Poetry is written in a standardized format. The format of poetry is very particular when creating. Poetry is a very rhythmic and vivid language. Let's take a look at the related knowledge of standardized writing format of poetry with me. I hope I can help you.
Standardized Writing Format of Poetry 1 Part I: Duality in Classical Poetry
Some people call it "the shift of subject and object", which is a special expression in China's classical poems. The so-called "Lord" refers to the lyric subject, that is, the lyric hero; The so-called "guest" refers to the object of lyric, that is, the person or thing that the lyric hero refers to. When poets express their subjective feelings, they often do not start from themselves, but put the lyric subject "I" in the position of the object, put the object in the position of the lyric subject, and imagine the complex feelings of the object about "I", such as missing, caring, nostalgia and expectation. I miss each other very much, but I say they don't forget themselves. Obviously, I am lonely and unbearable, but I say that the other party is looking forward to reunion; Obviously reluctant to leave, but said that it is difficult for the other party to give up. ...
Du Fu's Moonlit Night: "Far away in Fuzhou, she is watching the moonlight, looking at it alone from the window of her room. For our boys and girls, poor little baby, too young to know where the capital is. Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight. When can we lie on the screen again and look at the bright light and stop crying? "This poem was written by the poet who missed his wife and children when he was trapped in Chang 'an during the An Shi Rebellion. Originally, the poet missed his wife and children, but now the poet fell from the other shore and imagined how Yamashita's wife missed herself on the moon, but the children still didn't understand why his mother missed Chang 'an. "Clouds are fragrant and foggy, and jade shoulders are cold on the moon" not only sets off the wife's yearning for her husband with her moon-gazing manner and posture, but also delicately conveys the feeling of parting through her psychological display, which is also the true expression of the author's psychology.
Gao Shi's Night Walk: "The cold light in the hotel doesn't sleep alone. Why do guests' hearts become sad? My hometown is thinking thousands of miles tonight, and it is another year of the Ming Dynasty. " The last two sentences of the poem are written in pairs, meaning that they miss their hometown relatives thousands of miles away, but they say that their hometown relatives miss themselves thousands of miles away. "It will be another year in Frost Temple" and "Tonight" is New Year's Eve, so "Tomorrow" is another year, and the old year is "thinking" into a new year. This endless yearning will add new white hair to Frost's temples.
Wang Changling's "Look at the Taste": "Drunk in the orange and pomelo fragrance, the river wind draws rain into the boat and cools it. Yi Junyao is in Xiaoxiang Moon, and I am very sad to hear that I grew up in my dream. " One or two lines of this poem narrate the scenery, implying the feeling of parting, but the poet's three or four lines push the scenery away and outline it with the word "memory", creating a realm for pedestrians: in the near future, friends will spend the night in Xiaoxiang, the wind will dissipate the rain and the moon will shine high. The environment is so bleak that pedestrians may not be able to sleep. Even if he falls asleep temporarily, the apes on both sides of the strait will rush into the dream one by one, making him fidgety, so he can't get rid of his sadness in the dream. It depicts a typical lonely environment at night from two aspects: watching (moonlight) and listening (ape sound), which shows the deep sadness of the other party because of missing their friends. This is of course a reflection of the poet's mood; However, the poet writes about the other party rather than himself, which not only opens up a new artistic conception, but also makes his poems subtle and tortuous, profound and intriguing.
Chapter two: Duality in classical poetry.
"Pairing writing" is one of the common expressions of China's ancient poetry, which is often encountered in middle school poetry appreciation. The so-called "opposite writing" means that the lyric hero deliberately puts aside himself, writes from the other side's point of view, falsely writes about the situation that the other side misses himself, expresses his thoughts in a sincere image, and expresses his deep feelings euphemistically and implicitly, making the poetic mood more profound. Using this method, we can kill two birds with one stone, greatly enhancing the lyricism and enriching the artistic conception of poetry. For example, Rong Hong, a poet in the Tang Dynasty, wrote: "Be a pavilion on the spring breeze lake, and wicker vines will leave. Huang Wei has known each other for a long time and wants to stop crying four or five times. " The ingenious conception of this poem lies in the correct writing. When the poet was moved, the grass and trees in the pavilion on the lake were so affectionate, and the wicker vine held the skirt, which made the oriole even more reluctant to cry. Through personification, the author endows wicker rattan and oriole with human feelings, subtly and implicitly expresses the poet's deep attachment to the pavilions on the lake, and his poems are full of interest.
Another example is Gao Shi's "Night Walk": "The cold light in the hotel does not sleep alone. Why do guests' hearts become sad? My hometown is thinking thousands of miles tonight, and it is another year of the Ming Dynasty. " On New Year's Eve, the poet watched every family outside get together with bright lights, but he stayed away from his family and lived in a guest house. In contrast, even the bright and hot lamp in front of us has become "cold". The' coldness' of the hotel and the poet's inner sadness are usually written as the poet wants to pour out his sad mood at the moment, but the poet has put aside himself and wrote from the opposite side: "My hometown is full of thoughts tonight." In fact, this is also a manifestation of "I" and "hometown thousands of miles away".
