No one has seen bamboo shoots, and the chicks on the beach sleep next to their mothers.
This song "Wandering" is about the scenery in early summer. The first two sentences describe the scenery, and the last two sentences describe the objects in the scenery. The scenery blends with each other and has its own wonders.
This poem shows a beautiful early summer scenery, with flying poplars scattered on the path, as if covered with a layer of white felt; And the green lotus leaves in the stream are dyed, like round green money piled on the water. The poet turned his eyes and suddenly found a young pheasant hiding beside the root of a bamboo shoot, which was really hard to see. On the beach, the chicks snuggled up to their mothers and fell asleep peacefully. "Tan Jing" in the first sentence describes the flowers scattered on the road, with refined words and full images. The words "dot" and "stack" in the second sentence vividly describe the state of lotus leaves in the stream, which makes the whole sentence come alive. In the last two sentences, Pu Yin Long said when reading Du Xinjie that it "contains pity for Xiao Ji". Judging from the whole poem, "including Xiao Ji" may exist, but the pity for children is too deep.
These four poems, one sentence and one scene, literally seem to be independent, one poem and one painting; Together, they form the natural landscape of the countryside in early summer. Careful observation and description reveal the author's lingering appreciation of the wonderful natural scenery in early summer when he strolls through the forest stream, and he feels lonely when he is quiet. These four sentences, such as couplets in the seven laws, are correct and can be carefully stitched back and forth and taken care of. The first two sentences describe Huayang and He Qing clearly, which implies the meaning of streams in the forest. The last two sentences describe pheasants and chickens, but they are all in the sand of the forest. Take care of the front and back, set off each other, and blend in the sloppy. This poem is exquisite and lifelike, its language is popular and vivid, its artistic conception is fresh and meaningful, and it is full of profound and simple life interest.
2. The quatrains of ancient poetry "quatrains"
Tang-Du Fu
Two orioles sing green willows,
A line of egrets rose into the sky.
The window contains autumn snow in Xiling,
Mambo Wu Dong Wan Li Ship.
Du Fu (7 12-770), with beautiful words, claimed to be a young man and an old man at night, and was a great poet in Tang Dynasty. The works are full of love for the motherland, people and beautiful things, and all kinds of poems are well written, which is recognized as a model of China's ancient poetry creation; He himself was honored as a "poet saint". Du Fu and Li Bai are good friends. They are like two peaks in the history of China literature.
1) Egret-a water bird with white feathers and long legs, preys on fish and shrimp.
② Xiling refers to Minshan Mountain, which is in the west of Chengdu.
(3) Wu Dong-refers to the present Jiangsu area, where the ancient State of Wu was located.
Du Fu lived next to Huanhuaxi in the western suburbs of Chengdu in his later years. On this day, it was warm and sunny, and the sky was clear. He sat lazily in the thatched cottage, enjoying the scenery outside through the windows and doors.
The first thing that caught the poet's attention was only two orioles, each of which occupied the tip of a green willow. Your words, my words, sweet tongue and gentle crying words are more beautiful than singing. The poet turned his eyes to the beach by the water, and a line of egrets spread their wings and took off, forgetting to dance to the high blue sky. Their snow-white figures are very graceful against the blue sky. Orioles, green willows, egrets and blue sky are beautiful natural pictures, and the sound of orioles and the dynamics of egrets make the pictures full of vitality. The poet stays at home, but he seems to be in a happy mood.
The walls of the thatched cottage did not limit the poet's vision, let alone hinder the poet's imagination. On the contrary, they added a bit of artistic sentiment to his appreciation. The peaks of the Western Hills, which have stayed in Albert Venn Dicey all the year round, are illuminated by a small window from a hundred miles away. Isn't it a landscape mural? The ships moored in front of the gate heard that they were going to sail in Wan Li, so they had to go down the Minjiang River, turn to the Yangtze River and go as far as Soochow! Xiling is hundreds of miles away, but it is said to be contained in its own window; The ship was moored outside the door, saying that it was going to sail to Wu Dong. The distant view makes it closer, and the close view makes it farther. Between the changes of distance and distance, Qian Qiu Xiling and Wan Li Wudong gathered in front of the poet's thatched cottage.
Every sentence of this four-character poem is about scenery. Near and far, large and small, * * * shaped scenery, sound, flying, still and moving, all appear around the thatched cottage, and together with the poet * * *, they form a colorful, vivid and harmonious vast world. In this world, the poet's profound and beautiful life interest and infinite affection for all things in nature and the mountains and rivers of the motherland are pinned.
