(1) "Life is still the soil of poetry creation! I think this is the only way for poetry to break through. What do you think, my friend? I, a country girl, come from a beautiful and vast field, and my poetic language is full of earthy breath. Perhaps this is the originality and return of poetry? ! Admittedly, my opinions are still immature and need to be enriched in future literary practice. However, my love for life will never change! So I hate my laziness. Poetry serves people. Too hazy is not good, too straightforward has no artistic conception. In short, poetry is now facing extinction and decline. How can we get her into life? We should reflect on it. This is the dialectics of poetry. Especially the creation of ci fu is more difficult than classical poetry.
(2), "Wang Junxin, I have read that poem several times, saying that psychological words are not durable. This morning, Wang Jun left a deep impression on me. Many people are thinking about and practicing how classical poetry exists (I dare not say its development), but it has little effect. Is it that classical poetry has lost its vitality, or is there a shortage of talents involved? Wang Jun's words (some people may think this is just a cliche) make me think that the dilemma of classical poetry may be that modern people blindly seek novelty and novelty, but forget the obvious truth and lose themselves. ("Tea Guest Language").
(3), "From the perspective of development momentum and mass base, classical poetry is obviously not as good as modern poetry. I think this is the inevitable development of history. As the wheels roll forward, new scenery will gradually replace those that have passed away or are about to pass away. However, I think classical poetry, as one of the quintessence of China traditional culture, should not be completely extinct, but its decline is an indisputable fact. As tea drinkers say, modern people pursue novelty and novelty, emancipate their minds and broaden their horizons. Therefore, it is natural to get rid of the shackles and fetters of the past, and so is literary creation. I don't want to stick to form, but classical poetry is a fence built for thousands of years. In fact, it is almost the same as stereotyped writing, which is the reason why she gradually lost her vitality. Nowadays, the vast majority of people who write ancient poems are old people, while young people prefer to write modern poems. These two schools look down on each other. The new one is boring, moaning and old. These two views are biased, but they are a common social (literary) phenomenon. I think both have their own strengths. Classical poetry does have the advantage of beautiful style, but it does have too many restrictions, especially on the level tone. If we can relax a little, it may be more conducive to the development of classical poetry. However, although there are many views on classical poetry, this does not affect my opinion.
(4), "The trend of classical poetry, what Bo Jun said is very reasonable. As a lover, I just feel sad for the shame and lethargy of classical poetry. " . "The complete extinction of classical poetry should not happen. As Brother Chuck said, modern people pursue novelty, seek differences, emancipate their minds and broaden their horizons. I want to get rid of the shackles and fetters of the past, and I don't want to stick to form. However, classical poetry is a fence built for thousands of years, which is actually similar to the eight-part essay in essence, which is why she gradually lost her vitality. -(Excerpt) These incisive arguments are staggering! This is an epiphany. Your point of view is divided into two parts, Marxism. There are both analysis and novelty; There are both reasons and comparisons; Comprehensive, comprehensive and systematic. Then, the beautiful style of classical poetry and her relative stereotype have also experienced thousands of years of discovery, development and play. After all, she used to be the mainstream of literature, and she still has a reasonable "core" that continues to exist (in Wang Zesheng's place). " .
(5), "Emoko's theory is quite accurate, and I will continue to say a few words after it is accurate. I'm afraid of classical poetry, especially metrical poetry. So I dare not write and dare not write. First, I am afraid that the artistic conception will overlap with the ancients or be suspected of plagiarism. My original artistic conception space is extremely narrow, so I never dare to expect anything; Second, I am afraid that my writing is incorrect, irregular and untidy, or that the words will damage the meaning, or that the words will damage the original artistic image of ancient poetry, that is, I dare not write in vain; Third, I'm afraid the standard is wrong. Although 135 is explicit, 246 is the second. Once put together, I'm afraid I'm not used to Minnan spoken language, so I'll have an expert gossip. So I'm afraid to get involved. I wrote it a few years ago. It takes several days to write a song. Show it to the experts in this field. The experts said with a smile that the artistic conception is very good and unique, but there are several points in this level. I'm stupid! It is not the material for writing ancient poems, so we have to turn to new poems and prose. But now the number of people writing new poems is almost the same as the number of people reading new poems, which is equivalent to writing and reading by themselves, but it is just narcissism. So I turned to novels and essays. More people watch this than that! I hope it can be a continuation of what you said above. Do you think so? (cold rain and hot snow) ".
