Shen quanqi and song wenzhi. Their works are accurate and neat, which promote the development of metrical poetry. At this point, the five-law system was completely finalized and the seven-law system began to be standardized. They made contributions to the development of regular poems in Tang Dynasty, and the finalization of the form of regular poems is of great significance in the history of poetry development. Since then, the boundary between modern poetry and ancient poetry has become clearer, and poets have gradually parted ways in their creation.
2, the article four friends
It refers to four poets in the early Tang Dynasty: Cui Rong, Li Qiao, Su Weidao and Du Fu. Their poems were written by the court, lacking in content and rich in language. Among them, Du is more successful. Hu Yinglin's poem said, "In the early Tang Dynasty, there was no seven-character law, and five words could not be separated. Du is really the first in the beauty of the two bodies. " He wrote some good poems with sincere feelings during his trip.
3. Shangguanti
In the early Tang Dynasty, Shangguan Yi's poems were dominated by elegant rhyme, and people followed suit, forming a new paradigm of poetry, which was a bridge for the transition from new-style poetry to Song Shen's regular poetry since Qi and Liang Dynasties.
4. Four outstanding figures in the early Tang Dynasty
This is a description of Yang Jiong, Lu, Luo and others, who appeared in the early years of Wu Hou and were famous for their articles. Their status is relatively low, but in the pioneering period of Tang poetry, they all shoulder the mission of the times, strive to get rid of the influence of Qi Liang's poetic style, actively explore the ideological theme of poetry, and also explore the metrical form of poetry.
They are deeply dissatisfied with the brilliant poetic style since the Qi and Liang Dynasties, and are determined to get rid of the accumulated disadvantages and reverse the current style. Their poetry creation expanded the theme, expressed the true feelings, brought a vigorous and fresh atmosphere to the poetry world, and swept away the formalism poetry style. )
(The theme of creation is from the palace to the market, from Taige to Jiangshan and Saimo)
5. Early Tang style
This is a kind of poetic style gradually developed in the early Tang Dynasty, which inherited Yuefu poems from the Han, Wei and Six Dynasties. Its sentence patterns are free, mainly seven words, with three words, five words and nine words in between, parallel prose, free rhyme and sky, and often set narrative, scenery writing, discussion and lyric in one furnace. Such as Lu's "Chang 'an Ancient Meaning" and Zhang's "Moonlit Night on the Spring River".
6. Wu
Zhang, Zhang Xu, Bao Rong, He.
7. Landscape pastoral school
Poetry schools in the prosperous Tang Dynasty, represented by Meng Haoran, Wang Wei, Chu Guangxi and Chang Jian, are also called Wang Mengshi School. Wang Meng and other landscape poets have made great achievements in politics. Qin Muxian was attracted by Zhang Jiuling, but because of his career obstruction or dissatisfaction, he was semi-official and semi-reclusive, roaming the landscape, or resigned and returned to his hometown. Although they don't have a clear literary proposition, they often communicate with each other on their respective pastoral poems, forming a genre characteristic of being far away from Tao Yuanming and imitating Zhang Jiuling. He contributed to creating the artistic conception of blending scene with things and me, and exploring and developing colorful natural beauty.
8. Frontier Poetry School
The flourishing school of Tang poetry, represented by Gao Shi and Cen Can, is also called "Gao Cen School of Poetry" because of its highest achievements. Frequent exchanges and wars between various ethnic groups in the Tang Dynasty became the social basis for the formation of the Frontier Poetry School in the Tang Dynasty. Most frontier poets in the prosperous Tang Dynasty had military experience, and were good at expressing their lofty sentiments of volunteering to kill the enemy and serve the country with seven-character songs and four-line poems, describing the hard life and strange scenery of frontier fortress, expressing endless homesickness and worries, exposing military contradictions, reflecting the customs of ethnic minorities and showing national integration. Their poems are compatible with Jian 'an style and Qi Liang's sad style, forming a generous and magnificent style, full of high-spirited spirit of the times, and becoming a major school of poetry in the prosperous Tang Dynasty.
