Pastoral poetry is quiet and beautiful, Li Bai's poems are unrestrained and elegant, Du Pu's poems are depressed and frustrated, and Bai Juyi's poems are
Li Shangyin's poems are popular and simple, exquisite and beautiful, which is related to the poet's character, temperament, experience and cultivation.
portrait
The establishment of the Tang Dynasty ushered in the first stage of poetry development, and most of the poems in the early Tang Dynasty contained the floating of the Southern Dynasty.
Brilliant writing, narrow subject matter, lack of true feelings. During the period of Wu Zetian, Wang Bo and Yang Jiong, known as the "Four Masters",
Lu and Luo, they expanded the scope of expression of poetry before adjusting their tone, meteorology and temperament.
Some Tang poems with strong personality were formally formed.
Poets in the prosperous Tang Dynasty are proud of the national soybean oil, and most of them are keen on fame and fortune.
Ambition and ambition make their poems not only full of character, but also more expensive than Jian 'an poets.
The timbre is clear, the emotion is vigorous and magnificent.
There are many schools of poets in the prosperous Tang Dynasty, among which the frontier poets represented by Gao Shi and Wang Changling are the epitome of romanticism.
An important school of righteousness, represented by Meng Haoran and Wang Wei, describes mountains and rivers.
Natural pastoral leisure life enriches the content of the landscape. The prosperous Tang Dynasty is the peak of poetry development.
The special environment in the heyday made Li Bai's poems and songs rich in content, imagination and lofty sentiments.
Yang fully demonstrated the self-confidence and ambition of the scholars in the prosperous Tang Dynasty, and was full of romantic ideals.
After the Anshi Rebellion, the style of poetry is characterized by depression, concise language, rigorous narrative and true reflection of the Tang Dynasty.
The dynasty turned from prosperity to decline. During the decline of the Tang Dynasty in the late Tang Dynasty, a large number of epic poets appeared in this last era. they are
It reflects the dim afterglow of the sunset, exudes the sadness of the declining world, and there is deep sadness in the poem.
The promotion of poetry by poems and songs in Tang Dynasty
Release date: April 4, 2004 12: 15: 16 Source: your blog (yourblog.org).
The improvement of poetic style The Tang Dynasty was the heyday of China feudal society, and its politics, economy, culture, education and many other factors gave birth to Tang literature. Tang poetry also represents the highest achievement of China's classical poetry, and its distinctive and unique style marks the maturity of poetry creation. Poets with different creative styles have formed many styles and schools, forming a situation in which a hundred flowers blossom, which has a positive role in promoting the development of poetry in the Tang Dynasty and later generations. The style of Tang poetry is distinctive and unique. "Li Han's forests are elegant, Du Gongbu's gloomy, Meng Xiangyang's elegant, Wang Youcheng's delicate, Chu Guangxi's decline is real, Wang Changling's chic, comfortable and tragic, and Li Yu and Chang Jian's extraordinary." It is enough to explain the diversity of poetry styles in the Tang Dynasty and the distinctive characteristics of different schools. There are many reasons for the style of Tang poetry: different poets have different personalities and temperament. They are either as lofty and arrogant as Li Bai, or they are concerned about the country and the people, or they are bohemian in their early years. Their differences in personality and temperament determine the style of their works. The great changes in Tang society from prosperity to decline also determined the poet's personal situation and changeable life experience in this historical period. Zhang Jiuling's transition from an important official to exile, Du Fu's poverty caused by war, Wang Bo's brilliant talents and so on also determine the diversity of his poetry creation style. Poets in the Tang Dynasty lived in the same social background and were influenced by the same social education and culture, so poets with similar styles formed schools. Poetry in the prosperous Tang Dynasty undoubtedly had a great influence on later poetry. As far as Song poetry is concerned, it is difficult to get rid of the deep-rooted influence of Tang poetry style in the early Song Dynasty, and it can only be regarded as a continuation of Tang poetry. Even the formation of many schools in the later period was named after the Tang people. The poems of the four outstanding poets in the early Tang Dynasty gradually began to get rid of the bad habits of rhetoric