(6) "Jia Xiong is too modest! Your poems are well written. Although my brother doesn't know poetry, it's good to be unknown. The second railway issued it once, but unfortunately I didn't see it, so I reissued it. If you don't mind, I'd like to present a humble memory for your brother's reference in his poems: at that time, the masters of the five Zen schools were about to die, so if you want to find a successor to preside over them, let them express their opinions, explain their understanding of Buddhism and make a decision according to their opinions. Shen Xiu, known as the "seat of honor", said: "As a bodhi tree, your heart is a mirror. Wipe it clean often, and don't get dust. "After seeing it, Wuzu shook his head discontentedly. Just then, Huineng, who cooked with fire and didn't read much, also wrote a poem and presented it to the five ancestors for review. The poem reads: "Bodhi has no trees, and it is not a stage in the mirror. There is nothing in the world. Where can it cause dust? "Five ancestors were overjoyed after seeing it. He chose Huineng as the sixth ancestor of Zen Buddhism, taught him the mantle and successfully presided over it. Later, Shen Xiu went north, set up another temple, spread Buddhism widely, was taken in by Wu Zetian, and was named "the sixth ancestor of Zen". Therefore, there are two Zen founders in the history books, namely Huineng and Shen Xiu. History calls Shen Xiu the sixth ancestor of Northern Sect and Huineng the sixth ancestor of Southern Sect. One is imperial, the other is ancestral, neck and neck. According to Song Dynasty's Legend of Police Lights, the ancestral veins of Zen Buddhism are very complicated. However, they all come from Huineng and Shen Xiu's different views on Buddhism. Shen Xiu thinks that enlightenment needs "gradual enlightenment", while Huineng advocates "epiphany". Today, the Buddhist community is still arguing about "epiphany" and "gradual enlightenment". (cold rain and hot snow) ".
(7) "The significance of the study of Han Fu, the position of law Fu in Tang Dynasty, the value of fugue in Song Dynasty, etc. , are the key areas of contemporary fu scholars' research. China's Ci originated from Chu Ci in the Warring States Period, flourished in Han Dynasty, faded in Wei and Jin Dynasties, declined in Tang and Song Ci, and died out in the New Culture Movement. Because the reform and opening up relaxed the ideological imprisonment, culture was once inversely proportional to the economy. However, with the excessive expansion of the economy and society, the national consciousness and cultural desire have surged, the enthusiasm for traditional culture has increased sharply, the trend of root-seeking culture has risen, the phenomenon of Chinese studies returning to the ancestors has been considered, and the mentality of Ci and Fu has been studied. Therefore, the arrival of the "contemporary Ci-Fu fever" marks the arrival of a new China Ci-Fu movement. In fact, it is the rise of socialist ci-fu literature, the revival of classical ci-fu, and an objective reflection of the trend of China studies in the field of ci-fu. Then, how does the creation of contemporary Ci and Fu compare with the creation of contemporary classical poetry? It is no exaggeration to describe the army of contemporary poetry-there are at least hundreds of omnipotent people among the 65.438+0.3 billion China people, but the opposite is true-there are only dozens of people (both professional and non-professional) engaged in the creation of Ci and Fu in China, which is simply rare; There are even fewer researchers on Ci and Fu. With the process of pinyin of Chinese characters, China's Ci and Fu Society was ignored by the world as a negative number, and China's Ci and Fu writers became extinct. This historic topic has to attract great attention. After all, the glib classical ci-fu is quite different from the habits of contemporary China people. Therefore, it is imperative to study, transform and declare intangible cultural heritage. However, the research results of classical Ci and Fu disprove a scientific proposition: China's Ci and Fu is "absolutely a world-class intangible cultural heritage (scholar Pan)"; "The rise of Luoyang Cifu Summit is the embodiment of the progress of Chinese studies. Tongcheng Fu School, Peng Li Fu School, Parallel Prose Fu School and Rhyme Fu School are the products of network, which is the platform of science and technology. The hard work of the older generation of ci-fu writers is the basis for the modern ci-fu culture to bloom in a narrow space, such as Mr. Yuan's Ten Poems on Huangshan Mountain. In a word, the final development of contemporary ci and fu is not optimistic. (The sun never sets) "