Zhang
Yinger calls Hirayama to wake up, and Jiao needs Lang's help. Smoke by the fire. Cui wears beads and drops ropes, and the fragrance is fragrant and jade tassels. Long-term memory of pillow marks will make you intoxicated, and you will get tired of makeup combs when you grow taller. A spring is as thin as ever. Dream of grass, hope to break books.
When Gaicha blooms, it is already the end of spring, so predecessors often regard it as a symbol of the cessation of spring fragrance. And the departure of spring can touch people's sadness and not hate. How can a homesick woman in the boudoir not feel sad when she catches a glimpse of blossoming tea? This sentence immediately scratched the melancholy resentment of wanting women to hurt people.
The first film is about the laziness of women's thinking. "The warbler woke Hirayama's sleep, and Jiaoduo needed Lang's help." That means Sifu refused to get up even if she was woken up by Yingying. Pingshan, screen; "The warbler is called Hirayama", which means that when Sifu wakes up, it feels like the warbler just cried, as if it came from the landscape embroidered on the screen. The implication is that Sifu hasn't been out for many days and doesn't know the seasonal changes in the outside world at all. She even suddenly heard the sound of singing birds. She wondered if it was an illusion and couldn't help facing the screen. "A good wife needs the help of a good husband", which points out the reason why thoughtful women are lazy. "Need", definitely. A beautiful woman should be accompanied by a lover. The implication is that there is no companion around now, so what fun is there? It can be seen that this word was sung by a woman who sleeps and lives alone. "Detong account fumigation furnace. Cui wears beads and drops ropes, and the fragrance is full of jade tassels. " The meaning of this sentence is that although Sifu has long been indifferent to the seasonal changes of the outside world, and even the stove for burning spices has long been idle, the flower shadow and fragrance of tea have penetrated into the boudoir, reminding Sifu that another spring is about to pass. "bucket account", small account; "Tea bucket curtain", a curtain embroidered with camellia: "Pearl falling rope", curtain decoration; "Jade tassel" is an ornament. "The pearl on the green falls off the rope" means that the green flower shadow jumps on the window of the boudoir; "Xiangyu tassel" means that sweet floral fragrance permeates the curtains of boudoir. These words are also based on the luxury of boudoir furnishings, reflecting the emptiness of the woman's heart. Generally speaking, the whole movie means that a comfortable life fails to eliminate women's anxiety, and women's bitterness and hatred fail to stop the flow of time series. Spring has come and gone, but the person in my heart hasn't come back yet. How can the homesick woman in my boudoir feel unbearable in this miserable late spring?
The next one is about thinking about women's grievances. "Pillow marks will be drunk if you remember them for a long time, and you will be tired of makeup when you grow taller." This means that thinking women often drown their sorrows in wine, but they still can't sleep at night, and often dissipate their drunkenness in secret sobs, so that they are too tired to wash and powder at dawn. "Pillow mark", a stain that has been cried on the pillow; "Tired Makeup Comb" is not only because it stays up all night, but also because no one watches it. "A spring, as fine as ever. I dreamed of Cao Fang Road and hoped to break the book of vegetable scales. " These words describe a thoughtful woman who is drunk, too lazy to dress up and full of worries. "A branch of spring is as fine as ever" is a review of the past and full of emotions. "A spring", a spring flower, the ancient poem "There is nothing in the south of the Yangtze River, talk about sending a spring", originally referring to plum blossoms, here referring to tea scraps; "Thin", petals fall. "I want to be the same as before", recalling the charming and colorful appearance of my bud generate. Judging from the withering of branches, the concern for spring is actually a metaphor for people with flowers, chasing the sweetness of meeting the right people at the beginning. Then, spring passed quickly, and the old party was in my dream. How can you stay alone in the boudoir now without feeling sad? "Dreaming of a Grass Road" directly tells the sadness and sorrow of a woman who is buried deep in her heart, which means that her lover doesn't know where she is now and her soul has nowhere to pursue in her dream. The ancients often used grass to express their feelings for their loved ones. Lu Ji's "There are strange trees in the court" says that "the grass grows and the warbler flies, but the beauty has not returned." Wu Yun's "Six Poems of Ma Xiaoxi's Ancient Meaning" says: "Jun should not return, and the vegetation is empty." Niu Xiji's "Life Test" said: "I remember the blue silk skirt and pity the grass everywhere." This sentence not only sighs that the grass grows and the warblers fly, but also sighs that the world is endless and the wanderers are hard to find. Savor it carefully, and there is persistence and expectation that you are looking for hard. The book of looking at the balance is eager to get news from relatives. "Li Su Shu", that is, letters, is a classic of the ancient Yuefu "Great Wall Cave Drinking Horses": "Guests come from afar and leave me a pair of carp. Tell the children to cook carp, there are books in it. " The continuous reading of Lemony and Looking at the Broken not only exaggerates the infatuation with Sifu, but also describes Sifu's tragic fate. In fact, there is no news of the lover's departure, and the old four is in a vacuum.
In short, the first film focuses on Sifu's feelings about the outside world, and the second film focuses on Sifu's inner activities, which not only vividly and delicately depicts Sifu's sadness of hurting the spring, but also reveals the persistent sadness that Sifu can't bear to be alone. The arrangement of the situation is incisive and vivid, and the feelings are deeply rendered, which shows the extremely profound craftsman spirit. It is indeed a masterpiece of flower-chanting metaphor.