What are the differences in artistic style and emotional expression between Du Fu's Mourning Poem (III) and Bai Juyi's Wang Zhaojun?

Du Fu's Ode to Monument (III)

Wanhe is near Jingmen,

The village where the goddess of light was born and raised.

She walked out of the purple palace and came to the desert.

She has now become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? ,

Pei Huan is empty and belongs to the soul of jathyapple.

Singing Tatar songs on her jade guitar,

Tell her eternal sorrow.

This is the third of five poems in Ode to Monument, dedicated to Princess Wang Zhaojun of Huaiming.

Starting from the sentence "Mountains and valleys", I wrote that mountains are interlinked and mountains and valleys are beautiful. I went to Jingmen, where the mountains and rivers are beautiful, and I grew up with people like Fei Ming. The poet praised the feelings of the ancients, wrote solemnly and rose. The second sentence leads to Princess Ming, saying that there is still a village. She grew up in a famous country and died in the Great Wall. Leaving only this trace, the word "Shang" reveals a feeling of sadness and depression. In three or four sentences, there is a meaning of turning out of the deep palace and dying beyond the Great Wall.

The word "go" is incisive "Zitai" is the name of the Han Palace. "Going to Zitai" and "connecting with the desert", leaving the Han Palace and entering the Great Wall, this is the beginning of resentment. "She has now become a green grave in the yellow dusk," she wrote sadly. Born in the Han Dynasty and buried in a different place, although the bones are rotten, the burial is still green, which is a knot of resentment. Alone, Dusk and Qingling all reveal resentment towards Fei Ming. Five or six sentences is a turning point, and the phrase "drawing knowledge" is euphemistic and sharp, and it is a virtual pen to convey practical things. "provincial knowledge" and "empty return" are opposites, and "provincial knowledge" means detailed knowledge.

Drawing pictures to know people shows the fatuity of the king and the darkness of the harem, and it is conceivable how many talents have been buried. Therefore, the "resentment" of falling out of favor before death can be imagined. And "going to Zitai" and "staying alone in Qingling" came into being, so they came into being. "I'll go to Zitai" and "I'll stay in Qingling alone", saying that I hate going to my old country and complaining about being buried in a foreign land. It is full of yearning for home and country, so six sentences lead to "returning to the soul" Beauty is like a beautiful princess. She hates it. Therefore, this sentence means that she did not pay for the regret of her death, so it is called "returning to the soul"; And this "return to the soul" is ultimately "empty return", which is futile. He fell out of favor before his death, left home to go to the countryside, hated independence, and wrote bitterly and resentfully. At the end, the theme is clarified through Song of the Plug. Cao Qin: "Zhao Jun writes songs of resentment." Zhao Jun's song of resentment should have jumped out of Pipa Travel, and it was decorated with "a thousand years", indicating that his resentment was long-lasting, not to mention the "nonsense" of the Han people, and even the resentment of leaving home to serve the country was revealed. Only the pipa is freehand, and it is hated for thousands of years.

At the end of the poem, it becomes subtle and euphemistic, and generosity is resentment.

The resentment of beautiful women is related to the loss of ambition of talented people. I feel that the princess's resentment is unique, and there is no way to lament the lost. Beauty can only be used if it is not wasted. The thought of leaving home for the country, the hatred of loneliness for thousands of years, and the resentment of the ancients against the present are all summarized in the poem.

The poetic style is implicit, euphemistic and generous, with great charm.

The poem "Ode to Monument" uses historical sites to chant the past, lamenting Yu Xin's "bleak", hurting his "empty words", mourning the princess's "resentment", feeling the "nothingness" behind Shu's master and cherishing his great achievements. Poets rely on ancient events to express their feelings and integrate their feelings and current events into their poems. Therefore, the whole group of poems has deep feelings and ups and downs, and is the leader of Du Fu's Seven Laws.

Bai seems to have never written about Wang.