The poems about Yangzhou in July are as follows:
Li Bai's poems about Yangzhou include "Climbing Yangzhou West Spirit Pagoda in Autumn" and "Sending Meng Haoran to Guangling at Yellow Crane Tower".
The original text and appreciation of "Climbing Yangzhou Xiling Pagoda in Autumn":
The pagoda towers over the sky, and you can climb up to see the four wilderness. The highest vitality combines, marking the long sea and clouds. Everything is divided into the sky, and three days are connected to the painted beams. The water shakes the golden shadow, and the sun moves the fire pearl. Birds are flying across the Qiong curtain, and the clouds are embroidered in the sky. The eyes are cut off along the way, and the heart is sailing away. Catalpa trees are white when exposed to dew, and oranges and pomelo are yellow due to frost. If the jade hair is visible, it will be illuminated here.
The artistic style of this poem is bright, and the description is accurate and comprehensive. The sentence "The water shakes the golden shadow" can be compared with the steamy clouds in Mengze, and the waves shake Yueyang City. The conclusion is very Zen.
Original text and appreciation of "Yellow Crane Tower Farewell to Meng Haoran in Guangling":
My old friend bid farewell to Yellow Crane Tower in the west, and fireworks descended from Yangzhou in March. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky.
This poem expresses a poetic farewell. The reason why this is so is because this is the farewell of two elegant poets, and because this parting is related to a prosperous era, prosperous season, and prosperous area, and the happy breakup also carries the poet Li Bai's feelings. Yearning, which makes this parting extremely poetic.
Li Bai's introduction, works and style:
Li Bai's introduction:
Li Bai (701-762), also known as Taibai, Qinglian Jushi, also known as Qinglian Jushi "Exiled the Immortal". He was a great romantic poet in the Tang Dynasty and was hailed as the "Immortal of Poetry" by later generations. Together with Du Fu, they are called "Li Du". In order to distinguish them from the other two poets Li Shangyin and Du Mu, who are called "Little Li Du", Du Fu and Li Bai are also collectively called "Big Li Du". He is cheerful and generous, loves drinking, writing poetry, and making friends.
Representative works:
"Wang Lushan Waterfall", "About to Enter the Wine", "The Road to Shu is Difficult", "Sleepwalking Tianmu Yin Farewell", "Farewell to Meng Haoran from the Yellow Crane Tower" Guangling", "Autumn Wind Ci", "Knotting Socks", "Bodhisattva Man", "Recalling Qin E".
Li Bai's style:
He is bold and unrestrained, fresh and elegant, with wonderful artistic conception, wonderful language, romanticism and clear intention. Li Bai lived in the prosperous Tang Dynasty. He had a heroic character and loved the mountains and rivers of his motherland. He traveled all over the north and south and wrote a large number of magnificent poems praising famous mountains and rivers. His poems are bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception, and brisk in language.
Li Bai's poetry not only has the typical romantic spirit, but also has the typical romantic artistic characteristics from image creation, material intake, genre selection and the use of various artistic techniques.