From Mao Zedong's poems in different periods, we can see what kind of person Mao Zedong is.

From Mao Zedong's poems in different periods, we can see what kind of person Mao Zedong is. The analysis is as follows:

Changsha Qinyuanchun 1

Independent cold autumn, Xiangjiang North, Orange Island. You see the mountains and plains, and the layers of forests are all dyed; The river is full of water, and hundreds of people compete for the flow. The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom. Lonely, ask the boundless earth, who is in charge of ups and downs?

Took a hundred couples on a trip. Recalling the past, the years are thick. Just a classmate and teenager, in full bloom; Scholar spirit, Fang Qiu. Pointing out the maze, inspiring words, the dirt in Wan Huhou that year. Remember hitting the water in the middle stream and the waves stopped the speedboat?

This poem was written in the autumn of 1925. Through the description of the magnificent and vast autumn scenery in Changsha and the recollection of the eventful childhood, I expressed my great ambition to take the world as my responsibility.

2. Xijiangyue Jinggangshan

Flags are in sight at the foot of the mountain, drums and horns are ringing at the top of the mountain. The enemy besieged thousands of people and I stopped.

Already very strict barriers, more United. There was a lot of gunfire in Huang Yangjie, and it was reported that the enemy had escaped at night.

1In August, 928, the Red Army bravely resisted the enemy's invasion by virtue of the natural barrier in Huang Yangjie, and successfully defended the Jinggangshan revolutionary base area. This first word was written by Mao Zedong after the victory of defending Huang Yangjie, praising the brave spirit of the Red Army soldiers.

3. Picking mulberry seeds for Chongyang

Life is easy to get old, but it is hard to get old. Today is Chongyang, and the yellow flowers in the battlefield are particularly fragrant.

The annual autumn wind is not as strong as spring. Better than spring, just like Wan Li frost on the vast river.

/kloc-in the autumn of 0/929, the Red Fourth Front Army conquered Shanghang. This word was written by Mao Zedong on his way to Shanghang, and it expressed high-spirited revolutionary pride with magnificent autumn scenery.

4. Bodhisattva is full of white land

Red, orange, yellow, green, blue and purple, who is dancing with color training? After the rain, the sun went down again and the mountains were blue.

When the fighting was urgent, the village wall was smashed by bullets. Decorate this mountain, it looks better today.

1929, Mao Zedong and Zhu De led the Red Army to March from Jinggangshan to Gannan, and won the first great victory after leaving Jinggangshan in Dabaidai. This poem was written by Mao Zedong when he conquered cypress in 1933. It depicts the colorful scenery after the rain, showing optimism and boldness.

5. Spring snow in Qinyuan

Look at what the northern countries have shown: a hundred miles of frozen Go; Thousands of miles of snow. Looking inside and outside the Great Wall, I only feel embarrassed; When the river rises and falls, it loses momentum. The mountains are like dancing silver snakes, and the highlands are like advancing wax elephants, all trying to match the sky in height. When the weather is fine, look at the sunny market. What a charming sight!

This land is so beautiful that countless heroes bow to their knees. Cherish Qin Huang Hanwu, slightly lost literary talent; Tang Zong Song Zu, slightly less coquettish. Genghis Khan, the hero of the throne, only knows how to draw a bow and shoot arrows. These characters are gone, a few heroes who can make contributions, look at today's people.

"Qinyuan Spring Snow" was written in the Red Army1February, 936. Northern Shaanxi was preparing to cross the Yellow River eastward and enter the western part of Shanxi. This word describes the snow scene in the north, comments on historical figures, praises contemporary heroes, expresses lofty aspirations, and has a magnificent style and far-reaching artistic conception.