9. Basket episode
The name of the poetry collection. Jie Yuan collected 24 poems by Shen Qianyuan, Zhao Weiming, Meng Yunqing, Zhang Biao and Wang, and named them Zuo Zhong Ji. Their poems do not have the heroic feelings in Tang poetry, but write about the suffering of life with indignation. They are the first people who feel the arrival of grief and frustration, look on coldly and move towards realism. Jie Yuan compiled their poems into a collection and gave many comments. Yuan Jie advocated that poetry should be satirized and pinned, which is beneficial to politics and religion, so he chose and recorded it to warn people.
10, ten gifted scholars in Dali
According to the biography of Lu Lun in the New Tang Dynasty: "Lu Lun, Ji Zhongfu, Han Yi, Qian Qi, Si Kongshu, Miao Fa, Cui Dong, Geng Qin, Xia Houshen, Li Duan." Their poems rarely reflect social unrest and people's sufferings, and most of them are harmonious works. The basic theme of their poems is to praise peace, mountains and rivers and seclusion. All of them have certain artistic accomplishment and are good at five-character poems, but most of them lack distinctive artistic characteristics and tend to formalism. Among them, Qian Qi, Lu Lun and Han Yi made great achievements.
1 1, Han Meng Poetry School
This is an important school of poetry in the middle Tang Dynasty, represented by Han Yu and Meng Jiao, as well as Jia Dao, Yao He, Lu Tong and others.
They don't pay attention to realism and subjective feelings in poetry. They pay attention to talent and bitterness in content and attitude. They don't regard poetry as a means to satirize current politics and interfere with reality, and don't pay attention to social acceptance. They don't want to change from vulgarity in form. They pursue originality and strangeness, express themselves with words, choose things for strangeness, and have a deep and bizarre style, which is also called "the school of dangerous and strange poetry".
It advocates that "injustice is the sound", emphasizes the expression of inner injustice, and pays special attention to the lyric function of poetry.
"Pen complements nature" requires both creative poetic thinking and subjective judgment of the object. )
It breaks through the traditional poetry teaching which pays too much attention to ethics and gentleness, and turns from emphasizing the social function of poetry to emphasizing the lyric characteristics of poetry, to emphasizing the internal exposure of the creative subject and the exertion of artistic creativity, which is a phenomenon worthy of attention in the history of poetry theory. )
New Yuefu 12
New Yuefu is a kind of Yuefu-style poem with a new title to write current events. New Yuefu creates new themes and describes current events, not measured by whether it is enjoyable or not.
13, New Yuefu Movement
During Zhenyuan and Yuanhe years in Tang Dynasty, a group of poets, such as Bai Juyi, Yuan Zhen, Zhang Ji, Wang Jian and Li Shen, inherited Du Fu's realistic literary tradition of "emphasizing popularity and realism", and in line with the creative principle of "combining literature into writing, combining songs and poems", dared to face life, consciously searched for poetry materials from the source of life and created a large number of poems.
Bai Juyi's poetic theory: First, he thinks that poetry must serve politics, and must undertake the political mission of "sizing up the situation" and "releasing human feelings" in order to achieve the political mission of "relieving people's diseases, making up for the shortcomings", "interacting up and down, rejoicing at home and abroad", and he puts forward the slogan of "combining articles with articles, combining songs with things".