3. Comment on Poem Jueju written by Zhinan in Song Dynasty: "Old trees shade short eaves", and the diligent Zen monk lives alone in the remote mountains and wilderness. Without the support of Tan Yue's donors, only the ancient trees cultivated by nature provide towering trees for Zen believers and become their shelter from the wind and rain. Chenopodium helps me cross the east bridge. Chenopodium album is the root vine used by mountain people to climb mountains and cross mountains. In Zen master Zhinan's mind, although Shan Ye is barren, the ancient trees sheltering from the wind and rain and the crutches supporting his body are all Taoist companions who accompany him day and night, becoming the additional edge of his meditation. Although the seclusion life is poor and hard, the traveler's heart is full of infinite true interest. As Master Yongjia said in the Song of Proverbs: "Empty interpretation of the son, saying that he is poor, is actually poor but not poor, and poverty is often covered with brown, and the Tao is priceless."
"clothes are wet and apricot flowers are raining." In spring, apricot blossoms are in full bloom, and little drops of rain are condensed, like wonderful flowers in the rain. The apricot blossom rain seems to have wet the monk's clothes, but it failed-this is a metaphor that the outside world can't affect the Zen meditation's quiet and unpolluted heart. This state is just like the case-solving of "Goddess Scattering Flowers" described in Vimalakīrti's classics. A pure and undyed bodhisattva will not be polluted by fallen flowers. "It's not cold to blow the willow wind", and the breeze blows head-on between the willow branches without a chill. Zen has been integrated with all things in nature and is natural and comfortable.
4. The quatrains of Du Fu, a poet in the Tang Dynasty: This quatrains was written when the poet lived in Huanhuaxi Caotang, Chengdu, describing the beautiful spring scenery around the Caotang.
Original: Two orioles sing green willows, and a row of egrets go up to the sky. My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
Two orioles sang softly among the green willows, and a neat team of egrets went straight into the blue sky. Sitting by the window, you can see the snow accumulated all the year round on Xiling Mountain, and ships from Dongwu, thousands of miles away, are parked in front of the door.
The quatrains are the works of Du Fu, a great poet in the Tang Dynasty.
About the author: Du Fu (7 12-770), with a nice sentence, tried to call himself a young man. Take Jinshi as an example. He used to be a foreign minister in the school department, so he was called Du Gongbu internationally. He is the greatest realistic poet in the Tang Dynasty, and is known as the "poet saint" after the Song Dynasty, and is also called "Du Li" with Li Bai. His poems boldly exposed the social contradictions at that time and expressed deep sympathy for the poor people.
Many excellent works show the historical process of the Tang Dynasty from prosperity to decline, which is called "the history of poetry". In art, he is good at using various forms of poetry, especially rhythmic poetry; Various styles, mainly depression; Refined language with high expressive force. There are more than 1400 poems, including Du Gongbu Collection.
Extended data
This poem describes the scene of early spring. Four poems describe four scenes, separated into four pictures, which together form a vivid and beautiful landscape painting. The first sentence writes that there are a pair of orioles singing on the new green willow branches around the thatched cottage, which is a happy scene, full of vitality and colorful, forming a fresh and beautiful artistic conception with festive meaning.
Egrets in the blue sky are flying freely. In Wan Li, the sky is clear, and the egrets are brightly colored against the "blue sky". The four bright colors of "yellow", "green", "white" and "blue" are used one after another in the two sentences, weaving a beautiful picture. The third sentence is written in the window of Xishan overlooking the snow ridge. The snow on the ridge doesn't melt all the year round, so "Thousand Autumn Snow" is piled up.
The word "containing" means that the scene seems to be a picture embedded in a window frame. From the outside, you can see ships moored on the river bank. The word "Wan Li Ship" is meaningful, because years of war, land and water traffic was blocked by the war, and ships could not sail smoothly. Only when the war subsided and the traffic resumed can we see the ships from Soochow.
Wan Li Ship is relatively as wide as a word and as long as a word. The poet is in the thatched cottage, thinking for thousands of years, seeing through Wan Li and being broad-minded. The beginning of this poem shows the spring scenery of the thatched cottage, and the poet's mood is Tao Ran. However, with the wandering of sight and the change of scenery, the appearance of river boats touched his homesickness.
The whole poem is exquisite, colorful, dynamic and static, with both sound and shape. Four poems now constitute a magnificent landscape painting of Wan Li.