The first picture is a complete picture: "You are standing on the bridge watching the scenery,/the people watching the scenery are watching you upstairs." "You" is the protagonist of the picture and the central viewpoint of the picture. Around him, there are bridges, scenery and people upstairs watching the scenery. The author skillfully organizes these seemingly messy people and things into a frame, forming an ink painting and painting sketch or a symmetrical landscape sketch.
The author skillfully conveyed his philosophical meditation: everything in this universe and human life is "relative" and everything is interrelated.
Yes, when you stand on the bridge and look at the scenery, you are naturally looking at the main body of the scenery, and those beautiful scenery are the "things" to see.
The second line, the same time and space, people and scenery remain unchanged, but the perceptual status has changed. At the same time, another "landscape man" upstairs has become the subject of "seeing", and "you", who was originally watching the scenery, has now become the watched scenery, and the subject has also become the object.
"The bright moon decorated your window/you decorated other people's dreams." The "decoration" in the two poems is only a unique rhetorical device in poetry. If it is written as "shining in" and "entering", it will not become a poem.
In the first poem, "you" is the subject of this painting "Moonlight by the window", and the "bright moon" shining into the window is the object. I don't know, at this moment and night, you have entered a friend's dream and become a "decoration" in his dream. The "other" who dreams of you becomes the subject, and the "you" who becomes the dreamer plays the role of the object.
In the meaningful picture, the poet conveys the philosophy of life obtained by his intellectual thinking, that is, the poetic experience beyond the poet's emotion: in the universe and even the whole life process, everything can be relative and interrelated.
Extended data
Broken Chapter is Bian's immortal work. It is the exchange of the position of subject and object in the picture composed of two groups of concrete images, which hides the poet's universal philosophical thinking on the relative relationship between life, things and society.
In the poet's view, everything does not exist in isolation, but in the relative relationship with other things. The relative correlation and movement change of things are eternal laws.