14, meta and style
A poetic style initiated by Bai Juyi and Yuan Zhen in Tang Dynasty. It was named because it was very prosperous during the Yuan and Yuan Dynasties in Tang Xianzong. "Biography of Yuan Zhen in the Old Tang Dynasty": "Zhen was brilliant, young and famous, and made friends with Taiyuan Bai Juyi. Work is like poetry, be good at makeup and praise style. The poet at that time was called Yan. From the clothes of a scholar to the palace of an adult, we know its irony, the number and the number. "
(Bai Yuan's style includes the long arrangement of rhyme, and Bai Yuan's "small broken chapter" lingering and shallow romance. And Yuan Zhen's colorful poems. )
15, Yuan, Bai
Poets Yuan Zhen and Bai Juyi in the Middle Tang Dynasty. Bai Juyi's Collection of Bai Liu's Singing and Interpretation: "Scholars and women in the south of the Yangtze River are talented, and Bai Yuan Yin." "Biography of Bai Juyi in the New Tang Dynasty": "It is meticulous and easy to write, but it is the most poetic. ..... I was given Yuan Zhen at the beginning, so I was named Bai Yuan. " They are good friends, share the same literary ideas, and are both advocates of the new Yuefu movement.
16, ancient prose movement
This is an important literary innovation movement in the history of China's prose development. It has gone through four stages: the germination period from Jin Dynasty to Sui Dynasty, the preparation period from early Tang Dynasty to prosperous Tang Dynasty, the climax period in the middle Tang Dynasty and the decline period in the late Tang Dynasty. It calls for the restoration of Confucianism, taking the excellent prose in the pre-Qin and Han dynasties as a model, and replacing the beautiful and gentle parallel prose with vigorous and simple prose, so as to achieve the purpose of promoting orthodoxy and innovating the style of writing. During Zhenyuan and Yuanhe years in the mid-Tang Dynasty, Han Yu and Liu Zongyuan put forward a complete theory of ancient prose with the core of "writing carries Tao", created a large number of excellent essays, vigorously advocated the ancient prose movement and pushed it to a climax. At that time, Yun Qi, a follower, responded and finally established the dominant position of ancient prose. The reform of writing style, in terms of content, is to lead prose to politics and religion by means of Taoism, which is closely related to the political situation at that time; Formally speaking, it is the requirement of the development of prose itself. )
(ancient prose: the style is called single-line prose, which does not talk about dual temperament and is written in classical Chinese, as opposed to parallel prose. Han Yu proposed)
Liu Han 17
Prose writers Han Yu and Liu Zongyuan in the Tang Dynasty also said the same thing. They were the backbone and leaders of the ancient prose movement in the Tang Dynasty. Because of their outstanding achievements in theoretical proposition and practical creation, they were regarded as a banner of the literary world at that time. Their literary theories all advocate the unity of literature and Taoism, paying equal attention to both literature and quality, which has guided the healthy development of the ancient prose movement. Compared with their predecessors, their ancient prose has made new creations and breakthroughs. Han Yu is good at discussing essays, while Liu Zongyuan is good at writing landscapes and fables. Both of them have formed their own unique prose style, Korean is bold and unrestrained, and Liu is vigorous and powerful, and they are listed as "eight great masters in Tang and Song Dynasties".
18, Tang Legend
One of the novel genres. This legend was written by Pei Yi in the late Tang Dynasty, and its plot is peculiar. It is generally used to refer to short stories written in classical Chinese in the Tang and Song Dynasties, such as Biography of Conan's Taishou, Song of Eternal Sorrow and Biography of Li Wa. Tang legends's artistic conception is unique and novel, which lies in change, concise and lively narrative events, vivid dialogue between characters, rich vocabulary and changeable sentence patterns. It marks the development of China's classical novels to a mature stage.
"Legend" is one of the genres of China literature, so it is named because of its fantastic plot. Tang Legend is the title of classical Chinese novels created by later generations, which represents the maturity of Tang novels. The origin of the name "Legend" may be related to Pei Yi's novel collection "Legend" in the late Tang Dynasty. Later, people used the name "Legend" as a general term for such novels. Although the legend of the Tang Dynasty was developed on the basis of the novels of the Six Dynasties, it is very different from the novels of the Six Dynasties in art, mainly in that its plot is more tortuous and rich, its structure is more complete, its words are more gorgeous and vivid, and its characterization is more vivid. More importantly, legendary writers are interested in writing novels, such as Biography of Li Wa by Bai Xingjian and Away from the Soul by Chen. Later, some of them were adapted into operas, which shows that the legends of the Tang Dynasty have a very important position in the history of China's novels.
