Li Qingzhao wrote many words about wine, drunkenness and bottles (wine glasses) in her poems.
These wine images in Ci can reflect the ideological content and emotional connotation of Ci. In The Order of a Dream, she recorded an unforgettable travel experience: "I often think of the sunset in Xiting, and I don't know where to go. Always had a good time, but lost to the swimming pool deep in Zhu Feng. Fight for the ferry, fight for the ferry, and open a beach of gulls and herons. " The wine here can reflect the author's happy mood at that time, such as traveling together, getting drunk and rowing in the pond. The image of wine here can be said to be entertaining people with wine.
Of course, our common wine images are generally expressing sadness, just as "Recalling the flute on the Phoenix Tower" said: "The fragrance is cold and golden, and the hair is sloppy when it turns red. Ren Bao is full of dust, curtain hook. I am afraid that I will leave my arms, but I don't want to say anything. New arrivals are thin, not dry wine, not sad autumn. Hugh. If you go back, you can't stay after going to Yangguan for thousands of times. Read Wu Lingren, smoke locks Qin Lou. Only the running water in front of the building should remember me and stare at me all day. Looking at it, I have added new worries since then. " Where is the author's wet wine? This is not a sad autumn. Obviously, wine fragrance worries, drunkenness worries about autumn, all of which are superficial images. Through these images, we can understand how melancholy the author is at the moment.
In Slow Sound, "It's the hardest to stop breathing when it's warm and cold at first. Three glasses of light wine, how can you beat him? It is very urgent to come late. " Is the wine really weak? After analysis, we found that in the special period of the country's collapse and her husband's death, in the cold climate, I tried to dispel the infinite sadness in my heart through wine, but I couldn't dispel the heavy sadness in her heart at all.
Wine, travel and sadness are the favorite things of China literati. Many ancient poets and poets used wine in their poetry creation. There are similarities and differences.
There are also entertaining drinks, such as "Laugh a few times in your life, and you must quit when you meet in a beer fight" (Cen Can Liangzhou Pavilion Judge's Night Collection), where old friends get together, have a good drink and get drunk, expressing the joy of friends gathering and drinking, and expressing the author's heroic, optimistic and high-spirited spirit.
There is wine, ambition and boldness, such as "Hull can make wine." In "Into the Wine" (Li Bai's "Into the Wine"), the author expressed his worries about being frustrated in life and aiming high, but there was no sign of atrophy or depression.
There is a kind of wine that is helpless to reality and life, such as "why not get drunk for you?" I'm afraid my heart will break when I'm awake "(Qin Guan's Bai Weiling Beauty Peach Blossoms), which describes a beautiful woman standing in front of a flower and secretly lamenting that spring is leaving: she pities the loneliness of the flower, so she wants to get drunk and get drunk for it to dispel her helplessness. "If you don't get drunk, everyone will get drunk", and the analysis of the reasons for drunkenness is the emotion of poetry.
2. Other images in Li Qingzhao's ci: curtains, lonely geese and west wind.
In China's ancient poems, most men write boudoir poems under the guise of their daughters, which is just a kind of pseudo-niang moaning and does not allow women to reveal their true feelings. Since the appearance of Li Qingzhao, the mood of ci has changed a lot. As a woman, she shows the charm and personality of boudoir language more deeply, meticulously, aptly and truly.
In Li Qingzhao's ci, the curtain is the dividing point between the boudoir and the outside world, outside the curtain is the place of world disputes, and inside the curtain is the place where women's inner monologues naturally stretch, so the change of curtain image is closely related to the change of her life. From girlhood to young woman's age, the curtains in these two times were mostly "curtains", "rolling curtains" and "sparse curtains", because poets lived a happy life during this period, although occasionally.
After her husband's death, the Northern Song Dynasty fell, and she went south alone. There was no intention of "rolling the curtain" in Li Qingzhao's ci, but "hanging the curtain" and "heavy curtain" instead. In her early work "Feeling the Beauty of the Flowers in the Rear Pavilion", she wrote: "The jade is thin and fragrant, the tan is deep and the snow is scattered, and I hate visiting Mei this evening. Jiang Lou Chu Guan, the cloud is far away. On a sunny day forever, leaning against the fence, the green curtain hangs low. Sitting in front of the statue, the wine is full and the song is broken. Southern branches can be inserted, but they need to be cut frequently. Don't wait for the west building, get some strong pipes. " The words "green curtain and low volume" and "green" and "volume" show that her life is beautiful and happy, and the poet has feelings in his heart.