in the Six Dynasties and develop in a new direction. Their poems are famous for their boldness and profundity, forming their own unique style. Wang Bo's poem "Farewell to Du Shaofu as a Book Biography" depicts the scenery, combining distance and distance, with broad vision, expressing feelings, exquisiteness and profound artistic conception. Lu's poems are beautiful in artistic conception and broad in content, and an ancient meaning of Chang 'an is "simple in rhyme, having the tendency to do whatever he wants, and not sticking to the whole". They have opened up a new direction for the development of poetry and established their own distinctive poetic style. In the early Tang Dynasty, Chen Ziang advocated the style of Han and Wei Dynasties, advocated the popularization of poetry, emphasized the social practical significance of literature, and opposed the tendency of emphasizing form and decadent poetry style since Qi and Liang Dynasties. Although his poetry is slightly lacking in literary talent, it is passionate in meaning and high in style. Chen Ziang's thirty-eight "feelings" are mostly allegorical poems, which express his indignation and frustration that his personal ambition and ideal can't be realized. He not only put forward the slogan of poetry innovation, but also practiced it in his creation. Han Yu once said: "A country is proud of its son and is high." This just points out Chen Ziang's enlightening role in the poetry innovation movement in the Tang Dynasty. The poems of frontier poets represented by Wang Changling, Gao Shi and Cen Can describe the unique environment and climate of frontier fortress in an all-round way, reflecting the poet's comments on what he saw and heard. Wang Changling's "The Embankment" uses refined language to write in my heart forever, a soldier who cares about his side and misses his wife, and gives deep sympathy to the soldiers who are far away from home. The memory of "Flying Generals in Dragon City" just implies the irony of incompetence at that time. The whole poem has profound implications and rich connotations. Ge Yanxing, a seven-character Yuefu written by Gao Shi, summarized the military life of soldiers in the Tang Dynasty at that time. "Half of our soldiers died in the front line, but the other half are still alive, and beautiful girls are still singing and dancing for them in the barracks", which shows the heroic spirit of the vast number of border guards who risked their lives in stark contrast and satirizes the dissolute life of border guards. The whole poem is sometimes heroic and sonorous, and sometimes melancholy and sentimental. The style of writing is heroic, tragic and desolate, which is also the distinctive style of frontier fortress poetry school. They also directly influenced the creation of frontier poems by Li Yi and Lu Lun in the middle Tang Dynasty. Li Yi's frontier poems inherited its tragic and desolate style, and described the desolate scenery of frontier fortress with magnificent style and unique conception, which was really touching and broad in artistic conception. Frontier poems, with their unique meanings and unique customs, left a brilliant stroke in the history of classical poetry. Meng Haoran and Wang Wei's pastoral poems mostly describe the seclusion of nature, with fresh and quiet style, beautiful and lively language and no carvings. Meng Haoran's well-known "Passing through the Old Village" is full of beautiful atmosphere and deep affection through simple character description, fresh scenery and noble and interesting. Wang Wei is good at music and painting, and poetry and painting are integrated. "There is a picture in the poem and a poem in the picture" realizes the perfect combination of poetry and painting. Compared with the later Wei and Liu Changqing's pastoral poems, they are in the same strain, elegant and free-spirited, with distinct charm. In Song Dynasty, Mei was also influenced by Wang Wei. He admired Wang Wei and advocated that poetry should get rid of frivolous habits and writing should be indifferent. Li Bai is a great romantic poet in China. His personality is heroic, he despises powerful people, his poetic style is unrestrained, elegant and unconventional, his imagination is rich and strange, his language is colorful and fresh and natural. The combination of romanticism and realism in his poems has a positive role in promoting the development of later poems. In "Lotus Mountain in Xiyue", one of the fifty-nine articles in "Ancient Style", not only a picture of a jade girl ascending to heaven is elegantly depicted, but also Wei Shuqing's experience is used to coincide with her own experience, which greatly aggravates the poet's indignation at the rebel crimes and is a model of