How to appreciate the poems of contemporary poets

How to appreciate contemporary poetry

Contemporary poetry always gives people a feeling of confusion, but it has its own laws. We understand these rules and some writing skills, and we will.

Can enter poetry and complete appreciation or aesthetics.

First, why is contemporary poetry hazy?

"

misty poetry

"

This term was born for two reasons.

One is the language. If we study language, we will find that it has great fuzziness. Such as distance, past,

Good and bad are qualitative and indefinite words with great fuzziness, that is, fuzziness. The fuzziness of language brings fuzziness to any literary form.

Poetry is literature in literature, so it has a strong fuzziness, and fuzziness is obscurity.

The second is social reasons. Our society is changing, and the performance in the field of poetry is that poets begin to regard themselves as naked people.

Feeling the society and nature, enthusiasm turns to calmness and deep thinking (the national hardship determines the black in the poem. )

And use new ways, such as suggestion, synaesthesia, illusion, intuition and so on to express ideas. This is difficult for people with traditional aesthetic concepts.

For acceptance, these new poems are called misty poems.

To appreciate contemporary poetry, we must exclude the ambiguity of poetry when appreciating it. The function of human fuzzy logic, (fuzzy logic is more classic.

To put it in binary logic, it is not true or false. As long as fuzzy logic is mobilized, the fuzziness of poetry can be swept away. Now, in order to take care of this city,

Poetry as an example, you * * * reward.

feel

The sky is gray.

The road is gray.

This building is gray.

The rain is gray.

In the ashes

Walk past two children

brilliant/bright red

aqua

To be exact, this poem is an oil painting. The poet uses strong color contrast.

(

Gray and red, green

)

To express emotions, its genius lies in

The poet painted the picture calmly.

"

draw

"

I don't talk about the theme directly, but I want to use color to make readers wake up and complete the appreciation of poetry.

.

If we move

His own fuzzy logic.

"

draw

"

Expand the association, and the meaning of this poem will be obvious.

pass by

"

"Cultural Revolution" (1966 to 1976)

"

China is full of flames.

"

Cold ashes

"

, it is in

"

Cold ashes

"

There are two children flashing in the middle, one is bright red, which symbolizes alignment.

The sincerity of the country; A touch of light green symbolizes a new generation of energetic young people.

.

Isn't this the light of hope in China?

!

A short poem contains a period of history, which is the internal content of obscure poetry.

Second, every poem has an emotional orientation.

Reading poetry is to grasp the soul behind it through its surface. And this soul, it is along the poet's emotional context to find and grasp.

Yes Poetry is the art of emotion, and every poem should have a center of emotional cohesion. Poets use some images to express their feelings. Although they are colorful,

But it always revolves around this center. Poets express their feelings around a certain center, which is emotional orientation.

.

The center of lyric is the direction of poetry.

All poems have emotional orientation. There are some hallucinations, streams of consciousness, overlapping images and montages in this poem. If there is no emotional orientation,

I'm afraid the poet doesn't even know what he wrote, and the reader is even more confused.

Let's take Shu Ting's goddess peak as an example to talk about emotional orientation.

Among all kinds of handkerchiefs waving at you

/

Whose hand suddenly retracted?

/

Cover your eyes tightly.

/

When people disperse, who

/

Still standing on the boat

tail

/

The skirt is flying

/

Like a surging cloud.

/

Tao Jiang

/

Speak louder.

/

Lower your voice.

/

Beautiful dreams leave beautiful sadness.

/

Generation after generation.

/

However, the heart

/

Can it really turn into stone?

Along the river bank

/

The torrent of Jin Ju and Ligustrum lucidum

/

Is inciting new betrayal.

/

Instead of being exhibited on a cliff for thousands of years.

/

It is best to lean on your lover's shoulder.

/

Crying all night.

Goddess Wang Fu is not naturalized as a stone peak. Her loyalty to love has always been a model for women in China. visitor

"

Waving a flowered handkerchief

"

In order to show respect, Shuting suddenly held out his hand.

take back

"

Cover your eyes.

"

. Heyin

Shu Ting is not an ordinary person, and Nvshen Peak gives her a different feeling. Fossil goddess, as far as human nature is concerned, is a tragedy, but it is ignored by traditional morality.

People have been praising ideas for thousands of years. Then, the poet burst into tears.

"

The skirt is flying

"

"

Jiang Tao raised his voice and lowered his voice.