19, Bianwen
One of the literary works of rap in Tang Dynasty, called "bian" for short. At that time, there was a rap art called "transformation". When performing, they often cooperate with the pictures, show the pictures to the audience and tell stories at the same time. Its pictures are called "disguised forms" and the basis of its rap stories is called "variant texts". The content can be roughly divided into two categories: one is to tell Buddhist stories and publicize the meaning of Buddhist scriptures; One tells historical legends or folk stories. There are probably three forms: prose and verse, full prose and full verse.
20, 24 products
In the late Tang Dynasty, Si Kongtu wrote twenty-four poems, each with four words and twelve sentences, written in rhyme, so it was called twenty-four. This is a special article about the style of poetry. * * * is divided into twenty-four products, each product is marked with two words, which reveals the style and characteristics of bold, dilute, faint and heavy poems. When discussing the style characteristics of Chen's poetry, Shi Pin uses metaphors and symbols to describe the style characteristics of poetry except a few theoretical summary words. Literati in Qing Dynasty read many works. Today, I confirmed that Si Kongtu didn't do it. To be tested.
2 1, Huajian school
Named after Huajianji. After the Five Dynasties, Zhao Chongzuo of Shu collected 500 poems from eighteen schools, including the late Tang Dynasty, the Five Pronouns and Wei Zhuang, and compiled them into Huajian Collection. The content is mostly song and dance, men are happy and women are sad, and the style is mostly rich, fragrant and soft. Among them, 15 people are from Xishu. Although their ci lacks the truth and delicacy of words, they all take words as their ancestors.
Huajian Collection is the earliest collection of literati's ci in China, which represents the standardization of ci in terms of rhythm, marks the further establishment of the characteristics of parts of speech in terms of words, style and artistic conception, and lays the foundation for the development of ci style in the future with the nature of its ci collection and literary examples.
Song dynasty; surname
1, late Tang dynasty
It refers to the poetic style represented by a group of poets who imitated the poetic styles of Jia Dao and Yao He in the Tang Dynasty in the early Song Dynasty. This group followed the poetic style of Jia Dao and Yao He, and described the quiet life more. There are nine monks,, and Lin Bu as the representative poets.
2. Quincy style
In the early years of the Northern Song Dynasty, a poetic style that pursued flowery rhetoric, neat antithesis and vague content was named after Yang Yi's Kunxi Appreciation Collection. This collection of poems contains 248 poems by Yang Yi, Qian, et al. 17 people. The main content is to describe the luxurious life of court officials, and there are also some poems and poems. * * * The same feature is that it only emphasizes rhetoric, allusions, melody and antithesis, and lacks realistic content and true feelings. After the collection of the Quincy Prize, the Quincy Style prevailed for a while and became the dominant school of poetry at that time. Ouyang Xiu said, "Gai Yang and Liu Chang-he wrote" The Collection of Quincy ",and later generations disputed it. When elegance changes, it is called Kunti. " ("Poetry on June 1st"). Yang Yi and others admire Li Shangyin, a poet in the Tang Dynasty, most, and attach importance to Tang Yanqian. The poems of Li Shangyin, a poet in Quincy, are exquisitely carved and sonorous in tone. There are gains and losses in the study of Li Shangyin's poetic art by Kunxi poets, which are mainly manifested in the steadiness of antithesis, intensive use and gorgeous use of words, showing the artistic characteristics of arrangement and Li Dian. However, Kunxi poets specialize in imitating the artistic features of Li Shangyin's poems, but lack the sincere feelings and deep feelings contained in Li Shangyin's poems, and often get their gorgeous appearance and lack the inner charm.
