A school of poetry that rose in the late 1970s and early 1980s, represented by Shu Ting, Bei Dao, Gu Cheng, Liang, Shi Zhecun and Munk.
In poetry, they think about human nature with realistic consciousness, affirm people's self-worth and dignity, pay attention to the expression of the inner feelings of the creative subject, and use metaphor, suggestion and synaesthesia in art to enrich the connotation of poetry and enhance the imagination space of poetry.
Artistic features:
1, paying attention to the concept omission and theme suggestion of poetry, makes the theme of misty poetry works vague and ambiguous. The hazy poet adopts this kind of looming expression, and the artistic means such as symbol, image, synaesthesia, suggestion, metaphor and deformation are used, which makes the theme of his works reflect the ambiguity of "inseparable and elusive" and the ambiguity of "poetry is meaningless"
2. Pay attention to the artistic creation method centered on symbolism, rather than the traditional poetry creation method centered on metaphor. In meditation, the poet dismantled the observed object, delivered his life to the inanimate creature, endowed him with a still life and soul, and entered the realm of the same thing from two things.
Applying this "empathy theory" to literary and artistic creation has produced symbolic techniques. Symbolizing attachment, pinning the wandering imagination of hazy poets, has irreplaceable meaning, and is often used to express multi-level themes, complex feelings and abstract consciousness and feelings.
3. Pay attention to the three-dimensional combination of image and image, and often adopt artistic synaesthesia (empathy) and artistic deformation.
4. Pay attention to the emotional rhythm of jumping and the internal structure and rhythm of liberalization, with the purpose of expressing emotions and venting the mind, thus ignoring the external structure.
It is not limited to the external sound cycle as the rhythmic beauty of poetry, but attaches importance to the internal sound beauty and other internal rhythmic beauty in poetry lines. Pay special attention to the combination of external rhythm and internal rhythm, so as to make the rhythmic beauty of poetry reach an unprecedented level.