By the time of Nan Gezi in the later period, the image connotation of the curtain was very different: "The milky way in the sky turned and the curtain hung on the ground. Liangsheng's pillow was covered with tears. He took off his clothes and asked about that night. The emerald lotus is small, and the golden lotus root leaves are thin. Old weather and old clothes, only feel different, hometown! " The curtain hangs down and it covers the whole world. Bleak night, a person lying in bed, how lonely and desolate. As can be seen from this curtain image, the same image can also represent different connotations in different periods.
"Huaqing Pool" written by the poet Wu Rong "The snow in the suburbs is dark and the palace is spinning dry. The tree is covered with blue curtains, and no one knows that it is cold outside. " He also uses curtains to write about women's lives, but his curtains are used to write about the contrast between the lives of maids and the outside world. People outside are not only cold-hearted, but also colder, more helpless and painful than the life of maids.
There are only seven places where geese appear in Li Qingzhao's ci. However, most of the words "wild goose" are Li Qingzhao's classic works. "A Cut of Plum" and "Red Lotus Root and Fragrant Jade". Gently untie Luo Shang and go to Lan alone. Who sent the brocade book? The word goose returns, and the moon is full of the west building. Flowers bloom and fall, and flowing water gurgles. One kind of lovesickness, two places of leisure. There is no way to get rid of this situation. You can only frown and take it to heart. As a sentimental and delicate intellectual woman, husband and wife are separated, so "geese" naturally pour into their works, conveying hope and thoughts in this place, which is a faint separation. Although there is a sad mood of not seeing each other, there is still a sweet watch.
It can be seen that in ancient poems, the intention of geese generally represents the characteristics of loneliness, homesickness, homesickness and tidings. We can also read in Li Qingzhao's "Slow Whispering": "The geese are sad, but the old friends know each other." It's hard to feel homesick and lonely, but when the scenery is bleak at dusk, geese just fly over the sky, and when they are sad, they feel deja vu. At this time, the lonely goose is far from a young woman who lives in a deep courtyard and misses her husband, nor is she an old woman who is depressed but unable to resolve it. Visible image and the poet's heart have different functions. When we understand the image of geese, it is easier for us to understand the poems about the image of geese.
Let's take a look at Li Jie's "Farewell to Weiwan", "Farewell to the wanderer, crossing the river at the beginning of frost last night. The cry of wild geese makes my sad heart sad and is surrounded by gloomy mountains. " Wild geese are also used here, but they are ambitious and free to come and go. Unlike the lonely goose written by Li Qingzhao, it is acacia, a wild goose that has left. They can only keep their eyes open and focus on nothingness.
There are many images of nature and climate change in Li Qingzhao's ci, and each word explains the environmental background at that time. We can understand the author's views and attitudes at that time through these climate images.
Generally speaking, the emotional color revealed by the images in the author's works is produced with the author's inner feelings. For example, in "Drunk Flowers", it is written that "people are thinner than yellow flowers." The west wind here is the representative of loneliness, melancholy and decline, and it can also be seen how sad the author was at that time. There are many climate images, such as light rain is spring scenery, hope, vitality, vitality and subtle enlightenment; First frost means that life is easy to get old, the social environment is bad, evil forces are rampant, and life is bumpy and frustrated. Natural climate images seem to describe the external environment, and it is not difficult to find the inner feelings contained in them after careful analysis.
By analyzing the images in Li Qingzhao's poems and comparing them with those in other poems, we can have a basic understanding of the connotations of some poetic images. Only by understanding the inseparable relationship between image and emotion can we learn and understand the whole poem more easily. Combined with the theme of the poem, this paper analyzes why the poet wrote this image to express his feelings, so as to grasp the whole poem and describe the function or effect of the image.
When appreciating literary works, grasping the meaning of external images is the key to success. When expressing thoughts and feelings, ancient poems often use concrete and vivid images to project complex and profound inner feelings onto objective images, so that the author's thoughts and feelings-"meaning" and objective images, images-"images" blend, fit and penetrate each other, and achieve a harmonious unity. Image is the key link that runs through the author's emotion. Appreciating the image of poetry is to get rid of the mysterious appearance of the image and see the true emotional communication of the work.
3. The flower images in Li Qingzhao's ci: plum, chrysanthemum, flowers blooming and falling.
Mei Lan, Zhu Ju and Four Gentlemen are also the favorites of China literati, and Li Qingzhao is no exception.