combining romanticism with realism. The works of bold poets represented by Su Shi in Song Dynasty are bold and bold, full of thoughts, and traces of Li Bai's poems can be found. Li Bai is a great romantic poet in China after Qu Yuan, and the romantic style of his poems has a far-reaching influence on China historians. Du Fu is a great realistic poet in China. In the art of poetry, he absorbed and summarized the achievements of predecessors, integrated the strengths of others, and had a unique melancholy and depressed style. Many poets after the middle Tang Dynasty were influenced by him. Not only the influence on the Tang Dynasty, but also the "Three Ancestors in One Case" of Jiangxi Poetry School in Song Dynasty all took Du Fu as their "ancestor", and Huang Tingjian, Chen Shidao, Wang Anshi and Lu You all imitated Du Fu in their poems. Wang Yucheng's poems are contrary to the flashy writing style of the Five Dynasties and the poetic and simple style of Du Fu. Bai Juyi and Yuan Zhen's poetic language narration is easy to understand, which is their outstanding style, so their poems are also called "Yuanhe Style". Yuan Zhen's poems are sometimes inevitably withdrawn, while Bai Juyi is good at narration and deeply reflects reality. Wang Yucheng, a "Xiangshan Style" writer in the early Northern Song Dynasty, borrowed from Bai Juyi's simple and natural poetic style and directly inherited it. "Chengzhai Style", represented by Yang Wanli, is a writer who blurts out poems, with easy-to-understand language and fresh and natural style. Obviously, it was also influenced by Yuan Zhen and Bai Juyi. Magnificent momentum, vigorous brushwork, and strive for novelty. At that time, it was unique and started the style of "writing as poetry", which had a great influence on poetry in Song Dynasty. Ouyang Xiu took Han Yu as his ancestor, and his articles became famous all over the world. His poems are as simple and elegant as his prose. Later poets such as Wang Yucheng were influenced by Han Yu to varying degrees. Liu Zongyuan and Liu Yuxi also formed their own school. Liu Zongyuan's poem "Hair in the Plain, Feeling Indifferent" is quiet and elegant, with its own style, which is similar to that of Tao Yuanming, and is also called "Liu Wei" with Wei. Liu Yuxi's poems are calm, vigorous and natural in style. Li Shangyin's poems mostly express his feelings about the times and personal frustration, but also include love poems, poems about things, political poems and poems about history. He borrowed extensively from his predecessors in art and formed his own unique style. Poetry is ingenious in conception, rich in imagination, beautiful in language, harmonious in rhyme and rhyme, and pays attention to the use of words in allusion. In particular, he does not directly describe and express real life in the style of classical poetry, but metaphorically mentions and alludes to reality through lonely allusions. For example, his poem "Jia Sheng", entitled "Singing the Story of Jia Yi in the Western Han Dynasty", allegorized that the rulers could not really attach importance to talents, which was meaningful. The poem "Anding Tower" uses allusions in many places, which is open-minded, with many allusions but not chaotic, and is used properly. However, some of Li Shangyin's poems are too many allusions and too secretive to understand their true meaning. For example, the content of the poem "Jinse" is still ambiguous and inconclusive. Poetry in the late Tang and Five Dynasties was deeply influenced by Li Shangyin. Poetry emphasizes form over content, unilaterally pursues flowery rhetoric, heaps up allusions and lacks practical significance. Poets such as Yang Yi and Liu Yun of Kunxi School in Song Dynasty, that is, Li Shangyin, deliberately imitated, used flowery words, piled up allusions, and the content was empty, which was seriously divorced from social reality. Wen's poems are good at coining words, with gorgeous rhetoric and unique style. Wei Zhuang's poems are characterized by bright words, simple farming and beautiful style, and are also called "Wen and Wei". Their poetic style has a great influence on later generations. In a word, the schools of Tang poetry competed with each other, and a hundred flowers blossomed, and classical poetry reached its peak. The poetic style of the Tang Dynasty had a far-reaching and positive impact on the development of poetry in the Tang Dynasty and later generations. Until today, we have drawn inexhaustible nutrition from this great culture. The style of Tang poetry has indescribable power and eternal artistic charm, and some poems are still recited by women, children, old and young. If it is an indispensable part of China culture, it is the pride of the Chinese nation!