Hold on tight! ! ! ! ! "The relationship between Qu Yuan and Chu Ci?" Or "the relationship between Lu Xun and folk literature?"

Chuci is a new style that originated from Chu in the southern Yangtze River basin. Judging from the artistic features of Chu Ci, it is closely related to the primitive myths of Chu, witchcraft and religious activities in Zhu Gong. "Nine Songs" was written by Qu Yuan by borrowing witchcraft customs and witchcraft songs, while evocation was written directly by imitating the form of witchcraft words in Chu. In Qu Yuan's masterpiece Lisao, he spoke to Zhong Hua once, asked God twice and wandered between heaven and earth three times, which not only absorbed many myths, but also was directly related to the form of religious witchcraft activities. However, Qu Yuan was not a believer in witchcraft or religion. He used myths and religious activities for reference to create his own works, so as to pour out his patriotic feelings, express his pursuit of beautiful things and ideals, and show his psychological creativity and faltering. This not only got rid of religion, turned decadence into magic, but also made the works of Chu Ci full of passion and imagination.

The emergence of Chu Ci is also closely related to the music and folk songs of Chu. The chaos at the end of Lisao, such as Shejiang, Ai, Shaoge and Advocacy in thought, are all music names, which shows that the emergence of Chu Ci and the formation of its system were influenced by Chu music at that time. Another formal feature of Chu Ci is the lengthening of sentence patterns and the extensive use of the word "Xi" to kiss Ci. This feature inherits and draws lessons from the folk songs circulating in Chu. The language forms and word-formation charm of Chu Ci, such as Yue Yue Ge, Ru Zi Ge and Ren Xu Ge, all indicate that the formation of Chu Ci style is closely related to Chu Ci and Chu Poetry.

The artistic world of Li Sao: the mythical world, the ancient world and the vanilla beauty world.

Myth, nostalgia and vanilla beauty constitute the dazzling artistic world of Li Sao. First of all, there is an extremely magical mythological world in Li Sao. Qu Yuan drew rich images from myths and legends, and through his unrestrained imagination, he wrote endless vivid plots and beautiful pictures, which became part of the artistic conception of expressing the poet's thoughts and feelings, and achieved strong lyrical and vivid effects, such as the poet's three trips to heaven. Secondly, there is an ancient world in the poem, and many historical figures have appeared in succession, which has injected a strong humanistic color and rational brilliance into the whole poem. Qu Yuan set an example for the reform of the rulers by reviewing the prosperous times in the past. By reflecting on the rise and fall of history, expressing concern about the future of Chu; Use the story of the encounter between monarch and minister in history to encourage yourself to forge ahead and explore endlessly. Thirdly, Qu Yuan created a world of vanilla beauty in Li Sao. The poet conceived a series of symbolic images of fragrant flowers and beautiful grass to compare moral cultivation and moral purity. It also expresses disappointment and hope, loyalty and jealousy, loved ones and pursuits in political life through the psychology of love between men and women, which is more tortuous and moving.