"

Express/convey one's feelings

.

Although these images are fragmented, jump

Jump, but the poet's mood is unified. Write intuition first

(

get through

"

Waving a flowered handkerchief

"

Suggest the shape of goddess peak.

)

Then write feelings.

(

Goddess is tragedy.

)

Finally, write thinking.

("

Beautiful dreams leave beautiful sadness.

")

. With the sublimation of feelings, the poet calmly questioned the traditional moral concept:

"

Really.

Can it be turned into stone?

"?

Heart,

Can't be turned into stone.

The husband died,

My heart is still homesick,

Love is the torture of human nature.

.

So,

The woman who woke up today

"

straight

Incite new betrayal

"

Be a big rebel of traditional morality.

!

This is a declaration made by the poet on behalf of women.

It is the center of the poet's lyricism and the way of emotional flow.

Orientation, which is emotional orientation.

It can be seen that the emotional orientation of poetry is completed by intention paving, lyric strengthening and poetry deepening in the established direction.

Third, the black light of contemporary poetry

The blackness of poetry refers to the emotions such as confusion, melancholy, pain and sadness in poetry. China people have been imprisoned by spiritual shackles for a long time, and face up to the present.

True:

"

Nine times out of ten, life is unhappy.

"

. This is enough to disappoint today's poets and reveal that poetry is black. however

"

Poetic love

"

"

poetic sentiment

Express ambition

"

The poet's nature is to pursue beauty to inspire the love of the world, so no poem (except decadent school) runs through it in black. The main idea of this poem

It is a love of beauty, and black contrasts the poet's soul of loving beauty.

A nation that doesn't know sadness is itself a sad nation, and a poet who escapes sadness is a sad poet at best. Sadness or black table in poetry

Ming: Facing the exhibition, the poet painfully reflects on the tortuous course of the nation and thinks about the responsibility and future of this generation. North Island's masterpiece "Red Sailboat"

To illustrate this. Transcribed as follows:

There are ruins everywhere.

/

Road, how to extend from the foot?

/

A street lamp slipped into the pupil.

/

Get out, it's not a star.

/

I don't want to comfort

you

/

On the trembling maple leaf

/

Full of lies about spring.

/

Tropical sunbird

/

Didn't fall on our tree.

/

And the forest fire behind it

/

no

It was a dusty evening.

If the earth is frozen,

/

Let's face the warm current

/

Sail to the sea

/

If coral reefs are our future image,

/

Let's face the sea

/

move towards

sunset

/

I don't know,

Eager to burn

/

Is the desire to turn to ashes.

/

We just want to sail quietly.

/

You have long hair that floats.

/

I have arms, straight.

"

Ruins and broken walls-a desolate scene

"

How to expand the road? street lamp

"

Not the morning star

"

Therefore, it is not the dawn of hope.

"

Trembling maple leaves

"

It's hard to say.

"

About spring

"

Words of comfort.

"

sunbird

"

Some kind of heat, instead of losing to

"

we

"

. Behind (i.e.

"

"Cultural Revolution" (1966 to 1976)

"

) The fire will die out at dusk. poet

The choice of these images to express deep feelings has created a black atmosphere in the poem, but this black does not run through the whole poem.

Try the second paragraph.

The poet said that the true meaning of life lies in pursuit.

When the earth freezes, it faces the warm current and flows to the sea.

"

sea

"

It is the ideal realm of poets.

poet

"

Eager to burn

"

"

vanish like smoke and disperse like clouds—completely vanish

"

It shows the poet's persistent pursuit spirit. Girlfriends have long hair like flags, and poets have straight arms.

Rod, it can be seen that they (representing a generation) are souls eager to pursue. That's not the connotation of poetry. Limited to space, I won't shake my pen for the time being and leave it to you.

Enlightenment.

The pursuit is amazing, in

"

Ruins and broken walls-a desolate scene

"

Online search is a thumbs-up sign. The contrast of black enhances the expressive effect of this poem.

Is the role of black, that is, black light.

Fourthly, contemporary poetry pays great attention to creating poetic atmosphere.

The elegance of poetry determines the elegance of readers. Elegant readers no longer like what the poet tells him with straightforward poems, but are often willing to learn from them.

How you feel in the atmosphere. Telling can only tell one thing, but feeling can feel countless. Poets who devote themselves to exploring people's hearts follow people.

The change of aesthetic consciousness, when creating the atmosphere of poetry, smokes desperately and makes the atmosphere condense all its feelings. Calling readers with atmosphere has become a poet today.

