Although the idle rhyme is high and not dazzling, it is the first time to throw apes and birds back.
The setting sun shines on the new red leaves, as if writing a poem on the inkstone.
Lotus poets leave grievances empty, while peony poets only send feelings.
Who is like a genius Li Shanfu? Peony belongs to thinking and thinking.
The source of nobility is thoughtful, and the sky only hangs by the heart.
A shovel of earth on Xinlingjun's tomb will be as tired as a stone.
The origin of voice and smile is unparalleled, and today * * * may have taken the last spring.
When the song doesn't blame you for crying often, you lose your virginity early.
When the tea is boiling in the middle of the night, it is a cold window.
Loneliness can make you old, and you should be calm all your life.
Translation:
Although I am familiar with rhymes, I don't show off my talents. Throw apes and birds occasionally and suddenly go home. The setting sun shines on the new red leaves, as if writing a poem on the inkstone. Lotus poets leave their grievances in vain, while peony poets only send their feelings. Who is like the genius Li Shanfu? Peony is also very thoughtful. The source of xian Hao is thoughtful, and the sun hangs high only according to the heart. The soil on the new tomb is like a gem.
The origin of sound and appearance is absolutely unparalleled, and it is allowed to occupy spring together at present. Don't cry often when singing, harvest the land early and lose yourself early. The teapot of Yuanxiao is open, which is a cold window. It is really sweet to grow old in silence. A natural heart should be flat.
Extended data:
The Aesthetic Thought of Si Kongtu, the Author of Five Occasionally Poems;
Si Kongtu's aesthetic thought contains many levels. In his aesthetic masterpiece "Twenty-four Poems", there are not only explanations of various styles, but also explorations of creative methods, and more fans of the poet's own cultivation. These also have a strong guiding role and reference significance for contemporary aesthetics.
Si Kongtu's "Twenty-four Poems" expounds the twenty-four styles of poetry with twenty-four artistic conceptions, which are undoubtedly fine and exquisite. However, after in-depth thinking, these twenty-four styles also contain Si Kongtu's consistent aesthetic thoughts, such as the pursuit of nature and the weakening of aesthetic interest based on Lao Zi and Zhuang Zi's thoughts;
Si Kongtu's aesthetic theories, such as "the intention is beyond the taste" and "the image is beyond the image", are also vividly reflected in Twenty-four Poems. "Nature" is the highest ideal aesthetic realm of China's ancient literary creation, and its philosophical and aesthetic basis is that Laozi and Zhuangzi advocate letting nature take its course and oppose man-made.
Si Kongtu's artistic style embodies various styles of beauty developed from two basic styles of masculinity and femininity. The Summary of Four Treasures of the Study's General Catalogue says that it "lists all kinds of bodies, but does not focus on one body", and Xu Yinfang also says in the postscript that "its teacher is poetry, with a wide range of portals and eclecticism".
The greatest contribution of Shi Pin to the theory of artistic style is to study the artistic style of literature from the general discussion of literary language style. In the Tang Dynasty, the theory of poetry and prose began to divide, and the style theory in poetry theory gradually turned to the artistic conception style of poetry, which can be clearly seen in Jiao Ran's 19-character style theory, while Shi Pin is a pure poetic artistic conception style theory. This is very different from Liu Xie.
Baidu encyclopedia-sikongtu