On Wang Wei's Poetic Style

1. Landscape pastoral poetry is characterized by lofty artistic conception, lightness, tranquility and lightness. This style is mainly manifested in the poet's most famous pastoral poems, which reflects the poet's interest in seclusion, diluting nature and being fresh and elegant. Such as Give Pei Shidi, New Sunshine Wild Hope, Weishui Farmhouse, Autumn Insects Living in the Mountain, etc. Most of these poems show the poet's leisurely and quiet thoughts and his disillusionment with realistic ideals and his mood of turning to secluded mountains and rivers. This is reflected in the above poem. For example, "Message from my cabin in Wangchuan to Pei Di" and "Now the mountain is cold and blue, and autumn water is flowing. At the door of my thatched cottage, leaning on my cane, I listened to the cicadas singing in the evening breeze. On the second day of crossing, midnight snack smoke floated out of the house. Oh, when will I make a wish to the great hermit again and sing a wild poem under five willows? This poem not only describes the poet's quiet and carefree feelings, but also depicts a beautiful picture of mountain life after the autumn rain. In the beautiful scenery, the poet is full of enthusiasm and enjoys the fun of nature. Another example is "New Sunshine Wild Hope". "The new sunny yuan wild vast, no atmosphere. The gatehouse of the outer city is close to the ferry pier, and the trees at the edge of the village connect the stream and the estuary. The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge. There are no idle people on the farm and the home is in the south. " This mainly describes the natural and leisure village life scenes, sunny weather, pleasant scenery, the poet's tranquility and beautiful natural scenery are compatible. Another representative work of Wang Wei, Autumn Night in the Mountain, is a poem with couplets as the introduction. Autumn night, after Shan Yu, the fresh air is blowing head-on. The "empty mountain" is because the trees in the mountain are lush, which hides people's activities and forms a sharp contrast with the scene behind it. This sentence not only describes the ethereal and beautiful natural environment, but also contains the tranquility and leisure of the poet's subjective consciousness. The second sentence is a famous sentence about scenery, which is a combination of static and dynamic. The patchwork landscapes blend into neat sentences, and the strokes are like water, which is natural and smooth. The quiet environment is consistent with the poet's calm state of mind and freely shows the poet's realm. There is stillness in the movement of the neck, and a group of yarn washing women are vividly depicted, which breaks the tranquility in the mountains and rustles the bamboo forests, forming a beautiful picture full of vitality. In the fresh and quiet country night, feeling the vitality and vigor of everything is also the realm that poets yearn for. The conclusion shows the poet's willingness to be happy with the status quo. Second, the frontier poems are beautiful and heroic. From the 25th to 26th year of Kaiyuan, Wang Wei was sent to Liangzhou to supervise the empire and served as the judge of the Hexi shogunate. During this period, Wang Wei created a considerable number of frontier poems, such as Journey to the West and Longxi, Joining the Army, Singing at the Leading, Traveling in the Outskirts of Liangzhou, Stepping on the Frontier, Stepping on the Frontier and other typical frontier poems. Its style is heroic and magnificent. One of the most famous is To the Great Wall, a poem with a powerful style, which expresses pride as a messenger of the Great Wall through its spectacular and open scenery. The pen is vigorous and vivid. Among them, "the desert is lonely and straight, and the long river sets the yen" is a vivid description of the scenery, which is still praised by the world today. The scenery described in the poem is different from Wang Wei's landscape poems. Wang Wei's landscape poems reflect the quiet environment, while frontier poems describe the most geographical features outside the Great Wall. For example, with the desert and autumn as the background, long rivers, solitary smoke, returning geese and collecting tents are the main bodies. Through the vivid strokes of the words "out", "in", "straight" and "round", people are immersed in the scene, and the overall environment is integrated with the specific scenery, so that people are immersed in the scene and present a clear, beautiful and bold landscape beyond the Great Wall.