Xu's Tracing back to the National Tradition of Guo Moruo's Early Poetry [1] holds that China's ancient literary theory, especially Zhuangzi Thought and Si Kongtu's and Yuan Mei's poetics, has an important influence on Guo Moruo's poetics and early poetry creation. And obviously influenced by outstanding poets in ancient China, including Li Bai, Su Shi, Tao Yuanming, Wang Wei, Meng Haoran and Liu Zongyuan. Others believe that Guo Moruo inherited the artistic tradition of positive romanticism in China's classical poetry, which began with The Songs of the South. Finally, it summarizes four characteristics of Guo Moruo's inheritance of national artistic tradition: boldly using free form, developing Fu Bixing's traditional expression techniques, learning from the excellent tradition of ancient poets in using language, forming his own distinctive and unique language style, inheriting the romantic literary tradition initiated by Zhuangzi and Qu Yuan, and forming Guo Moruo's romantic poetry style and theory. Chang Xu's "He Found Fire Breathing-On Whitman's Influence on Guo Moruo's Poetry Creation" [2] examines Whitman's most important influence on Guo Moruo's creation from the perspective of creation theory, which enables him to find the "fire breathing" of the volcano-new passion and new expression. This paper summarizes several aspects of Guo Moruo's acceptance of Whitman's influence: first, a good poet's self-feeling, second, a strong desire for self-expression, and third, a free and bold poetic form.
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