3. Mid-levels
In his later years, Wang Anshi lived in seclusion in Jiangning Mid-Levels Garden, calling himself an old man in Mid-Levels. "Mid-Levels" refers to a large number of lyric poems written by him in his later years. Most of these poems are seven-character quatrains, short in form, "elegant and refined" and highly respected.
4. KOH samui
Poets and Mei in the Northern Song Dynasty. Their poetry creation has the spirit of realism, and they are all important anti-Quincy figures. Mei pursues the beauty of "plain" in artistic style, while her poems are straightforward and natural, with broad artistic conception and are famous for their boldness. They are famous for their poems, so they are called "Samui".
5. Jiangxi Poetry School
Song school, in the late Northern Song Dynasty, Huang Tingjian had a great influence in the poetry circle. In poetry, many people follow and imitate it. Huang Tingjian's comments on the poem "There are no words and nowhere", "Little iron turns into gold" and "reborn" had a great influence at that time. Huang Tingjian set many examples for young poets at that time. They regard words as poetry, learning as poetry and discussion as poetry, which formed a larger school of poetry in the Song Dynasty. As early as the early years, Lu Benzhong wrote the Sect Map of Jiangxi Poetry School, and named the poetry school headed by Huang and Chen as "Jiangxi Poetry School". "Jiangxi" is the West Jiangxi Road in Song Dynasty. Eleven people, including Huang Tingjian and Schell, are from Jiangxi. Twenty-five writers, such as Huang Tingjian and Chen Shidao, are most influenced by Huang Tingjian, and they have similarities in theme orientation and style orientation. By the end of the Song Dynasty, Fang Hui called Du Fu the ancestor of Jiangxi Poetry School, along with Huang Tingjian, Chen and Chen, and put forward the theory of "one ancestor and three schools" of Jiangxi Poetry School. (Fang Hui's Lv Kui Sui)
Touch the stone and turn it into gold: seize the fetus and change the bone
Huang Tingjian said in "Answering the Father of Hongju": "Lao Du wrote poetry and wrote a composition, and there was no word anywhere. Because later generations read less, it is said that Han created his own words. The ability of the ancients to write articles can really cultivate everything. Although ancient characters enter calligraphy, they are like a panacea. " "It is not easy to make words with meaning (referring to Tao Yuanming and Du Fu's predecessors), which is called bone-changing method, which is called fetal method."
6. Han Dynasty and Su Hai
Han Dynasty Su Hai is a vivid summary of the literary achievements and characteristics of Han Yu, an ancient prose writer in Tang Dynasty, and Su Shi, a writer in Song Dynasty. Li Tu's Essentials of Articles in the Southern Song Dynasty said: "Han Ruchao, Liu Ruquan, Ou Rulan, Su Ruhai." This paper summarizes the stylistic features of the prose of the four masters: China's prose is vast, Liu's prose is clear and lively, Owen's prose is plain and comfortable, and Su's prose is like "Wang Yang's wantonness". When the papers of later generations are not called four schools, Han Yu and Su Shi are often linked together, which is called "Han Dynasty and Su Hai".
7. Chengzhai style
Yang Wanli, a poet in the Southern Song Dynasty, was Cheng Zhai. His poems began to learn from Jiangxi Poetry School, followed Wang Anshi's Mid-Levels and learned from poets in the late Tang Dynasty, and finally changed from learning from the ancients to learning from nature, forming his own unique style. His poetic language is popular and lively, his conception is novel and strange, and his style is humorous, which has a unique style in the Song Dynasty and is called "Chengzhai Style".
