The poem describes the poet's interesting life in the mountains: surrounded by mountains, bamboo and wood are flourishing, birds are flying on the eaves of others, and clouds are floating outside the window. This kind of seclusion exhausted the dust of the world and expressed the poet's comfortable and leisurely mood casually and vividly.
The whole poem is only four short sentences, one sentence and one scene, but each sentence is inseparable from the theme of "in the mountains", which is a common phenomenon in quiet mountains. When the sun sets, you can only see the oblique glow of its veins in the cracks of the bamboo forest, indicating that the bamboo forest is dense and lush, and the first two sentences of the fun in the mountains have been heard. Birds come and go on the eaves, and white clouds pass through the window, all of which show that the poet lives on a high and steep terrain, while in the Maolin bamboo cultivation, birds always live in front of and behind his eaves, which reflects the tranquility and detachment of the mountain residence, away from the hubbub.
Moreover, the poet's joy in living in the mountains has been hinted at in his landscape writing, and his calm and detached state of mind can also be seen here.
Zhuliguan (Wang Wei)
This is a poem describing the hermit's interest in leisure life. Poetry uses words to create language and scenery (secluded, deep forest and bright moon), while writing people (sitting alone, playing the piano and whistling) is extremely unremarkable. However, its beauty lies in its natural and simple style, which depicts the fresh and attractive artistic conception of the secluded forest on a moonlit night, blends the scene into one, contains the special artistic charm of beauty, and has become a masterpiece through the ages. Playing the piano and whistling reflects the silence of the bamboo forest on a moonlit night, and the darkness of the deep forest is reflected by the light and shadow of the bright moon. The surface seems dull and seemingly casual, but in fact it is ingenious.
This poem also shows a state of tranquility. Its natural and simple style beauty and artistic conception beauty complement each other.
As you can imagine, the poet met the quiet nature of the bamboo forest and the quiet nature of the moon itself in a state of calm and clear mind. He wrote a book with a great pen. The formation of poetic artistic conception depends entirely on the consistency between the character's mind and the internal quality of the scenery written, without the help of external hue.
Mount Emei Yuege (Li Bai)
This poem was written by young Li Baichu when he was far away from Sichuan, with clear artistic conception, simple and clean language and fluent rhyme.
Emei Mountain-Pingqiang River-Qingxi-Yuzhou-Three Gorges, the picturesque landscape gradually unfolds a picture of the Shu River for readers. Apart from the "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; Except for the word "four kings", there is no lyric. However, the artistic image of "Emei Mountain Moon" runs through the whole poetic realm and becomes a catalyst for poetic sentiment. It has rich implications: the mountains and the moon accompany Wan Li, which can be seen every night, making the feeling of "missing you" deeper and deeper. The bright moon is approachable and unattainable, which is a symbol of missing friends. Where there is a bright moon singing, where there is a feeling of missing friends in the river, which is intoxicating.
On a spring night, I heard the flute in Los Angeles (Li Bai).
Los Angeles is now Luoyang, Henan. It was a very prosperous city in the Tang Dynasty and was called the East Capital. On a spring night, the lights of thousands of households gradually went out, and the noise of the day had long been calm. Suddenly there was a loud flute, and sad and euphemistic tunes flew over Los Angeles with the spring breeze. At this time, a poet who is far away from home is still asleep. He stood by the window, staring at the bright moon like a "white jade plate" alone, listening to the distant flute, lost in thought. The flute plays a song "Folding Willow", which belongs to the ancient music of Han Yuefu and expresses the pain of parting. In ancient times, when parting, willow branches were often broken off from the roadside to send; Willow, willow is just to express their reluctance. On such a spring night, listening to such a song full of parting feelings, who can not miss homesickness? Therefore, the poet couldn't help singing this four-line poem.
When meeting a messenger who went to the capital (Cen Can)
In the eighth year of Tianbao (749), Cen Can made his first mission to the Western Regions and served as the secretary of the Gao Xianzhi shogunate. He bid farewell to his wife in Chang 'an and strutted on a long journey.
I don't know how many days I walked, but on my way to the western regions, he suddenly met an old acquaintance. I immediately talked about each other and exchanged cold feelings. Knowing that the other party was going back to Beijing to report on his work, I suddenly thought of asking him to send a letter back to his hometown in Chang 'an. This poem describes the scene.
The first sentence is to write the real scene in front of you. "Hometown" refers to my home in Chang 'an. "Looking east" means pointing out the location of Chang 'an. It has been many days since I left Chang 'an. Looking back, I only feel that the road is long and Xiu Yuan is full of dust.
The second sentence has an exaggerated meaning, emphasizing the passion of remembering loved ones, and secretly revealing the slight meaning of bringing home letters here. The "dragon bell" here means wet. "Dragon Bell" and "Farewell to Tears" vividly describe the poet's deep affection for his relatives in Chang 'an.
Three or four sentences are completely the breath of a traveler in a hurry. When we meet, we can't write letters without pen and paper. Please send me a safe message to my home! Cen Can came here with the ambition of "fame and fortune". At this time, the mood is complicated. On the one hand, he has tenderness and homesickness for the imperial city, on the other hand, he also shows the poet's open and heroic mind.
The advantage of this poem is true, but it is sincere. Poets are good at refining and summarizing the thoughts and words of many people by artistic means, making them typical. Liu Xizai, a Qing Dynasty man, once said, "Poetry can be seen in a convenient place, so it feels kind and tasteful." (See "Art Outline". The Outline of Poetry has a rich charm among the people and can be deeply rooted in people's hearts for a long time. Cen Can's poems have this feature.
