilliantly in history, and a number of immortal southern opera works, such as Killing Jing Liu, Pipa Story and Palace of Eternal Life, are still circulating on the stage today, with a fragrance overflowing. Zhejiang is rich in vocal art resources. Among the four legendary tunes in Ming Dynasty, Zhejiang Haiyan tune and Yu Yaoqiang tune are the second. Cantonese opera, Beijing opera, Kunqu opera, Shao opera, Wu opera, Yao opera, Ou opera, Hu opera, puppet show, etc. Competing with each other and colorful. With its fresh and beautiful artistic style, Yue Opera stands out among the traditional operas and becomes one of the main national operas. Since the new era, with the rise of the Yue Opera Little Hundred Flowers and the appearance of artistic masterpieces such as The West Chamber and Five Women's Birthdays, the stage of Zhejiang Opera is full of vitality and the scenery is unique here.
Zhejiang is rich in culture, rich in cultural relics and historical sites, and prosperous in music, singing and dancing. As early as the Xia Dynasty, there was a record of Tu Shan's female song "Waiting for People", which was later called "the beginning of Nanyin". One of them is the Yue people's song which was still popular in Zhejiang during the Zhou Dynasty. During the Han and Tang Dynasties, Zhejiang was famous for its outstanding people, singing and dancing, and various kinds of operas, especially in eastern Zhejiang. The long-term spread of singing, dancing and witchcraft provided favorable conditions for the formation and development of Zhejiang opera art, and eventually formed a variety of qualities including literature, music, dance, art, martial arts, acrobatics, role-playing and so on. Zhejiang music has a long history. In 1970s, 160 pieces of bone whistle and pottery casket were excavated at Hemudu site in Yuyao, Zhejiang, which proved that our ancestors planted the seeds of music in this ancient land as early as 7000 years ago. Zhejiang's superior geographical environment, prosperous economy and developed culture have created generations of cultural celebrities, and also provided favorable conditions for the development of Zhejiang's music culture, and gradually formed its own distinctive characteristics with unique local flavor and rich life flavor. In history, there have been many colorful music categories such as "Zhejiang Guqin", "Zhejiang gongs and drums" and "Jiangnan Sizhu" and their respective representatives.
National folk music in Zhejiang can be divided into folk songs, folk music, opera music, Quyi music and so on. Long before the appearance of Chinese characters, the oral literature of Zhejiang ancestors appeared. However, the creation of Zhejiang literati started late, not as good as that of the Central Plains, and they are the rising stars of China ancient literature. After the Six Dynasties, Zhejiang literature gradually rose. The Jin Dynasty moved to the east, and the nobles of Xie Wang moved to the east of Zhejiang, which deeply influenced the culture of the Central Plains and made Zhejiang literature prosperous. Xie Lingyun initiated the school of ancient landscape poetry in China, which had a great influence on later generations. During the Sui, Tang and Northern Song Dynasties, Luo, He, Meng Jiao, Luo Yin, Zhou Bangyan and others appeared in Zhejiang. Great writers such as Bai Juyi, Yuan Zhen, Du Mu, Fan Zhongyan, Wang Anshi and Su Shi have all worked in Zhejiang, and their literary talents have been passed down from generation to generation.
During the Southern Song Dynasty, Zhejiang literature was a magnificent sight. Lu You's works are so numerous and profound that they are rare in history. Li Qingzhao and Zhu, who live in Qiantang, are the Gemini among the female writers in Song Dynasty. Wang, Wang, Zhang Yan were all great poets in the Southern Song Dynasty. Ancient vernacular novels and drama literature also originated in Zhejiang at this stage.
During the Yuan, Ming and Qing Dynasties, Zhejiang literature continued to prosper. Zhao Mengfu and Yang Weizhen were great masters in the Yuan Dynasty, and Hangzhou was the center of later zaju. In the late Ming Dynasty, the Ci schools represented by Zhang Dai's sketches, Xu Wei and Yuan Mei and the West Zhejiang Ci schools represented by Zhu Yizun and Li E had great influence. The Palace of Eternal Life written by Hong Sheng in the early Qing Dynasty is a drama treasure, while Gong Zizhen and Wang Guowei in the late Qing Dynasty are outstanding figures.
Zhejiang's contribution to modern literature can be described as spectacular. In May, Lu Xun published "Diary of a Madman" in "New Youth", which initiated the modern novel. His Scream and Hesitation are very important collections of vernacular novels. Lu Xun is also a pioneer of modern essays. Mao Dun and others are leaders of the Literature Research Association. Yu Dafu is the leader of the Creation Society, and his Sinking is the first collection of vernacular short stories in the history of modern literature in China. Lakeside Poetry Society, 65438-0922, was founded in Hangzhou, which is the first new poetry society in China. Others such as Xu Zhimo, Dai Wangshu, Xia Yan, Shi Zhecun and Ai Qing are all important writers in the history of modern literature.
After the founding of New China, Zhejiang literature entered a brand-new stage. In the early 1950s, Xu, Chen and others achieved fruitful results. During the Cultural Revolution, literature was neglected. The revival of literature in the new period, novellas in the 1980s and novels in the 1990s all have certain social influences, such as Fifty-four Doors by Zhang, Dreamless Valley by Ye Wenling, Beautiful Trees in the South, Night Waiting and Grass Making for the City in Wang Xufeng's tea culture trilogy. During this period, Zhejiang poetry, prose, essays, literary theory and children's literature all achieved good results. In 2002, Sun Jianjiang's fable collection "Gourmet Hunting" won the 5th National Excellent Children's Literature Award of Chinese Writers Association.
Zhejiang literature is an integral part of splendid China literature.