8. Four Spirits
Four Spirits refer to four poets: Zhao Xu (word), Ji Xu (name Lingyuan), Weng Juan (word Lingshu) and Zhao Shixiu (word Lingxiu). Because of the word "spirit" in its word or number, it is called "Yongjia Four Spirits" and because they are all Yongjia people, it is also called "Yongjia Four Spirits". They admired Jia Dao and Yao He's five-character poems in the Tang Dynasty, opposed the proposal of Jiangxi Poetry School, and advocated using natural materials to express personal life interest with fresh and simple pens. They often write modern poems, especially the five laws. The content of poetry is mostly landscape, pastoral and trivial matters of life, which often reveals a leisurely mood and represents a tendency of poetry creation in the late Southern Song Dynasty. Generally speaking, the ideological realm is different. (Ye is suitable to be called "Four Spirits", and once edited Selected Poems of Four Spirits)
9. Jianghu School
Jianghu School is a school of poetry in the late Southern Song Dynasty. Chen Qi, a bookseller in Hangzhou, likes to make friends with literati, including junior officials, hermits and some people who have promised to go to Jianghu. Chen Qi carved the above 109 poets into a book and named it Jianghu Collection. Later generations called these writers included in the anthology "Jianghu School" poets. The word "Jianghu" indicates the opposing position of the centralized author. Most of the poets in this school are frustrated literati, who have no political status and are prominent in the rivers and lakes. They have different identities and have no recognized patriarch of poetry. Their poems are "Four Spirits", but there are also some "Jianghu School" poets who care about current events and people's livelihood. Their poems are full of worries about home and country and people's sighs. Representative poets include Dai Fugu, Liu Kezhuang, Liu Guo and Jiang Kui.
The themes that Jianghu poets are best at are scenery description and lyricism. They are influenced by the "four spirits" in this respect, that is, they use accurate words and are good at sketching. But the realm is more open, slightly better than the "four spirits".
Generally speaking, the style tendency of Jianghu Poetry School is dissatisfied with Jiangxi's poetic style and imitates the "Four Spirits" to learn from the late Tang Dynasty, but it is broader than the "Four Spirits" and basically represents the trend of poetry circles in the late Southern Song Dynasty.
10, the four main companies of ZTE
Southern Song poets Lu You, Fan Chengda, Yang Wanli and You Bao are also called. Their early poems were greatly influenced by Jiangxi Poetry School and lacked individuality. Later, they found a new way to bring forth the old and bring forth the new, which led to a new turning point in the poetry of the Song Dynasty. "Rejuvenation" was highly praised by people at that time, so it was called this. Among the four people, Lu You has the highest achievement, followed by Fan Chengda and Yang Wanli.
1 1, easy
Li Qingzhao, whose real name is Yi 'an Jushi, is good at describing her ci in simple language. "Its simple and vulgar words are refreshing." Her ci is full of charm, elegant and lofty, and quite distinctive. Therefore, many later generations have effective methods, so it is called "Yi 'an style".
The artistic features of Li Ci are: 1. He is good at sketching and using spoken English. Li's ci is not carved, completely beautiful and natural, which can be called the representative of "true colors" in ci; Second, he is good at describing feelings with scenery. In order to enhance the atmosphere and strengthen the theme, Yi 'an often uses the method of describing things and narrating lyricism, and is good at blending feelings into the scenery and writing feelings with the scenery, so as to achieve the point where water and milk are indistinguishable. Third, be good at turning virtual into reality and turning intangible feelings into tangible bodies; Fourth, euphemistic and implicit, full of twists and turns, Li Ci is really sincere and memorable.
12, metrical ci school
Names of ci in southern song dynasty. This school is headed by Jiang Kui, and other representative writers are Shi Dazu, Gao, Wang, Zhang Yan and so on. Their ci pays attention to meter and pursues elegance, implication, softness and emptiness, which is a school of ci opposite to the "Xin School" in the late Southern Song Dynasty.
Wu Wenying and his colleagues took Jiang Kui's "Elegant Ci" as a model, paying attention to tempering and cutting sentences, observing the sound and obeying the law, and pursuing elegant and refined artistic taste. The theme of words is mainly chanting things and paying attention to sustenance, but the meanings of some words are obscure.
Also known as "Saoya School".
13, phone book
A Style of China's Ancient Novels. Storybook was originally the base of "talking" artists, and it was a style developed with the folk "talking" geisha. According to the data found in Dunhuang, story books appeared in the Tang Dynasty, but gradually matured in the Song and Yuan Dynasties.
