China's classical poems attach great importance to the creation of artistic conception. Artistic conception is an important category in the aesthetics of China's classical poetry, and its essential feature lies in the blending of scene and scene and the unity of mind and matter. Whether emotion and scenery can be well combined becomes the key to the formation of artistic conception. The first four sentences of Ma Zhiyuan's poem are all about scenery, and these scenery words are sentimental words. The words "withered", "old", "faint" and "thin" make the rich autumn colors contain infinite sadness and bitterness. And the last sentence "heartbroken people are at the end of the world", as a curved eye, is even more wonderful, which makes the scenery described in the first four sentences become the environment for people's activities and the fuse for heartbroken people at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his trip, but also what he saw in his eyes. But at the same time, it is its emotional carrier and an inner thing. The whole song is full of emotion and scenery, which constitutes a touching artistic realm. The sun will set in the west again, and the footsteps of the night are approaching step by step. Qiu Si Alone is a poem by Ma Zhiyuan, a Yuan Sanqu writer. This song juxtaposes a variety of scenery into a picture of the sunset in the autumn suburbs, which makes the wanderer ride a thin horse on the bleak background, revealing a sad mood and expressing the sadness that a wanderer misses his hometown and is tired of wandering in autumn. This verse is unique, the first three sentences are all composed of noun phrases, and one * * * lists nine kinds of scenery, which is concise and meaningful. The whole song has only five sentences and 28 words. Its language is extremely concise, but its capacity is huge, its significance is far-reaching and its structure is exquisite, so it is praised as "the ancestor of Qiu Si" by later generations. Agree 2| Comment 1 hour ago 99228 1934 | Level 2
Autumn rain is intoxicating, charming and bleak, but autumn rhyme is better than spring, and autumn chrysanthemum is fragrant and melancholy, only for Qiu Si people. After all the dust settled, the ball passed silently behind the distant horizon.
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The autumn wind blew away all the summer breath and a little green.
Dead vines are entangled in nearly a hundred-year-old trees. At dusk, two listless crows flew from the distant horizon, presumably infected by the bleak autumn! In this way, it flapped its wings and landed on the branches that had already become bare.
I walked alone on the delicate and chic bridge and looked down. The river is so clear and moving, and the flowing water reminds me of the river next to my home. Unexpectedly, there are several families here, just by the river, and several low and shabby huts are getting quieter and warmer.
Leaving that beautiful water town in the south of the Yangtze River, I once again embarked on my journey. I am walking on a desolate ancient road, and the northwest wind is blowing head-on. I can't help but feel a chill. Fortunately, there is a thin horse to accompany. In this way, I hesitated in the west wind of a foreign land.
The sun is setting, but where are those wanderers like me?
Where is your hometown? With this in mind, how can a wandering wanderer not be heartbroken! Agree to comment on q9 1276898 | Level 2 0 | 5 minutes ago.
Expressing emotion with scenery and containing feelings in scenery constitute a bleak and miserable artistic conception in the blending of scenery and feelings.
China's classical poems attach great importance to the creation of artistic conception. Artistic conception is an important category in the aesthetics of China's classical poetry, and its essential feature lies in the blending of scene and scene and the unity of mind and matter. Whether emotion and scenery can be well combined becomes the key to the formation of artistic conception. The first four sentences of Ma Zhiyuan's poem are all about scenery, and these scenery words are sentimental words. The words "withered", "old", "faint" and "thin" make the rich autumn colors contain infinite sadness and bitterness. And the last sentence "heartbroken people are at the end of the world", as a curved eye, is even more wonderful, which makes the scenery described in the first four sentences become the environment for people's activities and the fuse for heartbroken people at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his trip, but also what he saw in his eyes. But at the same time, it is its emotional carrier and an inner thing. The whole song is full of emotion and scenery, which constitutes a touching artistic realm. Walking on this ancient stone road, my heart is bleak, and the dead vines next to it, the old trees next to it and the crows not far away are constantly emerging in my mind. Bridge in my hometown, water in my hometown, people in my hometown, do you still remember this wandering me? My heart is exhausted and haggard. When can I come back to you? "When children meet strangers, they will smile and ask where the guests are from." You won't do this to me! "It's sad to watch the moon in the palace. He heard the bell in the late rain, cutting his chest." Tang saburo, I feel the same as you at the moment! People leave their names, birds leave their voices, and the only thing I can shed is a lonely back. Tian Jingsha Qiu Si, Ma Zhiyuan
Old vines are faint crows, small bridges are flowing, and old roads are thin horses. When the sun sets, heartbroken people are at the end of the world.