Law, form and straightforward verse are like an old ox cart walking under neon lights.

The atmosphere of poetry refers to the atmosphere covered in poetry, that is, the irrational color or emotion directly felt by readers. Shizizhuang

When creating the atmosphere of poetry, choose the image or tone that is consistent with the emotion he wants to express.

The atmosphere written by a master is the same as that of a wedding or funeral.

Let people feel happy or sad at once. Sometimes we get a poem, the specific writing may not be clear, but between the lines, I

Children can feel something more or less: light rain-like worries, wildflower-like elegance, horseshoe-like boldness, rock-like coldness and so on. as long as

If we can clear away the obstacles in writing, we will have something that touches our senses. This is the atmosphere of poetry. Atmosphere can make us melt into poetry consciously or unconsciously.

Navigation in the poet's mind.

Jane is a storm.

——

The love poem "To Little White" is a model of atmospheric poetic style, and it is what you appreciate now.

Clouds hung low in the sky.

/

Like a giant mushroom.

/

Standing still

/

The snake sparkled in the grass.

/

Slide and slide quietly

Statues in the square

/

Snorkeling in the twilight

/

Anxious as a horse

/

There is charged smoke.

/

In his cold eyes

/

hinder

This poem has the flavor of oil painting, strong and dignified feelings, and passion is controlled by writing style, which is different from writing love poems in the past. The clouds are low and depressing.

In a sense, the brightness of the snake contrasts with the gloom of the clouds, which also shows the signs of the coming storm. This kind of atmosphere conveys the poet's anxious mood. square

The statue in the world refers to the poet himself, walking like an excited horse in the twilight. What it's like to get charged smoke into your eyes!

"

hinder

"

be

The inner turmoil, the turmoil of missing the storm.

On the surface, the topic has nothing to do with poetry, but from the atmosphere of poetry, we can really feel that the poet's heart has really risen.

There is a storm.

Verb (abbreviation of verb) is a colorful bridge in contemporary poetry.

——

synaesthesia

People's feelings are communicated through their hearts, that is, one feeling is transformed into another, which is synaesthesia. Poets combine hearing, vision,

The transformation of smell, taste and touch through rhetoric means is synaesthesia. The purpose of this technique is to expand the aesthetic scope of the senses and achieve

The mutual circulation and supplement of various senses.

"

Green melody

"

(hearing is transformed into vision),

"

Cold eyes

"

(visual contact), and

Colors can be heard, voices have shapes, flowers can be touched, and lovers' figures exude fragrance, all of which belong to synaesthesia. Synaesthesia is a colorful bridge.

Any kind of feeling can go to another kind of feeling through it.

In addition to these senses, there are broader synaesthesia in poetry. such as

"

The river of time

"

"

Horse of time

"

And so on, to transform abstract ideas.

Whether it is a dynamic image or a concrete image. The poet's special function is to accomplish the most in an instant when he perceives and writes, without ideological and logical judgment.

Excellent synesthesia combination.

I can't find a work that is full of synaesthesia sentences (it's not enough to abuse synaesthesia, but it can only be effective if it is used in time), so I can only choose Munk's small one.

Analyzing synaesthesia with spring synaesthesia.

The sun puts its blood

/

Lost in the dying land

/

It constitutes the main body of the earth.

/

Sunlight that began to flow.

/

It also makes the bones of those dead people

/

Green growth

Colored branches and leaves

/

Listen, did you hear that?

/

Those branches and leaves sticking out from the bones of the dead.

/

Jingle in the glass flowers

Spring is here.

The first two sentences of the poem turn invisible sunlight into concrete blood, and the third and fourth sentences turn blood into sunlight, so the two concepts are integrated.

The body has achieved the effect that sunlight is the blood of the land (sunlight and land symbolize the new policy and the nation or the motherland).

"

the dead

"

Refers to the pioneer

Kids,

"

bone

"

It means the immortal spirit of the pioneers.

"

spirit

"

appear

"

Green branches and leaves

"

This is to transform abstract concepts into dynamic images.

"

listen to

see

……

Branches and leaves-non-necessities

……

Clink glasses.

"

In fact, it is the transformation of vision and hearing.

The application of these synaesthesia undoubtedly broadens the aesthetic scope of poetry, increases poetry, and opens up a grand thinking space for readers: it can make

The spring of spiritual recovery is the real spring.