There are four schools of Japanese silk geisha in Song Dynasty: novel school, history school, classics school and chorus school (life school), among which "novel school" is the most important and influential. The former is short in length, which mostly reflects the life and thoughts of citizens, while the latter is long in length, which mostly talks about the decay of past dynasties. Formally, a story can be divided into three parts: preface, text and ending. Because the script is composed of poems and words, it was also called "poetry talk" and "words" in the Song and Yuan Dynasties. The story-telling novels in Song Dynasty appeared in the history of ancient literature with brand-new characters, popular and vivid literary language and tortuous story, which opened up a broad road for the development of popular novels in later generations.
14, Zhu Gong tune.
A kind of rap literature in Song, Jin and Yuan Dynasties. Song Wang Zhuo's "Bi Ji Man Zhi" contains two volumes: "The biography of Confucius in Xifeng and Jianzhezhou, the first biography of the palace is to the right, and the philosophers can recite it." The so-called Zhugongdiao is relative to the rap form limited to one Gongdiao. Among them, the singing part is called a series of court tunes. It consists of several pieces of music, which can be one or two pieces or more than ten pieces. This form of rap spread to the south after crossing the south in the Song Dynasty. The southern tune is mainly accompanied by flute, while the northern tune is mostly accompanied by pipa and Zheng, so the northern tune is also called "Tanci", and some works are also titled "Chord" to show the characteristics different from the southern tune. Later, rap developed to stage performance, forming a zaju. There are three kinds of existing works: Jin Anonymous's Liu Zhiyuan Zhugongdiao (residual edition) and Bocheng's Tianbao Yizhu Gongdiao (residual edition).
15, incoming call
It is the beginning of the novel script. It sometimes "rises" with one or several poems, saying that scenic spots are often associated with the place where the story takes place or with the hero of the story. Sometimes a poem is used to point out the theme first, and then a short story related to the theme is described. Its jargon is "win a battle and fight a turnaround", but in fact this short story has some analogy with the story to be detailed. Obviously, the setting of entering words is a special arrangement for the speaker to sit in the audience and wait for the latecomers, and it also contains the motivation to guide the audience to "speak".
16, eight masters in Tang and Song Dynasties
Refers to eight prose writers in Tang and Song Dynasties. Namely, Han Yu and Liu Zongyuan in the Tang Dynasty, Ouyang Xiu, Su Xun, Su Shi, Su Zhe, Wang Anshi and Ceng Gong in the Northern Song Dynasty. These eight people all advocate prose and oppose parallel prose, and they are the masters of the ancient prose movement in Tang and Song Dynasties. At the beginning of the Ming Dynasty, You Zhu chose eight ancient essays as "Collected Works of Mr. Ba" (lost essays), which are the names of eight schools. In the middle of Ming Dynasty, Tang Shunzhi chose Tang and Song Dynasties, and also chose these eight schools. During the Jiajing period, the notes of the eight great families in Tang and Song Dynasties edited by Mao Kun were the most widely circulated, and the names of the eight great families were household names. Eight prose styles are different, and Han Yu's prose is vigorous and magnificent; Liu Zongyuan's prose is steep, fresh and beautiful; Ouyang Xiu's prose is smooth and euphemistic, which was prepared by Xu Wei. Su Xun's prose is magnificent and concise; Su Shi's prose is unrestrained, clear and smooth in Wang Yang; Su Zhe's prose is peaceful and frank, with wonderful form and spirit. Wang Anshi's prose is bold and vigorous, simple and beautiful; Ceng Gong's prose is plain and comfortable, concise and rigorous. Among the eight great masters, Korea and Europe have the greatest influence. Han Wen is like a spectacle, and Owen is like a beauty in the south of the Yangtze River, and he is also called "Han Ou". Six of the eight masters in the Song Dynasty were all influenced by Han Yu.
You have everything you want.