There are many words describing flowers, and there are six in the whole article. Among them, there are three words written directly by Yongmei, namely, Fisherman's Proud Snow, Jade House Spring, Hongmei and Man Ting Fangcanmei. There is a word that says "chrysanthemum" directly, that is, "Dolly reads white chrysanthemum"; There are two words that directly recite "ghost", namely "ghost of ancient days" and "Sammokin to make everything clear". The rest of the words referring to flowers always have 2 1 places, such as: the evening breeze falls in the courtyard and the early plum blossom ("Huanxisha").
Li Qingzhao wrote many Yongmei poems in her life, almost running through the author's new words. Of course, the author wrote many other flower images besides plum blossom, including osmanthus, chrysanthemum, pear flower, begonia and peony. Among them, there are thirteen plums, four lotus flowers, three chrysanthemums, two osmanthus flowers, two begonia flowers and two pear flowers, each with its own characteristics and detached from the secular world. In Li Qingzhao's pen, these flowers are not just simple flowers and plants. Li Qingzhao pinned her feelings on flowers, flowers and colors, making them symbolic.
In Li Qingzhao's ci, plum blossom is a proud, strong and indomitable gentleman. Mei is one of Li Qingzhao's favorite singing objects.
Plum blossoms are the first to bloom in the cold, and then lead to the fragrance of brilliant flowers. Therefore, plum blossom is often a symbol of purity and cleanliness, and does not go along with the world. However, in terms of words, the author's feelings are not consistent.
"Spring knows in the snow, cold plums adorn Qiongzhi, and the fragrant noodles are half-open and charming. On the occasion of the court, the jade man bathed in new makeup. Nature may have done it on purpose, so the moon is taught exquisitely. * * * bounty honor green ant, don't get drunk. This flower is inferior to the flowers in the group. " Jade plum with pure snow, if the jade person adds new makeup after bathing, it is graceful, even the creator tends to sprinkle moonlight on it, and the viewer even raises a glass to the plum, exclaiming that "this flower is not comparable to a group of flowers", and the beauty of plum blossoms turns from dynamic to static, vividly on the paper, which makes people feel that plum blossoms are not plum blossoms, but the embodiment of the author, and the phrase "not comparable to a group of flowers" is exhaled in high spirits.
There are some other flower images. "Dongli put wine after dusk, and there is fragrance in the sleeve. Mo Tao is immortal, the curtain rolls west wind, and people are thinner than yellow flowers. " On the Double Ninth Festival, the family should be reunited, but her husband is not around. The author can only keep the room alone and raise glasses frequently in the evening to pay tribute to the withered chrysanthemums, so as to eliminate the pain of missing her husband and the worry of separation. Unexpectedly, the biting west wind curtain will add a bleak and melancholy, making people thinner than chrysanthemums. At this time, chrysanthemum is a symbol of firmness, firmness, purity and exquisiteness.
In Li Qingzhao's ci, flowers are often used as images. Flowers bloom on behalf of the hope, youth and brilliance of life, while falling flowers represent the withering, frustration and frustration in life and career. Cherish spring, miss and yearn for beautiful things. By studying and summarizing the representative meaning of flower image, students can understand the emotional tone of poetry more quickly in poetry learning.
Take Mei as an example. In "Early Plum" written by Zhang Qian, a poet in the Tang Dynasty, "I wonder if the water will rise soon, but it will not disappear after the winter snow." Word by word, the plum blossom, which started from the jade without snow and near the water, wrote the shape and spirit of the early plum blossom and also wrote the cognitive process of the poet's search and exploration.
In Xue Mei by Lu Meipo, a poet in the Song Dynasty, "The snow in Mei Xu Xun is white, but the snow has lost a piece of plum fragrance." A word is full of rational interest. Lin Bu, a poet in the Song Dynasty, wrote in Plum Blossom that "the shadows are shallow and the dusk is fragrant." In a word, it captures the characteristics of thin shadows and quiet fragrance of plum branches, and then shows a very beautiful realm, with shallow water and hazy moonlight.
In the Song Dynasty poet Liu Kezhuang's "Falling Plums", "It seems to move a guest over the ridge, and it seems that a poet goes to Hunan." Sentence by sentence vividly depicts the sad scene of fallen plums, which are scattered with the wind. The exile of "wanderer" and "poet" is used to compare "fallen plums", and the noble character of plum blossoms is used to praise "wanderer" and "poet". For chrysanthemum, some people praise its strong character, while others appreciate its noble temperament, which has always been favored by literati. Tao Yuanming loved chrysanthemums most in the Eastern Jin Dynasty, and chrysanthemums were planted everywhere in his home. "Picking chrysanthemums under the east fence, leisurely seeing Nanshan" ("Drinking") is a beautiful sentence that has been told through the ages. The poet integrates emotion, scenery and reason.