Xixi Chuzhou (Wei Wuying)
This is a famous landscape poem and one of Wei's representative works. Describe the poet's spring trip to Xixi Chuzhou to enjoy the scenery, and take a wild trip in the rain at low tide. The first two sentences are written in spring.
Scenery, love quiet grass and despise orioles, to celebrate festivals, but envy flattery; The last two sentences are about the urgency of the spring tide and the urgency of the boat crossing.
The scene contains a kind of helpless sadness that is not in place and cannot be used. The whole poem reveals a calm state of mind and
A feeling of sadness. This is a famous landscape poem and the most famous masterpiece of Wei. Although the poem is about ordinary scenery, it has become a legal animation with deep artistic conception after being touched by the poet.
He was deeply worried about the political corruption in the mid-Tang Dynasty, and was also concerned about the sufferings of people's livelihood, but he could do nothing. This poem expresses his feelings euphemistically.
On Meeting Li Guinian Down the River (Du Fu)
Dream-like memories can't change the present reality after all. "It's the beautiful scenery in the south of the Yangtze River, and it's the season of falling flowers." Jiangnan, with its beautiful scenery, was originally a paradise for poets in Chengping era. Now I am really in it, facing the "lost season" with withered eyes and the wandering artists with white hair. The season of falling flowers seems to be an impromptu work, but it seems to have ulterior motives, intentionally or unintentionally. Readers who are familiar with the times and Du Fu's life experience will associate these four words with the decline of the world, social unrest, the decline of the poet and illness, but they don't think the poet is deliberately metaphorical. This writing style is particularly confusing. In addition, the two function words "exactly" and "you" in the two sentences are full of ups and downs, and there are infinite feelings between the lines. The beautiful scenery in the south of the Yangtze River is in a strong contrast with the chaotic life experience of being divorced from the times and sinking. An old singer and an old poet reunited in the wandering, and the flowing scenery dotted with two haggard old people became a typical portrayal of the vicissitudes of the times. It mercilessly confirmed that the "Kaiyuan Shengshi" has become a historical relic, and an earth-shaking change has reduced Du Fu and Li Guinian, who experienced the prosperity, to an unfortunate level. There is no doubt that the feelings are profound, but the poet wrote that "falling flowers meet the monarch again", but he accepted it with a gloomy mood, pregnant with deep sighs and painful sadness in silence. I don't want to say a word about this "beginning and ending", which is really meaningful. Shen Deqian commented on this poem: "The meaning has not been applied, and the case has not been solved". The meaning of this "inapplicability" is not difficult to understand for Li Guinian, a party with similar experience; For readers who are good at understanding people and discussing the world in later generations, it is not difficult to grasp. For example, Li Guinian sang in "The Palace of Eternal Life Tanci": "At that time, the sky was clear, but now the drums are beating along the street", "I can't sing endless dreams of rise and fall, I can't play endless lamentations, and my eyes are full of sadness" and so on. Although I sing repeatedly, the meaning is not more than Du Fu's poems, but it seems that the playwright has deduced it from Du Fu's poems.
The past, the chaos of the world, the ups and downs of years, the gathering and scattering of human feelings and the desolation of each other are all concentrated in these short 28 words. Language is extremely simple and profound, which contains very rich social life content, condensing the vicissitudes of the times and great changes in life for more than 40 years. The ups and downs of the past constitute a sharp contrast, which makes people feel deep and dignified in their poems.
Master Pai Che Ling (Liu Changqing)
The title of the poem is "Send Master Che Ling", and the poem is also freehand, picturesque and lyrical from the word "send". The poem didn't say a word, and it was a farewell feeling.
The first two sentences look forward to the destination of Che Ling in the desolate mountain forest. The bell in the temple is ringing far away, and it is dusk when it is lit, as if urging Che Ling to return to the mountain. With the pen of imagination, the poet created the secluded land of Qingyuan. These two sentences focus on scenery, and scenery also contains feelings.
The last two sentences are about Che Ling's farewell and return. Che Ling, wearing a hat and covered with the afterglow of the sunset, walked alone to Qingshan, further and further. "Castle Peak" means the first sentence "from the temple, deep in its tender bamboo", pointing out that the temple is in the mountains. Traveling Alone shows the poet standing and watching, reluctant to go, and doing something. The poet stood for a long time, and the image of watching his friends go away is still very vivid.
The whole poem expresses the poet's deep affection for Che Ling, and also shows Che Ling's quiet demeanor of returning to the mountains.
York (Zhao Shixiu)
What kind of artistic conception does the poem "Ke" create? Look-on a summer night in the south of the Yangtze River, the plum rains are falling, frogs are chirping, and the poet invites friends to play chess. However, when the guests have not arrived after midnight, the poet knocks on the chess pieces and waits quietly ... What is the poet's mood at this time? I don't think there is any anxiety or boredom at all, but more likely a relaxed and comfortable state of mind. Maybe I was anxious for a while (how can this anxiety last until midnight? ), but now, the poet is infected by the scene of the summer night in the south of the Yangtze River: passionate plum rain, cheerful wow, flashing lights, crisp chess knocking ... This is a lively and quiet, dignified and elegant picture. Perhaps the poet has forgotten that he is waiting for a friend and is completely immersed in the inner restlessness and tranquility. We should thank our friends for not keeping the appointment and let the poet enjoy such a wonderful sleepless night alone.
On Poetry (Zhao Yi)
It is written that future generations inherit their predecessors, and "the waves behind the Yangtze River push the waves before" comes from this poem. The language is straightforward, but the meaning is profound.