His farewell poems are well-known, praised by poets of past dynasties, and have high ideological and artistic value. Looking at Li Bai's farewell poems, it is a good example of the combination of positive romanticism and realism. In many of Li Bai's outstanding farewell poems, the author expresses his strong criticism of reality and puts forward his own ideal life according to his deep feelings about real life, so his farewell poems are realistic and romantic. Just like Du Fu's "Remembering Li Bai in Spring": "White is also invincible in poetry, and it is not a group." How incisive the evaluation of Li Bai's farewell poems is! White poetry is invincible, that is, it has a unique personality. Let's talk about it without hesitation.
1. "Hao" has the characteristics of "sadness"
Li Bai's farewell poems see the essence of "sadness" through the surface of "Hao", and his farewell poet is magnificent, which expresses extremely deep sadness. Such as Farewell, a farewell to meng haoran on his way to yangzhou in the Yellow Crane Tower, Shu Yun in the farewell school of Xie Tiao Tower in Xuanzhou, etc., all of them express their sadness in bold words, and the sadness is so extreme that they are expressed in bold words, which is the general characteristic of Li Bai's farewell poems.
"Hao" and "sadness" in Li Bai's works are actually a reflection of the poet's ideological contradiction. Simply speaking, this contradiction lies in his pessimistic view of reality, but his ideal of life is positive, because he is unwilling to go along with the ruling class and be immune to it. Because he never compromised on either side, he was in a difficult position of "the fairy palace is at a loss" all his life, which is precisely the important reason why he became a poet.
It is the waves aroused by this unavoidable contradiction that make his farewell poems present unique features. "I feel extremely sad and speak out in bold words." Or, as Gao Bu-ying said, "The painful words come out quickly with Jun." "Sadness" and "sadness" depend on the poet's sober understanding of reality, and his success in expressing it with "bold words" and "handsome words" depends on his positive attitude towards life because he is unwilling to yield to reality. In a word, the ideological style of Li Bai's farewell poems is complicated, and we must see both contradictory aspects at the same time, so that we can correctly understand Li Bai and deeply understand the profundity and artistic charm of Li Bai's farewell poems.
Second, imaginative and romantic
Li Bai's farewell poems are written in a romantic way, which is also full of romantic imagination, and this artistic technique is completely based on realism and truth, so that he can express his true feelings. His farewell poems are also "full of whimsy", and he dares to break through all constraints, boldly write what he wants to say and break through the waves. In real life, Li Bai has a strong demand for achievement, but in the dark political situation, his wish can not be realized, so he has to turn to the spiritual sustenance, so many romantic poems are produced under such circumstances. For example, the farewell poem "Uncle Yun of Xie Tiao Building, Xuanzhou" illustrates this problem. In this poem, the author has rich imagination, and uses "but since water still flows, though we cut it with our swords" to illustrate the inability to get rid of sadness. The author thinks of autumn geese, Jian 'an period, and the moon. Therefore, the mind is active and gallops in a vast time space. What is the reason why the poet is full of sorrow and wants to dispel it? It's obviously because of since the world can in no way answer our craving. It can be seen that the reason why he wants to be "I will loosen my hair tomorrow and take to a fishingboat" is really a kind of self-dismissal when his enthusiasm for his career is frustrated and his inner contradictions are fierce.
to sum up, it can be seen that the romantic spirit of Li Bai's farewell poems is the tortuous reflection of his historical era. His strong enthusiasm for career reflects the situation of a powerful country at that time. The romantic temperament shown in all aspects of his wild life reflects his strong critical attitude towards the reality he is dissatisfied with and his attempt to get rid of the mental shackles and get liberated. It also reflects the corrupt imperial political situation that formed various social contradictions at that time and led to major historical chaos. Therefore, the romantic spirit of Li Bai's farewell poems is determined by a specific historical era. This spirit reflects Li Bai's positive attitude and abundant enthusiasm for reality. The artistic features of his farewell poems are closely related to his spirit.
Third, songs are often used. Writing farewell poems in the form of ten days
Li Baishan does not want to be restricted by strict rules, especially his farewell poems absorb the fresh, lively and natural characteristics of folk songs, which has played a considerable role in his romantic creation method. Most of Li Bai's farewell poems have a flesh-and-blood relationship with folk songs, and his representative works include Farewell, tianmu Mountain Ascended in a Dream and Yizhou Xie Tiao Lou. Du Fu once commented on Li Bai that "the pen falls in shock and thunder, and the poem makes the gods cry". Li Bai is indeed well-deserved. The reason why the songs in Li Bai's farewell poems shine brilliantly is that the successful application of the technique of "Bi Xing" has made the songs have unprecedented and profound ideological content. Every capital contains allegories about real life. Every capital "works for the time and does things for the sake of the times" < P > He also takes unrestrained passion and fantasy from Chu Ci, and also takes wonderful and brilliant words, which makes the songs appear unprecedented. Every capital is shining with the light of whimsy, and every capital is spraying the flame of life.