It can be seen that antithesis can make poetry implicit, unique and chewy, so it is necessary to discuss the characteristics of antithesis.
First, the clever use of foil, the combination of reality and reality.
There are many poems in ancient poetry that compare or set off the imaginary realm with the current realm, and express their feelings with virtual reality. This assumption is more euphemistic and tortuous from the perspective of the other party than writing about yourself directly, but the feelings have reached the result of two-way communication. The combination of concrete images, typical details, realistic artistic conception and contrast techniques makes the feelings of poetry more profound, touching and artistic.
For example, The Journey to the West, Chen Tao in the Tang Dynasty: "I swear to sweep the Huns regardless of my body, and 5,000 minks mourn for Chen Hu. Poor riverside bones, still living in a boudoir. " The first two sentences express the soldiers' dedication to heroic and loyal fighting in refined language. At the end of the second sentence, the writer stopped writing about soldiers and his feelings, but his wife still dreamed that she had become a husband with bones. People have become bones, but the author imagines the ardent and beautiful hopes of his wife at home. One reality and one emptiness, the national conditions and feelings of home and country set each other off, which makes the whole poem have the tragic power to shock the soul, and it is more poetic, the scene is more miserable, and it can also make people shed tears of sympathy.
Second, the artistic conception is profound and the theme is obscure.
Images such as frost on the moon, sunset, mourning for the apes, boudoir, slight cold wind and long dreams often appear in poems, and these images are combined to form a beautiful and touching artistic conception. This kind of artistic conception is more about the situation of the poet's imaginary object, which makes the artistic conception of the poem more profound, leaving endless imagination space for readers and making the poem endless and touching. For example, Du Fu's Moonlit Night: "Tonight is the moon in Yanzhou, looking at it from her bedroom window alone. For our boys and girls, poor little baby, too young to know where the capital is. Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight. When can we lie on the screen again and look at the bright light and stop crying? ? "This poem was written by the poet who missed his wife and children when he was trapped in Chang 'an during the An Shi Rebellion. Some critics say that "people miss home, but they miss their families and themselves". The poem is about the wife missing her husband, which is actually a reflection of the poet's own feelings. This way of writing is more subtle than saying how he misses his wife and children. Because the poem not only describes his wife's infatuation with looking at the moon, but also describes that young children are not sensible and do not understand their mother's affection for looking at the moon, which makes the lyric subject erratic. In fact, by grasping the words "Langzhou", "Yao", "Chang 'an" and "Double Photo", we can see that the wife is only the lyrical subject of the poet.
Third, the language is concise and the theme is clear.
The spoken words in antithetical poems often enter the poems with life pictures, which are full of life breath. Poetic language looks like a glass of clear water on the surface, but it contains rich poetry in plain places, showing the poet's strong attachment to his hometown and relatives. Simple and natural poetry is full of the poet's deep affection and has touching artistic power.
Poems such as "I know far where my brother is climbing, and I can't see anyone", "I want to sit at home at night, but I also want to talk about people far away", "Seeing clouds change in the morning mirror, and I dare to ask about the cold moonlight at dusk", "On a moonlit night every year, in the low Songshan Mountain, I expect my heart to break" all reflect the above characteristics.
These poems are not pretentious, they don't win by historical allusions, and they don't need to practice their words. They are expressed in ordinary language, but vividly and concisely write the urgency of the soul returning home, the yearning for their loved ones, the poet's narcissistic attitude and infatuation, which aroused the hearts of countless readers and produced a strong artistic appeal.
The standard writing format of poetry 2 The writing format of poetry is:
Four lines and five words of ancient poetry
The rhyme pattern of the first sentence of (1) is flat.
be plain and simple
It is flat.
Very flat, very flat.
be plain and simple
(2) Straighten the first sentence without rhyme.
Flat and light.
It is flat.
Very flat, very flat.
be plain and simple
(3) Pronunciation of the first sentence
It is flat.
be plain and simple
Flat and light.
It is flat.
(4) shrink the first sentence that doesn't rhyme.
Very flat, very flat.
be plain and simple
Flat and light.
It is flat.
Seven-syllable/seven-syllable quatrain
The rhyme pattern of the first sentence of (1) is flat.
Flat and light.
Ordinary, ordinary, ordinary.
Very flat, very flat.
Flat and light.
(2) Straighten the first sentence without rhyme.
Flat and light, flat and light.
Ordinary, ordinary, ordinary.
Very flat, very flat.
Flat and light.
(3) Pronunciation of the first sentence
Ordinary, ordinary, ordinary.
Flat and light.
Flat and light, flat and light.
Ordinary, ordinary, ordinary.
(4) shrink the first sentence that doesn't rhyme.
Very flat, very flat.
Flat and light.
Flat and light, flat and light.
Ordinary, ordinary, ordinary.