In his farewell poems, he also took free and liberated ideas and various knowledge from hundred schools of thought, which broke all stereotypes and opened up a broad sky for singing. Such as Farewell Poem Farewell, myths and legends flashing magical colors, fables full of philosophical meaning and insightful comments, he took them and put them into farewell poems written in the form of songs, and absorbed the essence and discarded the dross, so that the farewell poems from Yuefu songs in Han and Wei Dynasties added touching color and musicality on the basis of keeping vigorous and fresh. So it is more expressive and attractive. At this time, the singing line is simply vast in scale, and it can be lyrical, narrative, scenery writing and chanting. You can make comments, and you often express and write, talk and discuss, and freely gallop. Although the source of Li Bai's farewell poems can be found in The Book of Songs, Songs of the South and Yuefu in the Han and Wei Dynasties, it is a brand-new re-creation of Li Bai's poetic style, creating a series of poems that frighten the wind and rain and make the ghosts cry, forming his unique romantic style of farewell poems.
Li Bai is also the master of quatrains, and he is an incomparable poet except Wang Wei. The farewell poems written by him with quatrains are profound and profound, which makes people have an endless aftertaste. They are really full of words and endless meanings, such as "The Yellow Crane Tower sends a bowl to the majestic Guangling".
The farewell poems in Li Bai's quatrains reflect his love for life and his common character close to the lower classes of society. Treat them sincerely and with simple feelings. The poet's friends treat each other with sincerity, and the childlike heart revealed in his farewell poems has a bold and unrestrained style that drives nature and surprises people.
Fourth, the language is subtle, elegant, fresh and powerful.
Li Bai's farewell poems are summed up in his poems as "clear water produces hibiscus, and it is natural to carve it." The language of Li Bai's farewell poems can achieve such an ideal and simple natural realm, which is inseparable from his serious study of Yuefu folk songs in the Han, Wei and Six Dynasties. His farewell poems are subtle, elegant, fresh and powerful. Because of the poet's strong feelings about real life, the artistic image that reflects his strong feelings is often exaggerated and imaginative to a great extent. His great success in applying this language style to farewell poems is due to his profound understanding of real life and his strong love and hate. A person who doesn't know life clearly and doesn't know his love and hate clearly, his language can never be clear and powerful, particularly touching, provocative and poetic, and win the love of readers.
due to Li Bai's unique life experience and ideological character, his poems are bold and imaginative, and his farewell poems, especially his language, show a completely different style from other writers.
Looking at Li Bai's farewell poems, we can see that he inherited the achievements of the previous generation's romantic creation. With his "oh, how can I gravely bow and scrape to men of high rank and men of high office" thought and bold style, he reflected the optimistic creative spirit in the prosperous Tang Dynasty and the potential power of dissatisfaction with the feudal order, expanded the performance fields of romanticism, enriched the techniques of romanticism, and to some extent reflected the combination of romanticism and realism. These achievements made his farewell poems a new peak of romantic farewell poems after Qu Yuan.
Li Bai inherited Chen Ziang's idea of poetry innovation for farewell poems in Tang Dynasty. In the first poem of "Antique", he reviewed the whole history of poetry development and pointed out that "since Jian 'an, beauty has been scarce". And with the spirit of pride, he affirmed the correct way of Tang poetry to pull back the decadent style and restore the elegant tradition. In the thirty-fifth song of "Ancient Style", he criticized the remaining formalism that emphasized analog carving and ignored ideological content. In his creative practice, he is similar to Chen Ziang, writing more ancient poems and less regular poems. However, his achievements in learning Yuefu folk songs and vigorously developing seven-character poems far exceed those of Chen Ziang, and his efforts have played a great role in the completion of the innovative task of farewell poems.
Li Bai's poems and songs not only had a great influence at that time, but also had a far-reaching influence on later literature, so that they were praised as "poetic immortals" by later generations and became a model for learning. Li Bai's farewell poems are loved by the people because of their unique creative characteristics. His poems show distinctive personality, bold spirit, simple form, romantic style, rich imagination, distinctive artistic features and profound implications, which are recited, imitated and praised by future generations of readers and poets.